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313 sheet music found Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score) # Choral SATB # ADVANCED # Adrian Gagiu # Missa Solemnis, op. 27 # Adrian Gagiu # SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie. De Tierra Lejana Venimos (Song of the Wise Men)
De Tierra Lejana Venimos (Song of the Wise Men) # Choral SATB # BEGINNER # Public Domain # Alex E # De Tierra Lejana Venimos # Müller Publishing company # SheetMusicPlus
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.954668 By Public Domain. By Alex E. Arranged by Alex E. Children,Christmas,Classical,Mult...(+)
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.954668 By Public Domain. By Alex E. Arranged by Alex E. Children,Christmas,Classical,Multicultural,Traditional,World. 9 pages. Müller Publishing company #4848861. Published by Müller Publishing company (A0.954668). This musical arrangement is for a two-voice choir with a lively piano accompaniment of the song De Tierra Lejana Venimos (Song of the Wise Men). With this arrangement, singers can come together to perform the melody and harmony of this traditional Puerto Rican Christmas song, while the piano provides a vivid and engaging accompaniment.De Tierra Lejana Venimos is a Christmas song that celebrates the story of the Three Wise Men who traveled to see baby Jesus. The song features Spanish lyrics like we came from a distant land to see the baby born in Bethlehem. The gentle and emotional melody of this song evokes a feeling of contemplation and reverence fitting for the story it tells.This two-voice choir arrangement with piano accompaniment brings a new level of musical interest to this already-known song. The piano accompaniment is lively and cheerful, complementing the voices of the singers and creating a festive and joyful atmosphere. The result is an exciting and inspiring performance of De Tierra Lejana Venimos, which is sure to be enjoyed by all.In summary, this two-voice choir arrangement with piano accompaniment of the song De Tierra Lejana Venimos is an exciting and inspiring way to celebrate the Christmas season and experience traditional Puerto Rican music on a more advanced level. Requiem for All Souls
Requiem for All Souls # Choral SATB # INTERMEDIATE # Stephanie Martin # Requiem for All Souls # Biretta Books # SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.879627 Composed by Stephanie Martin. A Cappella,Christian,Contemporary,Sacred. Octavo. 36 pages....(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.879627 Composed by Stephanie Martin. A Cappella,Christian,Contemporary,Sacred. Octavo. 36 pages. Biretta Books #3518053. Published by Biretta Books (A0.879627). The Traditional Latin Requiem Mass is a musical genre that brought the Western musical tradition important works ranging from composers such as Mozart, Faure, Berlioz, Verdi, Palestrina and Victoria. This is a newly composed setting of the Latin text of the Requiem Mass from Stephanie Martin, a master of the choral idiom. This setting of the Requiem has solid choral writing, beautiful melody and rich harmonies. It is that sort of sensuous music that is choirs love to sing, and which stirs the hearts of listeners.In 2017, All Souls’ Church in San Diego, California, commissioned Martin to composed a Requiem for All Souls. Martin’s Requiem for All Souls was premiered on Souls’ Day, November 2, 2017, and dedicated in loving memory of The Reverend Edward Kellogg. On the day before the premiere, Chris Jennewein of the Times of San Diego wrote: This is the first major musical commission in the church’s history, but follows the centuries-long tradition of churches commissioning new music from significant composers. ‘Today many people don’t realize that the music commissioned by churches for performance during Masses, holy days, and other ceremonies forms a part of what we now call classical music,’ says Ruben Valenzuela, who is All Souls’ Director of Music and will conduct the premiere. So many of the landmark works we still love and perform were in many cases commissioned by churches or other religious institutions. Martin’s 25-minute Requiem for All Souls is set to the traditional Latin text of the Requiem Mass and will be performed a cappella. Valenzuela describes it as a work of pure, beautiful vocal music grounded in traditional church music. Jesus Is Born (Hymn)
Jesus Is Born (Hymn) # Choral SATB # EASY # Alex E # Alex E # Jesus Is Born # Müller Publishing company # SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.954675 By Alex E. By Robert Lowry. Arranged by Alex E. Christmas,Classical,Sacred,Traditi...(+)
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.954675 By Alex E. By Robert Lowry. Arranged by Alex E. Christmas,Classical,Sacred,Traditional. 4 pages. Müller Publishing company #6630429. Published by Müller Publishing company (A0.954675). **Arrangement of the Traditional Christmas Hymn Jesus Is Born by Robert Lowry - Accompaniment for Choirs and Congregation with Classic Harmony**Celebrate the most magical time of the year with the traditional Christmas hymn, Jesus Is Born, composed by the renowned Robert Lowry. This arrangement has been meticulously crafted to serve as an accompaniment for choirs and congregation, retaining the classic harmony that characterizes this beloved festive piece.The notes and harmonies have been thoughtfully adapted to ensure that choirs, regardless of their size or experience, can join the congregation and create a festive and worshipful atmosphere. This arrangement preserves the depth and sentiment of the original hymn while providing a solid foundation for a collective celebration.Perfect for Christmas services, spiritual gatherings, and seasonal celebrations, this rendition of Jesus Is Born will quickly become a valuable resource for any church or group wishing to invoke the spirit of Christmas through music.Don't miss the opportunity to enrich your Christmas celebrations with this specially adapted arrangement of the hymn Jesus Is Born by Robert Lowry. Acquire it now and inspire your congregation with the beauty, joy, and depth of this iconic melody. Silent Night
Silent Night # Choral SATB # INTERMEDIATE # Christmas # Franz Xaver Gruber # Paul Lorenz # Silent Night # Paul Lorenz # SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1143241 Composed by Franz Xaver Gruber. Arranged by Paul Lorenz. Barbershop,Christmas,Cla...(+)
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1143241 Composed by Franz Xaver Gruber. Arranged by Paul Lorenz. Barbershop,Christmas,Classical,Religious,Sacred. 2 pages. Paul Lorenz #743602. Published by Paul Lorenz (A0.1143241). Silent Night - Sheet Music for Choir SATB Discover the enchanting beauty of Silent Night like never before with Paul Lorenz Music's modern classical choral version. Our arrangement brings a fresh perspective to this timeless Christmas carol, expertly crafted for Soprano, Alto, Tenor, and Bass. Perfect for choirs and ensembles, this piece blends traditional elegance with innovative harmonies, creating an unforgettable musical experience. Ideal for holiday concerts and special performances, it's a must-have for lovers of high-quality, soul-stirring choral music. Elevate your choir's repertoire with this exquisite rendition by Paul Lorenz Music, where classical meets modernity. Find More About Paul Lorenz Music: - Homepage- Instagram- Facebook The First Noel (with Pachelbel's Canon in D) (SATB)
The First Noel (with Pachelbel's Canon in D) (SATB) # Choral SATB # EASY # Classical # Christopher Alexander # Christopher Alexander # The First Noel # Christopher Alexander # SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1428617 By Christopher Alexander. By Johann Pachelbel and Traditional English Christ...(+)
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1428617 By Christopher Alexander. By Johann Pachelbel and Traditional English Christmas Carol. Arranged by Christopher Alexander. Christmas,Classical,Sacred,Traditional. 12 pages. Christopher Alexander #1009427. Published by Christopher Alexander (A0.1428617). An integration of Johann Pachelbel’s Canon in D with the familiar English Christmas carol, this song will surely be a delight to perform during the Holiday season.Also available in SAB, SSA, TB, Two-Part, and Vocal Solo.