Concerto in B Flat

with Audio of Full Performances and Orchestral Accompaniments Schirmer's Musical Library Vol. 2145. Par BEETHOVEN LUDWIG VAN. Beethoven's five piano concertos remain staples of the repertoire. This collection gives pianists the opportunity to play along with professionally recorded orchestral accompaniments, making it a valuable resource for concerto performance preparation. CONTENTS: Concerto No. 1 in C Major, Op. 15 Concerto No. 2 in B-flat Major, Op. 19 Concerto No. 3 in C minor, Op. 37 Concerto No. 4 in G Major, Op. 58 Concerto No. 5 in E-flat Major, Op. 73 Emperor/ Recueil / Piano

Over 20 favourite concerto movements arranged for piano solo by Cecil Bolton. From Rachmaninov's Second Piano Concerto to Mozart's Clarinet Concerto this collection features many of your favourites!

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Score

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Concerto for Horn and Orchestra No. 3 E flat major K. 447 (with parts in E flat and F) tout le talent de Mozart. Cette partition a été composée pour Cor Et Piano. C'est l'éditeur Henle qui a publiée cette oeuvre. / Cor Et Piano / Chanson En Séparée

by Baroque Composers-Sixteen of Bachâ??s transcriptions for solo keyboard instruments (Piano and Harpsichord) of concertos for Violin and other non-keyboard instruments by Vivaldi Telemann and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann.

Au-delà des cinq grands concertos pour piano, on a tendance à oublier que Beethoven s?occupa de ce genre déjà durant sa jeunesse à Bonn.

L?influence de Johann Christian Bach se reflète encore dans le Concerto en Mib majeur, composé en 1784.

La partition d?orchestre de l?oeuvre n?est pas conservée, il ne reste qu?une copie de la partie de piano remaniée par Beethoven. Celle-ci contient la partie de soliste sans accompagnement, sauf aux endroits où le soliste s?arrête et estrelayé par l?orchestre.

À ces endroits, une réduction de la partie d?orchestre figure alors dans la partie de piano. Conforme au texte de l?édition complète des oeuvres de Beethoven, ce concerto pour piano peut désormais être joué sous cette forme conservée ? par un pianiste sans orchestre. / [Concerto pour piano en Mi bémol Majeur WoO 4] / Classique / Partition / Agrafé /

Orchestral reduction for second piano. Together for the first time are two of the most performed and recorded concertos of all time. Both of these Russian works have achieved unrivaled worldwide popularity and are essential in the repertoire of every serious pianists.

Cette souvent demandé Mozart Concerto pour piano est vraiment l'un de ses trésors. Ecrit en 1784, il est écrit dans le typique en trois mouvements formulaire (Allegro vivace Andante-Allegro vivace-) et dispose d'une orchestration magnifique de chaînes complété par un ensemble à vent généreux: flûte, hautbois, bassons, et des cornes. Le troisième mouvement est tout à fait inhabituel pour l'époque dans ce Mozart utilise changements de compteurs de nombreux. Un régal pour tout pianiste! Comprend accompagnements pratique tempo lent. / Piano

This new edition of Tchaikovsky's Piano Concertos Nos. 2 and 3 unites both works for the first time in a single score. In addition to a difficult-to-find version of Tchaikovsky's original PianoConcerto No. 2 in G major this edition features Alexander Siloti's suggested revisions. Although Siloti had the composer's permission to edit the work he significantly shortened the second movement despiteTchaikovsky's objections and published the concerto with his own revisions after the composer's untimely death. Piano Concerto No. 2 is usually performed with Siloti's cuts; this edition offers performersboth versions. Originally intended as a symphony the Piano Concerto No. 3 in E-flat major was published as a one-movement work. The piece contains a massive piano cadenza of striking virtuosity surpassing even that of the PianoConcerto No. 1 in both brilliance and difficulty.Pianists will appreciate this comprehensive and modestly priced two-piano edition of two major romantic virtuoso works.Reprint of the Paragon Music Publishers NewYork editions.

INTRODUCTION
The Four Seasons : Sonnet Texts
Bibliography
Il Cimento dell'armonia e dell'inventione
(The Contest of Harmony and Invention)
Twelve Concertos for violin, strings, and continuo
(Opus 8)
THE FOUR SEASONS (OPUS 8, NOS. 1-4)
Concerto No. 1 in E Major: La Primavera ( Spring )
(Op. 8, No. 1 / RV 269)
I. Allegro
II. Largo
III. Allegro
Concerto No. 2 in G Minor: L'Estate ( Summer )
(Op. 8, No. 2 / RV 315)
I. Allegro non molto
II. Adagio
III. Presto
Concerto No. 3 in F Major: L'Autunno ( Autumn )
(Op. 8, No. 3 / RV 293)
I. Allegro
II. Adagio molto
III. Allegro
Concerto No. 4 in F Minor: L'Inverno ( Winter )
(Op. 8, No. 4 / RV 297)
I. Allegro non molto
II. Largo
III. Allegro
OTHER VIOLIN CONCERTOS (OPUS 8, NOS. 5-12)
Concerto No. 5 in E-flat Major: La Tempesta di Mare ( The Storm at Sea )
(Op. 8, No. 5 / RV 253)
I. Presto
II. Largo
III. Presto
Concerto No. 6 in C Major: Il Piacere ( Pleasure )
(Op. 8, No. 6 / RV 180)
I. Allegro
II. Largo e cantabile
III. Allegro
Concerto No. 7 in D Minor
(Op. 8, No. 7 / RV 242)
I. Allegro
II. Largo
III. Allegro
Concerto No. 8 in G Minor
(Op. 8, No, 8 / RV 332)
I. Allegro
II. Largo
III. Allegro
Concerto No. 9 in D Minor
(Op. 8, No. 9 / RV 236)
I. Allegro
II. Largo
III. Allegro
Concerto No. 10 in B-flat Major: La Caccia ( The Hunt )
(Op. 8, No. 10 / RV 362)
I. Allegro
II. Adagio
III. Allegro
Conceto No. 11 in D Major
(Op. 8, No. 11 / RV 210)
I. Allegro
II. Largo
III. Allegro
Concerto No. 12 in C Major
(Op. 8, No. 12 / RV 178)
I. Allegro
II. Largo
III. Allegro
IMPORTANT VARIANTS
How to Use the Variants
Concerto No. 7 in D Minor (RV 242)
Allegro (Movement I)
a. Substitute for Bars 50-76
Concerto No. 9 in D Minor (RV
(Version for Oboe, Strings and Continuo, RV 454)
Allegro (Movement I)
a. Substitute for Bars 91-102
Concerto No. 11 in D Major (RV 210)
Allegro (Movement I)
a. Substitute for Bars 100-112
b. Substitute for Bars 122-132
Allegro (Movement II)
c. Substitute for Bars 38-67
d. Substitute for Bars 113-154
e. Substitute for Bars 171-214
f. Substitute for Bars 171-208
CRITICAL NOTES
The Sources
The Amsterdam Print
The Dresden Manuscripts
The Manchester Partbooks
The Turin Autograph Scores
The Dover Edition
Text Fonts Used in The Four Seasons

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto Largo and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto Largo and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto).

Description Reduction for Horn and Piano. Songlist Concerto No.1 In D Major K.412 Concerto No.2 In E Flat Major K.417 Concerto No.3 In E Flat Major K.447 Concerto No.4 In E Flat Major K.495 Concerto Rondo In E Flat K.371

Features 16 of Bach's transcriptions for solo keyboard instruments (piano and harpsichord) of concertos for violin and other non-keyboard instruments by Vivaldi, Telemann, and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann. Content :
Concerto No. 1 in D major, BWV 972 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 9)
[ALLEGRO]. LARGHETTO. ALLEGRO.
Concerto No. 2 in G major, BWV 973 (based on a violin concerto by Antonio Vivaldi, op. 7, book 2, no. 2)
[ALLEGRO]. LARGO. ALLEGRO.
Concerto No. 3 in D minor, BWV 974 (based on an oboe concerto by Allessandro Marcello)
[ALLEGRO]. ADAGIO. PRESTO.
Concerto No. 4 in G minor, BWV 975 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 6)
[ALLEGRO]. LARGO. GIGA: PRESTO.
Concerto No. 5 in C major, BWV 976 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 12)
[ALLEGRO]. LARGO. ALLEGRO.
Concerto No. 6 in C major, BWV 977 (source unknown)
[ALLEGRO]. ADAGIO. GIGA.
Concerto No. 7 in F major, BWV 978 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 3)
ALLEGRO. LARGO. ALLEGRO.
Concerto No. 8 in B minor, BWV 979 (source unknown)
[ADAGIO]-ALLEGRO. ADAGIO. ALLEGRO.
Concerto No. 9 in G major, BWV 980 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 1)
[ALLEGRO]. LARGO. ALLEGRO.
Concerto No. 10 in C minor, BWV 981 (based on a concerto by Benedetto Marcello, op. 1, no. 2)
[ADAGIO. VIVACE. [LARGO]. PRESTISSIMO.
Concerto No. 11 in B-flat major, BWV 982 (based on a violin concerto by Duke Johann Ernst of Saxe-Weimar, op. 1, no. 1)
[ALLEGRO]. ADAGIO. ALLEGRO.
Concerto No. 12 in G minor, BWV 983 (source unknown)
[ALLEGRO]. ADAGIO. ALLEGRO.
Concerto No. 13 in C major, BWV 984 (based on a concerto by Duke Johann Ernst of Saxe-Weimar)
[ALLEGRO]. ADAGIO E AFFETTUOSO. ALLEGRO ASSAI.
Concerto No. 14 in G minor, BWV 985 (based on a violin concerto by Georg Philipp Telemann)
[ALLEGRO]. ADAGIO. ALLEGRO.
Concerto No. 15 in G major, BWV 986 (source unknown)
[ALLEGRO]. ADAGIO. ALLEGRO.
Concerto No. 16 in D minor, BWV 987 (based on a violin concerto by Duke Johann Erns of Saxe-Weimar, op. 1, no. 4)
[GRAVE]-PRESTO. ALLEGRO.

Edition for piano two violins viola and violoncello-Edition for piano two violins viola and violoncello (2-piano reduction with 1 each of the string parts) 'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived piano concertos. These three concertos may be performed not only with a large orchestra including wind instruments but also a quattro that is with two violins one viola and violoncello. They will be issued early in April of this year (1783).' As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his piano concertos K.413-5 and as we know from a letter Mozart wrote to his father inK.449 as well. In addition to orchestral forces it is also possible to use a chamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with piano. These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two pianos the solo Part - as well as the strings - are unchanged and thus identical with the version in the NMA. The piano arrangement adheres to the original orchestral score. Chamber music editions available for: Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871