Concerto in A major for Piano and Orchestra, No. 23

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Concerto for Piano and Orchestra G major K. 453 tout le talent de Mozart. Cette partition a été composée pour 2 Pianos 4 Mains. C'est l'éditeur Henle qui a publiée cette oeuvre. / 2 Pianos 4 Mains / 4 + 2 P.S. pages / niveau : 4 / Editions Instrumentales - Format: 25 X 34.5

Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3 écrite et composée pour Violon et plus précisément pour Violon 2 vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Violon 2 / Chanson En Séparée

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Score

C major-In Beethoven?s Triple Concerto a piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the orchestra (particularly the cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web the orchestral piano violin and cello voices interplaying and entwining and he produces a true masterpiece.Bärenreiter?s new Urtext edition of Beethoven?sTriple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo piano part.Piano reduction with separate parts for all three soloistsDraws on three new sourcesCorrection of many errors found in previous editions

Mozart, Wolfgang Amadeus Concerto for Pianoforte and Orchestra no. 26 D major K. 537 Coronation Concerto This new piano reduction of Mozart's 'Coronation Concerto' K. 537 is based on the music text from the New Mozart Edition and is fully compatible with the already existing performance material (BA 5318). A separate Urtext solo piano part is included in this piano reduction edition allowing the soloist not only to play the work as customary in recent decades, but also, for the first time since Mozart's era, to improvise above the tutti basses and to conduct the ensemble from the piano. The new edition is supplemented by a separate booklet containing cadenzas and selected lead-ins by August Eberhard Müller, Carl Reinecke and Max Reger. ' Urtext edition based on the New Mozart Edition (NMA) ' Separate Urtext solo piano part included ' Enclosed booklet with cadenzas ' Provides new impetus for period performance practice

Mozart, Wolfgang Amadeus Concerto for Piano and Orchestra no. 8 C major K. 246 Lützow Concerto Edition no. BA 5388-90 ISMN 9790006470402 Editor Wolff, Christoph Arranger Töpel, Michael Piano reduction, Urtext edition

Mozart, Wolfgang Amadeus Concerto for Piano and Orchestra no. 25 in C major K. 503 Edition no.BA 4742-90 ISMN 9790006455010

Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 2 B-flat major op. 19 Details Edition no.: BA 9022-90 ISMN: 9790006544141 Editor: Del Mar, Jonathan Arranger: Schelhaas, Martin Product format: Piano reduction, Part(s), Urtext edition Includes the following individual parts: Piano (2) Binding: Paperback Pages / Format: 46/35 S. - 31,0 x 24,3 cm Although the sources to Beethoven's piano concerto op. 19 are generally known, many misconceptions and misinterpretations are put right in this Bärenreiter Urtext edition. Up till now, no edition was based exclusively on the authentic sources. Previous publications tended to rely on earlier editions, such as the old Beethoven Complete Edition which in turn also did not take exclusively authentic sources into account. Jonathan Del Mar's scholarly-critical edition corrects misreadings of Beethoven's autograph which were already present in the first edition and had subsequently been incorporated into other editions of this work. ' First Urtext edition based on the authentic sources ' Numerous corrections in the orchestral parts ' Piano reduction with a separate solo piano part

Piano Concerto No. 4 In C Minor (concerto pour Piano en ut mineur) Op. 44 by Camille Saint-Saëns is the composer's most structurally innovative Piano concerto. In one sense it is like a four-movement symphony but these are grouped in pairs. That is the piece is divided into two parts each of which combines two main movements (Part 1: I. Moderatetempo Theme and Variations in C Minor; II. Slower Theme and Variations in A-flat Major; Part 2: III. Scherzo in C Minor; IV. Finale in C Major). However in each part there is a bridge-like transitional section between the two main 'movements' for example a fugal Andante in part II functions as aninterlude between the two main sections. The concerto begins with a gently mischievous chromatic subject heard in dialogue between the strings and piano soloist and continues in a creative thematic development similar to Saint-Saëns' Third Symphony. The composer demonstrates brilliant skill in employing the piano and orchestra almost equally. In the Andante he moves to A-flat major with a chorale-like theme in the woodwinds (also strikingly similar to the tune of the Third Symphony's final section) and uses this as a platform on which to build a series of variations before bringing the movement to a quiet close. The Allegro vivace begins again in C minor as a high-spirited scherzo using material foreshadowed in the first movement. 2/4 and 6/8 are playfully juxtaposed throughout. At one point the Piano boldly leads the orchestra in an energetic 6/8 theme in Eflat major. Eventually the orchestra moves to a lush Andante recapitulating the Andante section from the first movement. Rather suddenly the piano climbs up to a flurry of double octave trills and a climactic trumpet fanfare leads to the jubilant finale based on a hymn-like theme in triple time. The concerto concludes with the piano in glittering cascades guiding the orchestra to a fortissimo close.The piano concerto was premièred in 1875 with the

[Konzert für Klavier und Orchester D-Dur KV 175 (Nr.5) - Konzert-Rondo D-Dur KV 382] / Classique / Editeur : Marius Flothuis / Réduction piano : Mich / Partition / Cartonné / Plats de carton /

[Konzert für Klavier und Orchester C-Dur KV 246 (Nr. 8) Lützow-Konzert] / Classique / Editeur : Christoph Wolff / Réduction piano : Mich / Partition / Cartonné / Plats de carton /

[Konzert für Klavier und Orchester B-Dur KV 238 (Nr. 6)] / Classique / Editeur: Marius Flothuis / Réduction piano : Dougl / Partition / Agrafé /