Daily Grace

SKU: HL.201007

UPC: 888680653002. 9.0x12.0x0.092 inches.

With a beautifully simple melody, this piece is accessible for most choirs and includes optional congregational singing. Daily grace is indeed shown throughout this beloved score.

SKU: CF.BF131

ISBN 9781491153765. UPC: 680160911264. 9 x 12 inches.

Inspired by Clarence Cameron White’s book The Violinist’s Daily Dozen, The Violinist’s Daily Sixteen is a collection of daily exercises compiled by Roland Vamos. Intended for student and professional violinists, the collection provides the performer with a variety of exercises for daily warm-ups. Mr. Vamos also focuses on developing dexterity and flexibility in the fingers and joints, the first and fourth fingers in particular. Each of the sixteen exercises is notated for each of the four strings, and Vamos recommends that the exercises be practiced as warm-ups, choosing a different string for each day of practice.Also included with the Daily Sixteen is a comprehensive set of studies for developing fluency with scales and arpeggios. Mr. Vamos’ unique methodology is to begin with major scales and arpeggios, followed by minor scales and arpeggios, all of which are notated in two, three and four octaves. Alternate fingers are provided, as well as a variety of slurred and mixed bowings using the three parts of the bow whenever feasible. It is a remarkably systematic approach to performing scales and arpeggios on the violin and will surely benefit students and professionals alike.
ForewordThis short hand-setting set of exercises was inspired by a book entitled The Violinist’s Daily Dozen, conceived by Clarence Cameron White, a prominent African-American violinist, composer and arranger who enjoyed the bulk of his career in the first half of the twentieth century.I have practiced this set of exercises since I was twelve years old. It has served me as a superb warm-up and hand setting tool. Over the years, I have found that there are some aspects of this warm-up routine that were not given sufficient attention or not addressed at all. Consequently, I have expanded the Daily Dozen to create a new work entitled The Violinist’s Daily Sixteen.I have also paid particular attention in this work as to how these exercises are to be practiced. In exercises one and two, I have indicated some notes to be played before the actual written exercises. This is to ensure that the fourth finger will be over the string in a position ready to strike even though it is not being used. Before playing exercises three, four, nine, ten, eleven and twelve, I have indicated silent fingers to be placed on the notes they would be playing if they were being used.I have replaced Mr. White’s grace notes with notes of specific value and have slowed down the exercises so that the first joint (the joint nearest the string) of each finger can move with flexibility and strength. At no time should the first joint buckle.In Mr. White’s version, the last exercise gave the first finger some very valuable backward extensions. In this exercise (number 14 in this book), I caution the student not to move the hand along with the first finger. The hand should remain in position while the first finger independently moves back and forth.It became obvious to me that if the first finger were given the opportunity to develop the dexterity that Mr. White’s twelfth exercise emphasizes, the fourth finger could benefit from an exercise that gives it a forward extension. Consequently, I added another exercise to create a Baker’s Dozen (thirteen).Several years later, I felt that the second and third fingers should also have an exercise to further develop their dexterity…hence exercise fourteen was added to create a “Vamos Dozen.”Because the first finger did not have sufficient practice in the development of the first joint in the original version, I have added two exercises to precede White’s fifth exercise. After re-working and re-numbering these exercises, I have come up with a total of sixteen exercises. It is my suggestion that these be practiced as a warm-up, choosing a different string each day.—Roland VamosEvanston, Illinois 2017 PrefaceScales are a means of teaching a person the fingerboard on his or her instrument. The fingers move across the strings and are required to make shifts, all in highly organized patterns. Scales and arpeggios are the foundation upon which our repertoire is built. Many scale books have been written; each one being organized in its own specific way. The Flesch Scale System has been a standard for many decades. It is very comprehensive and systematic. From the point of view of establishing similar patterns, it has one drawback: it is organized by starting with a major key, followed by its relative minor, going through the circle of fifths. I believe that it is more profitable to do only major scales with their arpeggios first, going up chromatically, and then follow them in a similar way with the minor scales. In using this approach, the similarities in fingerings between the various scales are more apparent. It is also profitable to have alternate fingerings whenever possible. My approach to scales and arpeggios includes a variety of slurred and mixed bowings using the three parts of the bow whenever feasible. These bowings are not all-inclusive. Whenever a particularly awkward bowing pattern is encountered in the repertoire, it can be practiced as an additional bowing variation in the scales and arpeggios.    I have chosen to introduce the three and four octave scales by teaching two octave scales across the strings in one position going up chromatically through seven positions; starting on the first, second, third, and finally fourth fingers in major and melodic minor.—Roland VamosEvanston, Illinois 2017.

SKU: HL.364391

UPC: 840126958843. 9.0x12.0x0.11 inches.

Near the Cross is a set of 3 vocal solo compositions particularly suited for use during Holy Week or Communion services. Using memorable melodies and interesting accompaniments, these pieces, Keep Me Near the Cross, Jesus Carried the Cross and Daily Grace, focus on the grace of God provided through the sacrifice of Christ on the cross. These medium voice solos also offer options for the congration to solo C instruments to join at various movements.

SKU: HP.8404

ISBN 9781906334482. Christopher Idle.

A collection of 100 new hymns and song texts written by Christopher Idle. Rev. Idle's first hymn collection is entitled Light upon the River, published in 1999. The hymns in both collection are anchored in scripture, with Bible references and notes, recommended tunes and full indexing. Some are locally focused and some written with children in mind, but most are for singing by the whole congregation.

SKU: HP.1587

UPC: 763628115876. By William Bradbury. Psalms 23:1-6, Psalms 31:3, Psalms 63:1, Psalms 80:1, John 10:1-40, John 12:20-33, John 13:1, John 8:32,36, 1 Corinthians 6:20, 1 Peter 5:1-4, Hebrews 13:20, Isaiah 40:11, Luke 15:4-6, Romans 6:18, 1 John 10:11-18.

Beloved hymntune by William Bradbury At the beginnning, the accompaniment sets a pastoral mood for this fine solo. Performance notes are most helpful.

SKU: HP.8180

ISBN 9780852498743. Andrew Pratt.

A new collection of hymns by the British author, Andrew Pratt, whose work encourages people to relate to their own community, to the wider society and to our global situation. This is a wide-ranging, down-to-earth collection that will help people to bring in the Kingdom where it should be, right here on earth.

SKU: HP.1648

UPC: 763628116484.

Class ic Christmas carol Options for sections of this solo are: Bell tree; bell clusters or the traditional ringing style. The piano part is not too difficult and may employ an intermediate keyboardist. Helpful performance notes are given. Measures total 71.

SKU: GI.G-9322

UPC: 785147932239. English.

GIA is pleased to release an impassioned new recording from Jeanne Cotter. Tender Hearted is filled with songs that pour forth the message of God’s unconditional love. These songs tell the story of Christ’s heart of compassion and of his gentle yet untiring call for us to live as his disciples. Written for her three children, the title track “Tender Hearted” encourages us all to clothe ourselves “with kindness, patience, and humility” and to “live a life worthy of our calling.” The moving texts of “All Is Holy,” “The Way You Love Me,” and “In You, I Abide” remind us that we are called to be imitators of Christ—to build the kingdom through our acts of mercy, kindness, and compassion. The music of Tender Hearted is not just about our outward actions of grace and holiness toward others. It is also about the grace that God shows each of us daily. Songs like “Do Not Be Afraid,” “By Your Love,” and “ I’ll Walk by Your Side” are filled with encouraging words of hope and healing. Tender Hearted is quintessential Jeanne Cotter. When you listen, be prepared for your heart to swell with love, kindness, and peace.

SKU: HL.49045437

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

SKU: GI.G-1054

UPC: 785147005421.

With a passion for liturgical prayer, the vision of Catholic Social Teaching, and witness of Pope Francis, Lori True has created a collection of sung prayer for communities who want to embrace the unrelenting love of God and the deep challenge of Christ. Here you will find songs for gathering, communion, times of grief, doubt, action, and celebration, all fashioned with texts that foster deep reflection and her signature, accessible melodies, all ready to serve a wide variety of communal gatherings. Take some time to explore “Show By Your Life,” and discover a very unique and prophetic collection of liturgical music that the church desperately needs. CONTENTS: Show by Your Life • O Love, Ever Faithful • Take Our Hands • My Favor Rests on You • Wage Peace • My Daily Portion • In the Morning, in the Evening • Grieve Not • The Hand of Our God • Pardon Is the Instrument • I Will Give You Life • When One among Us • I Send You with the Grace of My Spirit.

SKU: GI.G-9978

UPC: 785147997832.

With a passion for liturgical prayer, the vision of Catholic Social Teaching, and witness of Pope Francis, Lori True has created a collection of sung prayer for communities who want to embrace the unrelenting love of God and the deep challenge of Christ. Here you will find songs for gathering, communion, times of grief, doubt, action, and celebration, all fashioned with texts that foster deep reflection and her signature, accessible melodies, all ready to serve a wide variety of communal gatherings. Take some time to explore “Show By Your Life,” and discover a very unique and prophetic collection of liturgical music that the church desperately needs. CONTENTS: Show by Your Life • O Love, Ever Faithful • Take Our Hands • My Favor Rests on You • Wage Peace • My Daily Portion • In the Morning, in the Evening • Grieve Not • The Hand of Our God • Pardon Is the Instrument • I Will Give You Life • When One among Us • I Send You with the Grace of My Spirit.

SKU: GI.G-001710

English or Spanish Bilingual.

Beginnin g with an understanding of the Church itself as a sacrament, a sign of Christ, this book's following chapters examine the presence of Christ in the sacraments that initiate us unto the Body of Christ--the Church, the sacraments that heal us on our journey of faith, and the sacraments by which committment to love as Christ loved are grace-filled signs for daily living.

SKU: GI.G-CD-640

Rituals are a part of our daily lives that frequently go unnoticed. When we experience a ritualistic moment significant enough to be memorable, our recollection of the event is often made stronger by the music we associate with it. Within the church, ritual and sacrament shape the way we worship, and music complements these meaningful moments of grace. Ritual Moments is a collection of new compositions by Paul Inwood written specifically to accompany the rituals of the church, from baptisms to weddings to funerals. You’ll find beautiful pieces appropriate for celebrating the church’s sacraments, rites of Christian initiation, and other various occasions.