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You've selected:
Baroque
CHORAL - VOCAL - CHOIR
Sheetmusic to print
2,401 sheet music found
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2401
Andromaque Mini-Opera (Baroque Ensemble Full Score)
Andromaque Mini-Opera (Baroque Ensemble Full Score)
#
Opera
#
Classical
#
Jack Curtis Dubowsky
#
neobaroque
#
Andromaque Mini-Opera
#
De Stijl Music Digital
#
SheetMusicPlus
Voices, Baroque Ensemble SATBB + Baroque Ensemble - Advanced Intermediate - SKU: D3.SM-17-0010A Composed by Jack Curtis Dubowsky. Opera. Contemporary; n...
(+)
Voices, Baroque Ensemble SATBB + Baroque Ensemble - Advanced Intermediate - SKU: D3.SM-17-0010A Composed by Jack Curtis Dubowsky. Opera. Contemporary; neobaroque. Full score. 29 pages. De Stijl Music Digital #SM-17-0010A. Published by De Stijl Music Digital (D3.SM-17-0010A). 8.5 x 11 inches.Chamber opera in 7 scenes. Words (in English) and music by Jack Curtis Dubowsky, based upon Jean Racine's (1639-1699) tragedy Andromaque (1667). Racine took his characters from Greek and Roman stories and adapted or created new situations for them in accordance with baroque fascination with neo-classicism in literature. Andromaque is a love quadrangle in which all who love die or go insane. Only the prisoner-queen Andromaque, who is incapable of love, survives. Scenes range in difficulty from intermediate to advanced; college / conservatory level. Five roles: Andromaque (Soprano), Hermione (Alto), Oreste (Tenor), Hector (Baritone), Phyrrus (Baritone). Final number for SATB Chorus, which can be handled by the five primary roles. Baroque ensemble version scored for traverso (substitute flute OK), violin, bass viol (with low A string), and harpsichord. Ensemble Parts: SM-17-0010AX. Also Available in Piano/Vocal score SM-17-0010.
$12.95 ≈
11.95€
Canzon No. 23 A Baroque Madrigal for Cello Quintet
Canzon No. 23 A Baroque Madrigal for Cello Quintet
#
Johann Hermann Schein
#
Michael O
#
Canzon No. 23 A Baroque Madrig
#
Michael O. Shaw
#
SheetMusicPlus
String Ensemble,String Quintet Cello - Level 4 - SKU: A0.877054 Composed by Johann Hermann Schein. Arranged by Michael O. Shaw. Baroque,Instructional,Wo...
(+)
String Ensemble,String Quintet Cello - Level 4 - SKU: A0.877054 Composed by Johann Hermann Schein. Arranged by Michael O. Shaw. Baroque,Instructional,World. Score and parts. 20 pages. Michael O. Shaw #4569833. Published by Michael O. Shaw (A0.877054). Canzon No. 23; a Baroque Madrigal for Cello QuintetA richly textured early Baroque work first published in 1609 for five (SSATB) instruments. Adapts well for 5 cellos. A great piece for ear training and tenor clef familiarity. For intermediate to advanced cello ensembles. Part doubling works well. Good for recitals, performance, or just fun. Duration: 4:45. Score plus parts; 20 pages. Comments:https://www.facebook.com/michael.shaw.3150
$15.00 ≈
13.84€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95 ≈
23.94€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95 ≈
18.40€
Baroque Jingle Bells
Baroque Jingle Bells
#
Choral SATB
#
Sacred music
#
Jeffrey Bernstein
#
Baroque Jingle Bells
#
Corduroy Fifths Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.971964 Composed by Jeffrey Bernstein. Baroque,Christian,Christmas,Praise & Worship,Sacred. Octavo. 12 pages. Corduroy Fift...
(+)
Choral Choir (SATB) - SKU: A0.971964 Composed by Jeffrey Bernstein. Baroque,Christian,Christmas,Praise & Worship,Sacred. Octavo. 12 pages. Corduroy Fifths Music Publishing #2912385. Published by Corduroy Fifths Music Publishing (A0.971964). FOR MIXED CHOIR AND PIANO.
$2.50 ≈
2.31€
Benedetto Marcello,Caldara,Cesti Marco Antonio,Lotti Antonio,Bassani : Les plus beaux airs baroques à chanter, Basse, Vol. 5
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Benedetto Marcello,Caldara,Ces
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Basse, Vol. 5. Partition pour Avec piano d'accompagnement -- Cl...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Basse, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique
19.99€
Benedetto Marcello,Caldara,Cesti Marco Antonio,Lotti Antonio,Bassani : Les plus beaux airs baroques à chanter, Baryton, Vol. 5
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Benedetto Marcello,Caldara,Ces
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Baryton, Vol. 5. Partition pour Avec piano d'accompagnement -- ...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Baryton, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique
19.99€
Benedetto Marcello,Lotti Antonio,Bassani : Les plus beaux airs baroques à chanter, Alto, Vol. 5
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Benedetto Marcello,Lotti Anton
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Alto, Vol. 5. Partition pour Avec piano d'accompagnement -- Cla...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Alto, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique
19.99€
Benedetto Marcello,Caldara,Cesti Marco Antonio,Lotti Antonio,Bassani : Les plus beaux airs baroques à chanter, Mezzo-soprano, Vol. 5
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Benedetto Marcello,Caldara,Ces
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Mezzo-soprano, Vol. 5. Partition pour Avec piano d'accompagneme...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Mezzo-soprano, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique
19.99€
Benedetto Marcello,Caldara,Cesti Marco Antonio,Lotti Antonio,Bassani : Les plus beaux airs baroques à chanter, Ténor, Vol. 5
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Benedetto Marcello,Caldara,Ces
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Ténor, Vol. 5. Partition pour Avec piano d'accompagnemen...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Ténor, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique
19.99€
Benedetto Marcello,Caldara,Cesti Marco Antonio,Lotti Antonio,Bassani : Les plus beaux airs baroques à chanter, Soprano, Vol. 5
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Benedetto Marcello,Caldara,Ces
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Soprano, Vol. 5. Partition pour Avec piano d'accompagnement -- ...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Soprano, Vol. 5. Partition pour Avec piano d'accompagnement -- Classique
19.99€
Monteverdi,Durante Francesco,Bononcini Giovanni Maria,Falconieri Andrea,Sarro : Les plus beaux airs baroques à chanter, Basse, Vol. 4
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Monteverdi,Durante Francesco,B
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Basse, Vol. 4. Partition pour Avec piano d'accompagnement -- Cl...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Basse, Vol. 4. Partition pour Avec piano d'accompagnement -- Classique
17.99€
Monteverdi,Durante Francesco,Bononcini Giovanni Maria,Falconieri Andrea,Sarro : Les plus beaux airs baroques à chanter, Baryton, Vol. 4
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Monteverdi,Durante Francesco,B
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Baryton, Vol. 4. Partition pour Avec piano d'accompagnement -- ...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Baryton, Vol. 4. Partition pour Avec piano d'accompagnement -- Classique
17.99€
Monteverdi,Durante Francesco,Bononcini Giovanni Maria,Falconieri Andrea,Sarro : Les plus beaux airs baroques à chanter, Alto, Vol. 4
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Monteverdi,Durante Francesco,B
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Alto, Vol. 4. Partition pour Avec piano d'accompagnement -- Cla...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Alto, Vol. 4. Partition pour Avec piano d'accompagnement -- Classique
17.99€
Monteverdi,Durante Francesco,Bononcini Giovanni Maria,Falconieri Andrea,Sarro : Les plus beaux airs baroques à chanter, Mezzo-soprano, Vol. 4
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Monteverdi,Durante Francesco,B
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Mezzo-soprano, Vol. 4. Partition pour Avec piano d'accompagneme...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Mezzo-soprano, Vol. 4. Partition pour Avec piano d'accompagnement -- Classique
17.99€
Monteverdi,Durante Francesco,Bononcini Giovanni Maria,Falconieri Andrea,Sarro : Les plus beaux airs baroques à chanter, Ténor, Vol. 4
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Monteverdi,Durante Francesco,B
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Ténor, Vol. 4. Partition pour Avec piano d'accompagnemen...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Ténor, Vol. 4. Partition pour Avec piano d'accompagnement -- Classique
17.99€
Monteverdi,Durante Francesco,Bononcini Giovanni Maria,Falconieri Andrea,Sarro : Les plus beaux airs baroques à chanter, Soprano, Vol. 4
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Monteverdi,Durante Francesco,B
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Soprano, Vol. 4. Partition pour Avec piano d'accompagnement -- ...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Soprano, Vol. 4. Partition pour Avec piano d'accompagnement -- Classique
17.99€
Carissimi,Tenaglia Francesco,Fasolo,Peri,Salvator Rosa : Les plus beaux airs baroques à chanter, Basse, Vol. 3
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Carissimi,Tenaglia Francesco,F
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Basse, Vol. 3. Partition pour Avec piano d'accompagnement -- Cl...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Basse, Vol. 3. Partition pour Avec piano d'accompagnement -- Classique
19.99€
Carissimi,Tenaglia Francesco,Fasolo,Peri,Salvator Rosa : Les plus beaux airs baroques à chanter, Baryton, Vol. 3
#
Voice solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Carissimi,Tenaglia Francesco,F
#
Les plus beaux airs baroques Ã
#
Tomplay
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Baryton, Vol. 3. Partition pour Avec piano d'accompagnement -- ...
(+)
Téléchargez la partition Chant Les plus beaux airs baroques à chanter, Baryton, Vol. 3. Partition pour Avec piano d'accompagnement -- Classique
19.99€
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