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You've selected:
Modern classical Intermediate
SAXOPHONE
Sheetmusic to print
4 sheet music found
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1
First Light - Saxophone Duet
First Light - Saxophone Duet
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2 Saxophones (duet)
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EASY
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Kate Agioritis
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First Light - Saxophone Duet
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Musika Publishing Australia
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.566951 Compo...
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Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.566951 Composed by Kate Agioritis. Contemporary,Standards. Score and parts. 9 pages. Musika Publishing Australia #4607597. Published by Musika Publishing Australia (A0.566951). A delicate, modern classical piece in triple time, First Light is a great concert piece for developing/intermediate Saxophonists. This duet can be performed by 2 like saxophones, or an Alto/Tenor (Eb/Bb) combination. View the full catalogue of Musika works on our website: www.musikapublishing.com LIKE Musika Publishing on Facebook!
$5.99 ≈
5.52€
Sonatina for Saxophone Quartet
Sonatina for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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Contemporary
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Chris Gordon
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Sonatina for Saxophone Quartet
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Cool Wind Music Digital
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SheetMusicPlus
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax - Intermediate - Digital Download Composed by Chris Gordon. 20th Century, Neo-Classical, Recital. Scor...
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax - Intermediate - Digital Download Composed by Chris Gordon. 20th Century, Neo-Classical, Recital. Score. 11 pages. Published by Cool Wind Music Digital
The Sonatina is neo-classical in style, paying homage to Hindemith, a composer who championed neo-classicism in the 1920s and 1930s as a way of building bridges between the music of the past and the present in order to show how the techniques of the classical masters are still revelant to modern composers and players. The Sonatina was originally written for piano - now arranged for saxophone quartet by the composer, Chris Gordon.
$15.00 ≈
13.84€
Passacaglia In E Minor For Saxophone Quartet
Passacaglia In E Minor For Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Jeff Schiller
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Passacaglia In E Minor For Sax
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Houndogschiller Music
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SheetMusicPlus
Woodwind Quartet - Advanced Intermediate - Digital Download Composed by Jeff Schiller. 21st Century, 20th Century, Romantic Period, Classical Period,...
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Woodwind Quartet - Advanced Intermediate - Digital Download Composed by Jeff Schiller. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score, Set of Parts. 14 pages. Published by Houndogschiller Music
A modern take on a popular Baroque era device, the Passacaglia. The saxophone quartet setting brings out the beautiful, hauntingly melancholic feeling of the piece.
$40.00 ≈
36.89€
Saint-Saens: The Swan for Soprano Sax & Piano
Saint-Saens: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
30.39€
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1
Modern classical Intermediate
