Download Digital Sheet Music of Mark Harris for String Orchestra

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Mark Harris
Not classified 54

Piano & keyboards
Piano, Voice 43
Easy Piano 24
Piano solo 18
Piano, Vocal and Guitar 15
C Instruments 4

Piano (band part) 2

+ 1 instrumentations

- Retract

Guitars
Bass guitar 3
Guitar notes and tablatures 2
Guitar (band part) 2
Electric Bass (band part) 1

Voice
Choral SATB 19
Choral 3-part 7
Choral TTBB 3
Choral SSAA 2
Choral 2

Choral 2-part 2
Vocal duet, Piano 1

+ 2 instrumentations

- Retract

Woodwind
Saxophone (band part) 6
Clarinet and Piano 2
Alto Saxophone 2
Saxophone Quartet: 4 saxophones 2
Oboe, Piano (duet) 1

Oboe (band part) 1
Soprano Saxophone and Piano 1
Flute 1
2 Flutes (duet) 1
Alto Saxophone and Piano 1
Flute and Piano 1

+ 6 instrumentations

- Retract

Woodbrass
Trumpet (band part) 4
Trombone (band part) 2
Trumpet 1
Trumpet, Piano 1
Trombone and Piano 1

Trombone 1

+ 1 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 6
Violin 3
Harp 1
Doublebass (band part) 1
Cello (band part) 1

Viola 1

+ 1 instrumentations

- Retract

Percussion & orchestra
Concert band 5
Orchestra 4
Handbells 2
Drum (band part) 2
String Orchestra 2

Jazz Ensemble 2
Vibraphone and Marimba 1
Chamber Orchestra 1

+ 3 instrumentations

- Retract

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Mark Harris

String Orchestra

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2 sheet music found

PRELUDE #4 IN E MINOR - Frederic Chopin - arranged for string orchestra (score, parts, and license)

PRELUDE #4 IN E MINOR - Frederic Chopin - - string orchestra (score, parts, and license) #String Orchestra #EASY #Classical #Frederic Chopin #Brian Harris #PRELUDE #4 IN E MINOR - Freder #Bandroom.com Publications #SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.859768 Composed by Frederic Chopin. Arranged by Brian Harris. 19th Century,Instructional,Romantic P...(+)

String Orchestra - Level 2 - Digital Download SKU: A0.859768 Composed by Frederic Chopin. Arranged by Brian Harris. 19th Century,Instructional,Romantic Period,Standards. Score and Parts. 10 pages. Bandroom.com Publications #3899221. Published by Bandroom.com Publications (A0.859768). _______________________Originally written for piano in the late 20th Century, Chopin's instantly recognizable work adapts perfectly to string orchestra. The melody is only in the Violin 1 part; the remaining parts are very simple and provide a great opportunity to work on pitch accuracy and hooked bowing technique.With very young groups, this work could be used to feature a guest soloist on the Violin 1 part.Also included is an extra part named Cello/Viola which is the viola line transposed for cello in case you are short on viola and need a little help balancing the ensemble.The work comes with full score, parts (with bowings marked), and a site license to permit your school to print as many copies as needed for sole use.________________________

$22.05 ≈ 20.23€

'Re-Creation'

'Re-Creation' #String Orchestra #Contemporary #Craig Michael Davis #'Re-Creation' #Jack Harrison Inc. #SheetMusicPlus

String Orchestra - Digital Download SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison ...(+)

String Orchestra - Digital Download SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to Californiaâ€™s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the authorâ€™s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of itâ€™s own, free from the confines of itâ€™s author and any concert hall it is performed in.

$15.00 ≈ 13.76€