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You've selected:
Henri Dès
Sheetmusic to print
9 sheet music found
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1
Aase's Death from Peer Gynt for 5-part Trombone Ensemble
Aase's Death from Peer Gynt for 5-part Trombone Ensemble
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Classical
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Edvard Grieg
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Hayes, Edward
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font: 8
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Aase's Death from Peer Gynt fo
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.810866 Composed by Edvard Grieg. Arranged by Hayes, Edward. Romantic Period. Score and parts...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.810866 Composed by Edvard Grieg. Arranged by Hayes, Edward. Romantic Period. Score and parts. 9 pages. Gordon Cherry #3664487. Published by Gordon Cherry (A0.810866). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 8.0px Helvetica} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 8.0px Helvetica; min-height: 10.0px} Grieg’s incidental music to Henrik Ibsen’s play became his most popular work, premiering in 1876 along with the play. Aase’s death is an elegy depicting the death of Peer Gynt’s mother dying alone on a mountain. It is simple and powerful. Ed Hayes and Frank Harmantas have score this work for 5-part Trombone Ensemble. This 4-minute work is playable by moderately advanced performers except the top part which goes up to a couple high d’s and need some endurance.
$20.00 ≈
18.72€
Henri Dès: On se dit Joyeux Noël
Instruments Solistes
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French Songs
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Henri Dès
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On se dit Joyeux Noël
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Quickpartitions
4.99€
25B. Faith of Our Fathers! (ST. CATHERINE)
25B. Faith of Our Fathers! (ST. CATHERINE)
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Sacred music
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Henri F
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Richard Giszczak
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25B. Faith of Our Fathers!
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1247593 Composed by Henri F. Hemy (1818–1888) and James G. Walton (1821–190...
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1247593 Composed by Henri F. Hemy (1818–1888) and James G. Walton (1821–1905). Arranged by Richard Giszczak. Christian,Holiday,Praise & Worship,Religious,Sacred. Individual part. 3 pages. Singing Winds Music Company #842144. Published by Singing Winds Music Company (A0.1247593). This arrangement is set for 25-Bell (or larger) Carillon (C,D,E...d1), however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 3 variations, and a D.S. al Fine.The hymn tune name is ST. CATHERINE or ST. FINBAR. The words Faith of Our Fathers are associated with Thanksgiving. The tune is set with other words for general use.
$2.00 ≈
1.87€
Faith of Our Fathers! (ST. CATHERINE)
Faith of Our Fathers! (ST. CATHERINE)
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Sacred music
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Henri F
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Richard Giszczak
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Faith of Our Fathers!
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1104496 Composed by Henri F. Hemy (1818–1888) and James G. Walton (1821–190...
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1104496 Composed by Henri F. Hemy (1818–1888) and James G. Walton (1821–1905). Arranged by Richard Giszczak. 19th Century,Christian,Praise & Worship,Religious. Individual part. 3 pages. Singing Winds Music Company #707718. Published by Singing Winds Music Company (A0.1104496). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 3 variations, and a D.S. al Fine. The hymn tune name is ST. CATHERINE or ST. FINBAR.
$2.00 ≈
1.87€
It Is Not Death to Die - Orchestration
It Is Not Death to Die - Orchestration
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Robert Myers
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It Is Not Death to Die - Orche
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WheatMyer Music
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #479463...
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Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00 ≈
70.19€
L'Arbre des songes
L'Arbre des songes
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Henri Dutilleux
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L'Arbre des songes
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 3 (3. auch Ob. d'am.) · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 3 · 3 · 3 · 1 - P. S. (Glsp. · Crot. · Vibr. · ...
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Picc. · 2 · 3 (3. auch Ob. d'am.) · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 3 · 3 · 3 · 1 - P. S. (Glsp. · Crot. · Vibr. · Röhrengl. · 2 hg. Beck. · 2 Tamt. · 3 Bong. · kl. Tr. · 3 Tomt.) (5 Spieler) - Hfe. · Klav. (auch Cel.) · Cimb. - Str. violin and orchestra - difficult - Digital Download SKU: S9.Q2929 Concerto. Composed by Henri Dutilleux. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 25 minutes. Schott Music - Digital #Q2929. Published by Schott Music - Digital (S9.Q2929).
$35.99 ≈
33.68€
L'arbre des songes
L'arbre des songes
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Henri Dutilleux
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L'arbre des songes
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 3 (3. auch Ob. d'am.) · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 3 · 3 · 3 · 1 - P. S. (Glsp. · Crot. · Vibr. · ...
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Picc. · 2 · 3 (3. auch Ob. d'am.) · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 3 · 3 · 3 · 1 - P. S. (Glsp. · Crot. · Vibr. · Röhrengl. · 2 hg. Beck. · 2 Tamt. · 3 Bong. · kl. Tr. · 3 Tomt.) (5 Spieler) - Hfe. · Klav. (auch Cel.) · Cimb. - Str. violin and orchestra - difficult - Digital Download SKU: S9.Q2959 Concerto. Composed by Henri Dutilleux. This edition: study score. Downloadable, Study score. Duration 25 minutes. Schott Music - Digital #Q2959. Published by Schott Music - Digital (S9.Q2959).
$55.99 ≈
52.40€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
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Hallelujah from Messiah - Choir & Brass quintet
Hallelujah from Messiah - Choir & Brass quintet
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Classical
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George Frideric Handel
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Henrik Torolphi
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Hallelujah from Messiah - Choi
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Henrik Torolphi
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.1264689 Composed by George Frideric Handel. Arranged by Henrik Torolphi. Baroque,Christian,Christmas,Classical. 37 pag...
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Level 5 - Digital Download SKU: A0.1264689 Composed by George Frideric Handel. Arranged by Henrik Torolphi. Baroque,Christian,Christmas,Classical. 37 pages. Henrik Torolphi #857521. Published by Henrik Torolphi (A0.1264689). Arrengement of the fameus Hallelujah Chorus from Handel's oratorio Messiah. Trumpet parts in different keys for your choise, C, D or A piccolo.
$20.00 ≈
18.72€
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Henri Dès
