SKU: HL.49045571
ISBN 9790001162548. UPC: 841886028968. 9.0x12.0x0.083 inches. German - English - French.
The viol player Diego Ortiz, who was musical director at the court of the Spanish viceroy in Naples in the mid-16th century, wrote a textbook which became authoritative for the art of improvisation during the Renaissance. This textbook contains pieces with written improvisations in the tradition of the Renaissance period. Although the writing of improvisations was a contradiction in terms even then, Ortiz' pieces are excellent textbooks for the study of the structures and rules of this art.
About Schott Student Edition
The Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
SKU: BR.KM-2515
World premiere: 's-Hertogenbosch, December 16, 2007
ISBN 9790004503355. 11 x 14 inches.
Libro de glosas is based on the Trattado de glosas by Diego Ortiz (1510 - ca. 1570). The intertextuality between different materials and musical techniques and processes of the 16th century was one of my main interests when I wrote this piece for the wonderful sound and quality of the Calefax ensemble.The intertextual relationships are as follows:Recercada I is based on the first chords of the chanson Doulce memoire by Pierre Sandrin. It is also used in Trattado de glosas.Recercada II is based on the incipit of the madrigal O felici occhi miei by Jacques Arcadelt. It is also used in Trattado de glosas.Recercada III is based on the ostinato Passamezzo antico. It is also used in Trattado de glosas.Recercada IV is freely based on the tenor La Spagna. It is also used in Trattado de glosas.Batalla (V) is a free composition in form of a battaglia and is based on some ostinati of Spanish origin as well as on an anonymous theme from the 16th century. There are also some bars of a batalla by Joseph Ximenez (18th century).Libro de glosas esta basada en el Trattado de glosas de Diego Ortiz (1510 - ca. 1570). La intertextualidad entre diferentes materiales y tecnicas y procesos de la musica del siglo XVI era uno de mis principales intereses cuando escribi esta pieza para el maravilloso sonido y calidad del Calefax ensemble.Las relaciones intertextuales son las siguientes:Recercada I esta basada libremente sobre los primeros acordes de la chanson Doulce memoire de Pierre Sandrin. Esta es utilizada como ejemplo en el Trattado de glosas.Recercada II esta basada libremente sobre el incipit del madrigal O felici occhi miei de Jacques Arcadelt. Esta pieza es utilizada tambien como ejemplo en el Trattado de glosas.Recercada III esta basada libremente sobre el ostinato Passamezzo antico. Tambien es presentada en el Trattado de glosas.Recercada IV esta construida libremente sobre el tenor La Spagna. Tambien es utilizado por Ortiz en el Trattado de glosas.Batalla (V) es una libre composicion en forma de battaglia sobre ostinati de origen espanol y sobre un tema anonimo (siglo XVI). Tambien aparecen brevemente varios compases de una batalla de Joseph Ximenez (siglo XVIII).(Jose M. Sanchez-Verdu).
SKU: CL.SCM-1034-00
This hip samba is exciting to play with an eight measure solo section using tonic & dominant chords in C minor. Easy ranges with optional higher notes provided. (Works with 4-3-2-3).
SKU: CL.SCM-1021-00
This driving rock piece will rehearse easily and provide your students with an enjoyable piece that sounds harder than it is.
SKU: FL.FX072298
This series proposes the very best of baroque pieces for sackbut or trombone, revised by great teachers and concertists, at reduced price.
SKU: FL.FX072301
SKU: CL.SCM-1034-01
SKU: FL.FX072300
SKU: FL.FX072295
SKU: FL.FX072296
SKU: CL.SCM-1092-00
A hard driving rock chart with mostly unison lines will be a favorite with your students. A 16 measure swing section in the middle keeps your students honest and the contrast is effective. Solos are on 2 chords in C minor. Written ranges: Trp. 1 (Ab) , Trb. (F) , Alto (A).
SKU: FL.FX072303
SKU: FL.FX072302
SKU: CL.SCM-1008-01
Uniquely scored Mambo style chart allows for the conductor add sections at various times to allow a different performance each time it is played. Get your rhythm section going with congas, bongos, timbales, cow bell etc. for a real authentic Mambo sound. Optional Afro-Cuban percussion parts included.
SKU: CL.SCM-1021-01
SKU: CL.SCM-1045-00
Funk Rock groove.
SKU: CL.SCM-1008-00
SKU: CL.SCM-1086-01
If you look up Hot Latin Jazz in the dictionary, this chart is what they you’ll find listed! Solos are on one chord allowing you to give your budding soloists a chance to blow. Easy ranges, a strong repeated melody, hot solo backgrounds and short vibrant Montunas. An open drum solo seals the deal. Includes an optional flute part. Written ranges: Trp. 1 (G) , Trb. (F) , Alto (C).
