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1,147 sheet music found Bach-Gounod: Ave Maria for Clarinet and Piano
Bach-Gounod: Ave Maria for Clarinet and Piano # Clarinet and Piano # EASY # Classical # J # Colin
Kirkpatrick # Bach-Gounod: Ave Maria for Cla # Colin
Kirkpatrick Publications # SheetMusicPlus
Composed by J. S. Bach - C.
Gounod. Arranged by Colin
Kirkpatrick. Praise &
Worship, Easter, Wedding, Bar
or Bat Mitzvah, Funeral.
Piano Reduction...(+)
Composed by J. S. Bach - C.
Gounod. Arranged by Colin
Kirkpatrick. Praise &
Worship, Easter, Wedding, Bar
or Bat Mitzvah, Funeral.
Piano Reduction, Solo Part. 6
pages. Published by Colin
Kirkpatrick Publications This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition. Saint-Saëns: The Swan for Clarinet & Piano
Saint-Saëns: The Swan for Clarinet & Piano # Clarinet and Piano # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saëns: The Swan for Cla # jmsgu3 # SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Co...(+)
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind. Angels We Have Heard on High (Clarinet and Piano)
Angels We Have Heard on High (Clarinet and Piano) # Clarinet and Piano # INTERMEDIATE # Traditional French Carol # John A # Angels We Have Heard on High # John A. Dempsey # SheetMusicPlus
Clarinet,Piano - Level 3 - Digital Download SKU: A0.525052 Composed by Traditional French Carol. Arranged by John A. Dempsey. Christian,Christmas,Holiday...(+)
Clarinet,Piano - Level 3 - Digital Download SKU: A0.525052 Composed by Traditional French Carol. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and part. 14 pages. John A. Dempsey #6626727. Published by John A. Dempsey (A0.525052). Arranged as a lively duet for Bb clarinet and piano, this exultant arrangement of a traditional French carol contains variation in both the clarinet and piano parts as well as dynamic shading, embellishments and incidental music by Grieg, all adding to the joyful atmosphere of praise and thanksgiving. Gloria in excelsis Deo is Latin for Glory to God in the Highest. Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture and special music. Concert Key (Piano): Bb major. Clarinet Key: C major. 10 pages of music (that includes a separate two-page clarinet part). Korean Simple Suite No.3 "Happy Wedding" (For Clarinet and Piano)
Korean Simple Suite No.3 "Happy Wedding" (For Clarinet and Piano) # Clarinet and Piano # INTERMEDIATE/ADVANCED # Han-Ki Kim # Â For Clarinet and Piano Op # Korean Simple Suite No.3 "Happ # Han-Ki Kim # SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1303612 Composed by Han-Ki Kim. Classical,Instructio...(+)
Instrumental Duet,Piano B-Flat Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1303612 Composed by Han-Ki Kim. Classical,Instructional,Multicultural,Standards,Traditional,World. 35 pages. Han-Ki Kim #893186. Published by Han-Ki Kim (A0.1303612). “Korean Simple Suite†No.3  <Happy Wedding>  For Clarinet and Piano Op.273It consists of 5 movements in total, and all of them mainly used the traditional 5 notes of “Do,Re,Mi,Sol,Ra†in Korea as far as the melody is concerned. It shows the wedding ceremony of the bride and groom held in the traditional Korean front yard and the surrounding scenery. The original Music was composed for violin and was composed by the composer's own teacher, violinist  Dr. Walter Verdehr.1st mov. : The Front Yard: In F minor in 8/12 time, it is a short movement with a bright atmosphere. The Korean’s front yard is a friendly place for villagers' gatherings and events.2nd mov. : Yeonzi – Gonzi: In F major in 4/4 time. The meaning of “Yeonji Gonji†is the red dot on the cheeks and forehead of the bride in a Korean traditional wedding ceremony.3rd mov. : Joyful Dance: 3/4 time F minor, composed in ABA form, expressed the joy of dancing in Korea.4th mov. : Longing: In D minor in 6/4 time, tried to express the feeling of oriental waiting.5th mov. : The Bride and Groom: B minor, composed of 4/4 and 6/4 time signatures. Like the title The Groom and the Bride, it is composed in a rondo format that intersects the theme of liveliness and the theme of calm.Attached Music file is 1st mov. and recorded by Violin and Piano, it's just for a reference. Korean Simple Suite No.2 (For Clarinet and Piano)
Korean Simple Suite No.2 (For Clarinet and Piano) # Clarinet and Piano # INTERMEDIATE/ADVANCED # Traditional # Han-Ki Kim # Korean Simple Suite No.2 # Han-Ki Kim # SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1218986 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Stand...(+)
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1218986 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. Score and part. 33 pages. Han-Ki Kim #815402. Published by Han-Ki Kim (A0.1218986). “Korean Simple Suite†No.2 For Clarinet and Piano Op.272 As far as the melodic line is concerned, The traditional five notes “Do.Re.Mi.Sol.La.†of Korea were mainly used, And, It consists of five movements as follows. 1. Prologue - Ungki Dungki 2. Sound of Piri 3. Cheerful Semachi 4. Meditation 5. Finale - Perpetuum Mobil1. Prologue - “Ungki Dungkiâ€: In D major in 6/4 time, it is a short song with a bright atmosphere. The meaning of “Ungki Dungki†refers to the body movements that show Koreans' excitement during fun.2. Sound of Piri: In G major in 4/4 time, the natural harmonics of string instruments are partially used to describe the sound of oriental flutes.3. Cheerful Semachi : In D major in 9/8 time, we tried to express Korean excitement using our traditional semachi rhythm.4. Meditation : In G minor in 4/4 time, I tried to express sadness.5. Finale - Perpetuum Mobil: In D major in 4/4 time, it is played at a very high speed with 16th notes and forms the melody line of small fragments of Do,Re,Mi,So,La. The Water is Wide (Clarinet and Piano)
The Water is Wide (Clarinet and Piano) # Clarinet and Piano # INTERMEDIATE # Celtic/Irish # Traditional Celtic Melody # John A #   # The Water is Wide # John A. Dempsey # SheetMusicPlus
Clarinet,Piano - Level 3 - Digital Download SKU: A0.523932 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spirit...(+)
Clarinet,Piano - Level 3 - Digital Download SKU: A0.523932 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. Score and part. 13 pages. John A. Dempsey #4349069. Published by John A. Dempsey (A0.523932). Give me a boat that can carry two and both shall row - my love and I. Loving crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather), this romantic duet for Bb clarinet and piano is recommended for recitals, concerts, weddings, ceilidhs and any Celtic-themed music event. As wedding music, The Water is Wide stirs the heart as a prelude, bridal march, bridesmaid processional and unity candle music. As sacred music, this duet is recommended as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events, as this melody has been used in multiple hymn settings, including The Gift of Love, Though I May Speak of Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross. 9 pages of music (that includes a separate two-page pullout clarinet part). Concert Key (Piano): F major. Clarinet Key: G major. On Jordan's Stormy Banks (Clarinet and Piano)
On Jordan's Stormy Banks (Clarinet and Piano) # Clarinet and Piano # INTERMEDIATE/ADVANCED # Sacred music # Traditional Folk Hymn, Felix A # John A # On Jordan's Stormy Banks # John A. Dempsey # SheetMusicPlus
Clarinet,Piano - Level 4 - Digital Download SKU: A0.524893 Composed by Traditional Folk Hymn, Felix Arndt. Arranged by John A. Dempsey. Christian,Praise ...(+)
Clarinet,Piano - Level 4 - Digital Download SKU: A0.524893 Composed by Traditional Folk Hymn, Felix Arndt. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Spiritual,Traditional. Score and part. 14 pages. John A. Dempsey #6453661. Published by John A. Dempsey (A0.524893). A classic Christian hymn complete with a lively tempo and a mood of joyfulness and exaltation, this duet arrangement for Bb clarinet and piano adds a burst of energy and enthusiasm to any praise and worship event. Â With incidental music by Felix Arndt, this music is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory or special music. Â Concert Key (Piano): F major. Â Clarinet Key: G major. Â 10 pages of music (that includes a separate two-page clarinet part). How Firm a Foundation (Clarinet and Piano)
How Firm a Foundation (Clarinet and Piano) # Clarinet and Piano # INTERMEDIATE # Sacred music # Traditional Hymn Melody, Edwar # John A # How Firm a Foundation # John A. Dempsey # SheetMusicPlus
Clarinet,Piano - Level 3 - Digital Download SKU: A0.524826 Composed by Traditional Hymn Melody, Edward Elgar. Arranged by John A. Dempsey. Christian,East...(+)
Clarinet,Piano - Level 3 - Digital Download SKU: A0.524826 Composed by Traditional Hymn Melody, Edward Elgar. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #6367541. Published by John A. Dempsey (A0.524826). In this duet for Bb clarinet and piano, the tempo slows after the initial pages, giving the hymn a peaceful, reflective quality while still retaining the song's message of faith and affirmation. Â With incidental music by Edward Elgar, this arrangement is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory or special music. Â Concert Key: F Major. Â 9 pages of music (that includes a separate two-page clarinet part). Â Clarinet Level: Intermediate. Â Piano Level: Late Intermediate. Down to the River to Pray (Trio for Clarinet, Alto Sax and Piano)
Down to the River to Pray (Trio for Clarinet, Alto Sax and Piano) # Clarinet and Piano # INTERMEDIATE # Traditional Gospel Tune # John A # Down to the River to Pray # John A. Dempsey # SheetMusicPlus
Small Ensemble Alto Saxophone,B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.524313 Composed by Traditional Gospel Tune. Arranged by John A. ...(+)
Small Ensemble Alto Saxophone,B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.524313 Composed by Traditional Gospel Tune. Arranged by John A. Dempsey. Blues,Country,Sacred,Spiritual,Traditional. Score and parts. 19 pages. John A. Dempsey #5293975. Published by John A. Dempsey (A0.524313). A river finds its ripples: the traditional gospel tune Down to the River to Pray flows into the surging waters of rhythm and blues. Â Arranged as a trio for Bb clarinet, alto sax and piano, this music is especially effective as a prelude, postlude, an offertory or special music for church services. Â Also recommended for concerts, recitals, youth rallies, praise and worship events and anywhere upbeat, joyful music is played. Â 15 pages of music (that includes separate two-page parts for clarinet and alto sax). Â Concert Key (Piano): F major. Â Clarinet Key: G major. Â Alto Sax Key: D major. The First Noel (Clarinet and Piano)
The First Noel (Clarinet and Piano) # Clarinet and Piano # INTERMEDIATE # Traditional English Christmas # John A # The First Noel # John A. Dempsey # SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1405492 Composed by Traditional English Christmas Carol, Johannes Brahms. Arranged by John A. ...(+)
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1405492 Composed by Traditional English Christmas Carol, Johannes Brahms. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and part. 12 pages. John A. Dempsey #988547. Published by John A. Dempsey (A0.1405492). Here the classic Christmas carol The First Noel exudes a mood of flowing serenity and reverent prayerfulness that celebrates the Savior's birth that wondrous night in Bethlehem.  With incidental music by Brahms, this arrangement for Bb clarinet and piano is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, silent prayer accompaniment and more.  Also suitable as an overture or incidental music for Christmas plays, programs and musicals.  8 pages of music (that includes a separate two-page clarinet part).  Concert Key: F major The first noel the angels did say,Was to certain poor shepherds in fields as they lay;In fields where they lay keeping their sheepOn a cold winter's night that was so deep.Noel, noel, noel, noel,Born is the King of Israel.