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CHOIR VOCAL Renaissance
CHORAL - VOCAL - CHOIR
Sheetmusic to print
60 sheet music found
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Ave Maria (Vocal Duet)
Ave Maria (Vocal Duet)
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Vocal duet
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EASY
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Giulio Caccini
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Thomas R
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Ave Maria
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Thomas R. Vozzella
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SheetMusicPlus
Voice Duet Voice - Level 2 - SKU: A0.778355 Composed by Giulio Caccini. Arranged by Thomas R. Vozzella. Baroque,Christmas,Contemporary,Renaissance,Sacre...
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Voice Duet Voice - Level 2 - SKU: A0.778355 Composed by Giulio Caccini. Arranged by Thomas R. Vozzella. Baroque,Christmas,Contemporary,Renaissance,Sacred. 7 pages. Thomas R. Vozzella #4832331. Published by Thomas R. Vozzella (A0.778355). Ave Maria, by Giulio Caccini (1551-1618), is a very beautiful and moving piece of music. Caccini was an Italian composer, teacher, singer, instrumentalist and writer from late Renaissance, early Baroque era. Here is an accessible arrangement for SATB choir, accompanied by keyboard. It is sure to be a regular staple in your repertoire. Also, included is an alternate text (Alleluia!) for general use.
$4.99 ≈
4.60€
The Passionate Shepherd & The Nymph's Reply for SATB Choir & Piano (optional Renaissance Guitar)
The Passionate Shepherd & The Nymph's Reply for SATB Choir & Piano (optional Renaissance Guitar)
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Choral SATB
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EASY
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M
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The Passionate Shepherd & The
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Vocal Works
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1360780 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1360780 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945275. Published by Vocal Works (A0.1360780). Visit http://choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at http://choirworks.com ...Recording by Rocky Mountain Chamber Singers.
$2.49 ≈
2.30€
The Passionate Shepherd & The Nymph's Reply for SB Choir & Piano (optional Renaissance Guitar)
The Passionate Shepherd & The Nymph's Reply for SB Choir & Piano (optional Renaissance Guitar)
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Choral 2-part
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EASY
#
M
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The Passionate Shepherd & The
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Vocal Works
#
SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1360949 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pag...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1360949 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945433. Published by Vocal Works (A0.1360949). Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.
$2.49 ≈
2.30€
The Passionate Shepherd & The Nymph's Reply for SAB Choir & Piano (optional Renaissance Guitar)
The Passionate Shepherd & The Nymph's Reply for SAB Choir & Piano (optional Renaissance Guitar)
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Choral 3-part
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EASY
#
M
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The Passionate Shepherd & The
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Vocal Works
#
SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1360944 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages....
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1360944 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945428. Published by Vocal Works (A0.1360944). Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.
$2.49 ≈
2.30€
The Passionate Shepherd & The Nymph's Reply for 2-part Choir & Piano (optional Renaissance Guitar)
The Passionate Shepherd & The Nymph's Reply for 2-part Choir & Piano (optional Renaissance Guitar)
#
Choral 2-part
#
EASY
#
M
#
The Passionate Shepherd & The
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Vocal Works
#
SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1360939 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pag...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1360939 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945424. Published by Vocal Works (A0.1360939). Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.
$2.49 ≈
2.30€
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462151. Published by jmsgu3 (A0.549205). Minimum instrumentation: 8 double reeds (or multiples) arranged in 2 antiphonal choirs. 4 oboes, 2 English horns, 1 bassoon, 1 contrabassoon (or 2 bassoons). Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.23€
Lorem Ipsum [mixed choir]
Lorem Ipsum [mixed choir]
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Choral SATB
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INTERMEDIATE
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Juan MarÃa Solare
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Lorem Ipsum [mixed choir]
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Juan Maria Solare
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multicultural,World. ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multicultural,World. 14 pages. Juan Maria Solare #3485699. Published by Juan Maria Solare (A0.596519). Juan MarÃa Solare Lorem ipsum for choir a cappella SATB Audio: https://soundcloud.com/juan-maria-solare/lorem-ipsum-choir-northern-spirit-solare Video: https://www.youtube.com/watch?v=4uyp8F6qTqw Lorem ipsum dolor sit amet, consectetur adipiscing elit, incididunt ut labore et dolore magna umbra. Nulla sed leo. Nullam sed purus. Nulla vitae diam sapien. Nulla gravida pretium magna. Tellus, ventus et ignis. Verbum sapientes defendit.   The Lorem ipsum is a text in pseudo-Latin, loosely inspired in a writing of Cicero[1] and that since the XVI century is used in publishing as filler text. Today it is used with a similar function, in electronic documents or web design. There are several versions of this text (of variable length), all them used to begin in the same way (Lorem ipsum … elit) but goon in different fashions. Therefore, I also invented part of the text, taking care of the metric, structural parallelisms and some hidden allusion to popular music (Tellus, ventus et ignis is Earth, Wind and Fire). The last sentence has even some sense: Verbum sapientes defendit means that the word defends to those who know. In the coda, since it is vocally much more practical to finish in m than in t, I changed the last word: dolor sit ipsum, what carries the existentialist message that pain is oneself.  Musically, the form is a rondo, with an obsessive refrain (based on the sentence we are commenting) which reappears without modifications.  This piece was composed in Bremen (Germany) on 18, 19 and 20 May 2015 (as if from a handbook: one day the text, the following day the music and on the third one big adjustements and the definitive precisions). Lorem ipsum is dedicated to Gonzalo MartÃn SaldÃvar. Premiere by the chamber choir Northern Spirit, conducted by Jaret Choolun, tenth year anniversary concert1 (19th November 2016) at the kleiner Saal of Die Glocke, Bremen, Germany. (https://www.northernspirit.de/kammerchor-bremen/jubilaeumskonzert-in-der-glocke/)First performance in Latin America: Coro Estable Municipal de Tandil, conducted by Annele Moroder, during the opening concert of the Third Argentine Choral Congress and the First Latin American Choral Congress (Choral Art and Identity) on May 24, 2018 (at 8:15 PM) at the Tandil Museum of Fine Arts, Argentina (https://www.youtube.com/watch?v=4uyp8F6qTqw). Juan MarÃa Solare [1] de Finnibus Bonorum et Malorum (On the Ends of Good and Evil), sections 1.10.32 and 1.10.33, written in the year 45 before Christ. This book -a treatise on ethic theory- was very popular during the Renaissance.
$5.00 ≈
4.61€
Comfort, Comfort Now My People - vocal
Comfort, Comfort Now My People - vocal
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Choral SATB
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EASY
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Geneva Psalter, 1551
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Phyllis Hopper
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Comfort, Comfort Now My People
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HopSez Productions
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.803461 Composed by Geneva Psalter, 1551. Arranged by Phyllis Hopper. Christmas,Easter,Renaissance,Sacred. Octavo...
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Choral Choir (SATB) - Level 2 - SKU: A0.803461 Composed by Geneva Psalter, 1551. Arranged by Phyllis Hopper. Christmas,Easter,Renaissance,Sacred. Octavo. 10 pages. HopSez Productions #2965873. Published by HopSez Productions (A0.803461). Comfort, Comfort Now My People is a hymn based on Isaiah 40 (think of the air in Handel's Messiah). It can be sung by a choir (separate mens' and womens' parts) and/or sung by a congregation. Here you have an arrangement with a definite Renaissance feel. I can hear finger cymbals ringing a counter rhythm throughout (sorry, I didn't write it in, but I'm sure you can figure it out). The parts are open and airy and the song has a light, joyous feel to it. While the instruments are published as violin, cello and drone (piano, etc) this should be playable by any pairings of treble and bass instruments that play in C. I hope you enjoy it as much as I have enjoyed putting together the arrangement! PH Jan2017.
$4.99 ≈
4.60€
The March of the Three Kings for Brass Band (opt. Choir & Soloist part)
The March of the Three Kings for Brass Band (opt. Choir & Soloist part)
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Choral SATB
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INTERMEDIATE
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Traditional
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M
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The March of the Three Kings f
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Vocal Works
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.741977 Composed by Traditional. Arranged by M. Ryan Taylor. Christian,Christmas,Renaissance,Romantic Period,Worl...
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Choral Choir (SATB) - Level 3 - SKU: A0.741977 Composed by Traditional. Arranged by M. Ryan Taylor. Christian,Christmas,Renaissance,Romantic Period,World. Octavo. 74 pages. Vocal Works #3508365. Published by Vocal Works (A0.741977). This arrangement of The March of the Three Kings for British-style Brass Band also includes an optional vocal part for soloist and/or chorus (unison, SAB or SATB).
$14.99 ≈
13.83€
6 Vocal Treasures for female voices (SSA, SSAA)
6 Vocal Treasures for female voices (SSA, SSAA)
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Choral SSAA
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INTERMEDIATE
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Various
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Ivana Tuskan
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6 Vocal Treasures for female v
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Ivana Tuskan
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.793979 Composed by Various. Arranged by Ivana Tuskan. Baroque,Jazz,Renaissance,Romantic Period. Octavo. 30 pages...
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Choral Choir (SSAA) - Level 3 - SKU: A0.793979 Composed by Various. Arranged by Ivana Tuskan. Baroque,Jazz,Renaissance,Romantic Period. Octavo. 30 pages. Ivana Tuskan #6447405. Published by Ivana Tuskan (A0.793979). A collection of 6 songs and arias from renaissance to romantic
$2.20 ≈
2.03€
Absolve, Domine - Tractus for Choir SATB a cappella
Absolve, Domine - Tractus for Choir SATB a cappella
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Choral SATB
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INTERMEDIATE
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Santino Cara
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Santino Cara
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Absolve, Domine - Tractus for
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Santino Cara
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1409090 By Santino Cara. By Santino Cara. Arranged by Santino Cara. Renaissance,Sacred. 7 pages. San...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1409090 By Santino Cara. By Santino Cara. Arranged by Santino Cara. Renaissance,Sacred. 7 pages. Santino Cara #991188. Published by Santino Cara (A0.1409090). Absolve, Domine: Tractus - Of the Missa pro Defunctis for Choir SATB a cappella. Composed in Rome in 2000 by Santino Cara on a Latin text from the late Middle Ages. Complete score and separate vocal parts, all in one PDF file.
$4.40 ≈
4.06€
Greensleeves, easy duet SA or 2 – part choir a cappella, F minor
Greensleeves, easy duet SA or 2 – part choir a cappella, F minor
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Choral 2-part
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BEGINNER
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Traditional
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Ivana Tuškan
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Greensleeves, easy duet SA or
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Ivana Tuskan
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.793817 Composed by Traditional. Arranged by Ivana Tuškan. A Cappella,Renaissance. Octavo. 3 pages. Ivana Tuskan...
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Choral Choir (SA) - Level 1 - SKU: A0.793817 Composed by Traditional. Arranged by Ivana Tuškan. A Cappella,Renaissance. Octavo. 3 pages. Ivana Tuskan #3604163. Published by Ivana Tuskan (A0.793817). In this arrangement I've added second voice to traditional melody, and it can be sung as a vocal duet or two-part choir. First and second verses are written in F minor, and third in C minor
$1.99 ≈
1.84€
Greensleeves, easy duet SA or 2 – part choir a cappella, E minor
Greensleeves, easy duet SA or 2 – part choir a cappella, E minor
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Choral 2-part
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BEGINNER
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Traditional
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Ivana Tuškan
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Greensleeves, easy duet SA or
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Ivana Tuskan
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.793815 Composed by Traditional. Arranged by Ivana Tuškan. A Cappella,Renaissance. Octavo. 3 pages. Ivana Tuskan...
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Choral Choir (SA) - Level 1 - SKU: A0.793815 Composed by Traditional. Arranged by Ivana Tuškan. A Cappella,Renaissance. Octavo. 3 pages. Ivana Tuskan #3604159. Published by Ivana Tuskan (A0.793815). In this arrangement I've added second voice to traditional melody, and it can be sung as a vocal duet or two-part choir. First and second verses are written in E minor, and third in B minor.
$1.99 ≈
1.84€
Jazzonia: from Black Pierrot (Piano/Vocal Score)
Jazzonia: from Black Pierrot (Piano/Vocal Score)
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Choral SATB
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ADVANCED
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Gospel/Spiritual
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William Averitt
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Jazzonia: from Black Pierrot
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) and chamber ensemble (SATB — 1 0 1 0 — 0 0 0 0 — 1[dr set,mar,vib,claves] — pf(cel) — vn,vc) - Diff...
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SATB choir (choir divisi) and chamber ensemble (SATB — 1 0 1 0 — 0 0 0 0 — 1[dr set,mar,vib,claves] — pf(cel) — vn,vc) - Difficult - SKU: MQ.8829-E Composed by William Averitt. African American Heritage. 14 pages. Duration 4 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8829-E. Published by E. C. Schirmer Music Company - Digital (MQ.8829-E). English.From the large work Black Pierrot, Jazzonia (1923) describes the scene in a Harlem café of the 1920s in which “six long-headed jazzers play,†and beautiful girls dance. After a short introductory section, the music moves into a lively ragtime—complete with drum set—that forms the background for the remainder of the piece. Altogether, it is something of a poetic and musical glance at the era of the Harlem Renaissance in which so much African-American music, art, and poetry emerged as vital forces in the arts. Duration: 4:30.
$2.85 ≈
2.63€
Morely Th., The First Booke of Canzonets for two Voyces, Vocal Canzonets, Modern Clefs
Morely Th., The First Booke of Canzonets for two Voyces, Vocal Canzonets, Modern Clefs
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Choral 2-part
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INTERMEDIATE/ADVANCED
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Thomas Morley
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Uri A
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instrument
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Morely Th., The First Booke of
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edition Prima Vista - Uri A. Dror
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SheetMusicPlus
Choral Choir (SA) - Level 4 - SKU: A0.956116 Composed by Thomas Morley. Arranged by Uri A. Dror - edition Prima Vista. Classical,Renaissance. Octavo. 33...
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Choral Choir (SA) - Level 4 - SKU: A0.956116 Composed by Thomas Morley. Arranged by Uri A. Dror - edition Prima Vista. Classical,Renaissance. Octavo. 33 pages. Edition Prima Vista - Uri A. Dror #5725781. Published by edition Prima Vista - Uri A. Dror (A0.956116). These lovely vocal Canzonets for two voices, are, in fact, 2-voice madrigals, whose texts deal with love, nature, or a combination of both. They were composed and printed in London, during the reign of Queen Elizabeth I. They are wonderful singing material, and can also be performed on two instruments (recorders, viola da gambas, etc.), or even a combination of voice & instrument. 2-voice score (based on the original print part-books), modern (G) clefs.
$33.00 ≈
30.44€
Morely Th., The First Booke of Canzonets for two Voyces, Vocal Canzonets, Original Clefs
Morely Th., The First Booke of Canzonets for two Voyces, Vocal Canzonets, Original Clefs
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Choral 2-part
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INTERMEDIATE/ADVANCED
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Thomas Morley
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Uri A
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instrument
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Morely Th., The First Booke of
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edition Prima Vista - Uri A. Dror
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SheetMusicPlus
Choral Choir (SA) - Level 4 - SKU: A0.956114 Composed by Thomas Morley. Arranged by Uri A. Dror - edition Prima Vista. Classical,Renaissance. Octavo. 33...
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Choral Choir (SA) - Level 4 - SKU: A0.956114 Composed by Thomas Morley. Arranged by Uri A. Dror - edition Prima Vista. Classical,Renaissance. Octavo. 33 pages. Edition Prima Vista - Uri A. Dror #5725735. Published by edition Prima Vista - Uri A. Dror (A0.956114). These lovely vocal Canzonets for two voices, are, in fact, 2-voice madrigals, whose texts deal with love, nature, or a combination of both. They were composed and printed in London, during the reign of Queen Elizabeth I.They are wonderful singing material, and can also be performed on two instruments (recorders, viola da gambas, etc.), or even a combination of voice & instrument.2-voice score (based on the original print part-books), original (C + G) clefs.
$33.00 ≈
30.44€
La Folia for vocal quartet (3 altos and 1 bass) in Octatonic and Dorian modes
La Folia for vocal quartet (3 altos and 1 bass) in Octatonic and Dorian modes
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Choral SATB
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INTERMEDIATE
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David Warin Solomons
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La Folia for vocal quartet
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.580450 Composed by David Warin Solomons. 20th Century,A Cappella,Contemporary. Octavo. 3 pages. David Warin Sol...
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Choral Choir (Mixed) - Level 3 - SKU: A0.580450 Composed by David Warin Solomons. 20th Century,A Cappella,Contemporary. Octavo. 3 pages. David Warin Solomons #4747751. Published by David Warin Solomons (A0.580450). La Folia (literally madness) was a Portuguese dance from the renaissance,
$3.50 ≈
3.23€
A Madrigal Christmas (Vocal Score)
A Madrigal Christmas (Vocal Score)
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Choral 3-part
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Christmas
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Paul Barker
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A Madrigal Christmas
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Paul Barker
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SheetMusicPlus
Composed by Paul Barker. For Choir,SAB. Renaissance,Contemporary Classical,Sacred,Christmas,Recital. Score. 8 pages. Published by Paul Barker ...
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Composed by Paul Barker. For Choir,SAB. Renaissance,Contemporary Classical,Sacred,Christmas,Recital. Score. 8 pages. Published by Paul Barker
$2.25 ≈
2.08€
Come Again - A Major
Come Again - A Major
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Choral SATB
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Renaissance
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John Dowland
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Change the Key
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Come Again - A Major
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Change the Key
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.856903 Composed by John Dowland. Arranged by Change the Key. Renaissance. Octavo. 5 pages. Change the Key #3428553. Publis...
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Choral Choir (SATB) - SKU: A0.856903 Composed by John Dowland. Arranged by Change the Key. Renaissance. Octavo. 5 pages. Change the Key #3428553. Published by Change the Key (A0.856903). Come Again by John Dowland transposed to A Major and arranged for SATB choir. Vocal range: Soprano E - F#, Alto C# - C#, Tenor A - F#, Bass A - A.
$5.00 ≈
4.61€
Adieu, sweet Amaryllis - D Minor
Adieu, sweet Amaryllis - D Minor
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Choral SATB
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Renaissance
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John Wilbye
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Change the Key
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Adieu, sweet Amaryllis - D Min
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Change the Key
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.856916 Composed by John Wilbye. Arranged by Change the Key. Renaissance. Octavo. 5 pages. Change the Key #3446331. Publish...
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Choral Choir (SATB) - SKU: A0.856916 Composed by John Wilbye. Arranged by Change the Key. Renaissance. Octavo. 5 pages. Change the Key #3446331. Published by Change the Key (A0.856916). Adieu, sweet Amaryllis an unaccompanied madrigal by John Wilbye transposed to D Minor for SATB choir. Vocal range: Soprano F# - F, Alto B - D, Tenor D - G, Bass G - Bb.
$5.00 ≈
4.61€
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