SKU: FZ.6222
ISBN 9790230662222. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in six books. Volume 1: Anonyme - BARTOLOTTI A. M. - BOYVIN J. - BUTERNE J-B. - CARRE A. Sieur de La Grange - CHARPENTIER M-A. - CHAUMONT L. - D'ANGLEBERT J-H. - DE LA BARRE M. - DELAIR D. - FLEURY N. - MARAIS M. - NIVERS G. G. - PERRINE - SAINT-LAMBERT M. de. Volume 2: CAMPION F. - CAMPION T. - CHERON A. - CLERAMBAULT N. - COUPERIN F. - DANDRIEU J-F. - DELAIR D. - LECLAIR J. -M. - RAMEAU J. -P. Volume 3: Anonyme - CAMPION F. - DORNEL A. - FORQUERAY A. - GERVAIS L. - GOUDAT - GUILLEMAIN L. -G. - MONNIER Le Cadet - MONTECLAIR M. P. de - PINGRE A-G. - RAMEAU J. -P. - SERRE DE RIEUX J. - TELEMANN G. P. - TRAVENOL L. A. Volume 4: ALEMBERT J. Le Rond d' - BLAINVILLE C. H. de - CORRETTE M. - DUBUGRARRE - GEMINIANI F S. - LAPORTE C. de. Volume 5: BETHISY J-L. de - BIFERI F. (fils) - CLEMENT C-F. - DUBREUIL J-J. - GARNIER H. - GIANOTTI P. - GOUGELET Madame - LABBET A. J. - LE BOEUF - RAMEAU J. -P. - ROUSSIER P-J. - SIMON S. - TAPRAY J. Volume 6: Anonyme - BEMETZRIEDER A. - CORRETTE M. - FROESTLER B. - GOURNAY B. C. - LANGLE H-F-M. - RODOLPHE J-J. - ROUSSIER P-J. Table of contents: Volume 1: Fleury Nicolas: Methode pour apprendre facilement - 1660. Bartolotti Angelo Michele: Table pour apprendre facilement - 1669. Carre Antoine: Livre de Guitarre Contenant Plusieurs pieces - 1671. Perrine: Livre de Musique pour le Lut - 1680. Anonyme: Petites Reigles Generalles qui peuvent servir de methode - 1680. Nivers Guillaume Gabriel: Motets a voix seule - 1689. D'Anglebert Jean Henry: Pieces de clavecin - 1689. Marais Marin: Basse-continues des pieces a une et a deux Violes - 1689. Anonyme: (traite abrege d'accompagnement) - c. 1690. Anonyme: Regles pour l'Accompagnement - 1690. Delair Denis: Traite d'accompagnement pour le theorbe - 1690. Charpentier Marc Antoine: Abrege des regles de l'accompagnement - c. 1692. Chaumont Lambert: Pieces D'orgue sur les 8 tons - 1695. Buterne Jean-Baptiste: Petites Reigles pour l'accompagnement - 1700. Boyvin Jacques: Second livre d'orgue - 1700. Anonyme: Traite d'accompagnement du Clavecin - c. 1700. De La Barre Michel: Premier livre de pieces pour la flute - 1702. Saint-Lambert Michel de: Nouveau Traite de l'accompagnement - 1707. Volume 2: Couperin Francois: Regles pour l'accompagnement - s. d. Campion Thomas: Traite d'accompagnement et de composition - 1716. Clerambault Nicolas: Regles d'accompagnement - 1716. Clerambault Nicolas: Principes d'accompagnement - 1716. Dandrieu Jean Francois: Principes de l'accompagnement - 1719. Rameau Jean-Philippe: Traite de l'harmonie - 1722. Delair Denis: Nouveau traite d'accompagnement - 1724. Leclair Jean-Marie: Premier livre de sonates - 1723. Rameau Jean-Philippe: Nouveau systeme de musique theorique - 1726. Cheron Andre: Sonates en trio - 1727. Campion Francois: Lettre du sieur Campion a un philosophe - 1729. Campion Thomas: Addition au traite d'accompagnement - 1730. Volume 3: Pingre Alexandre Gui: Traite de l'harmonie - s. d. Rameau Jean-Philippe: Observations sur la Methode d'Accompagnement - 1730. Rameau Jean-Philippe: Plan abrege d'une Methode nouvelle - 1730. Monteclair Michel Pignolet de: Reponse du second Musicien au premier - 1729. Rameau Jean-Philippe: Replique du premier Musicien a la reponse du second - 1730. Monteclair Michel Pignolet de: Reponse du second Musicien au premier Musicien - 1730. Rameau Jean-Philippe: Replique du premier Musicien a l'ecrit du second - 1730. Rameau Jean-Philippe: Dissertation sur les differentes metodes - 1732. Gervais Laurent: Methode pour l'accompagnement - 1733. Campion Francois: Second recueil d'airs - 1734. Serre de Rieux Jean: Les dons des Enfans de Latone - 1734. Telemann Georg Philipp: Nouveaux Quatuors en six Suites - 1738. Goudat: Principes de Laccompagnement - 1738. Travenol Louis Antoine: Premier livre de Sonates a violon seul - 1739. Guillemain Louis Gabriel: Six sonates en quatuors - 1743. Monnier le Cadet: L'art de Toucher le Clavecin dans son propre caractere - c. 1745. Dornel Antoine: le Tour du Clavier - 1745. Forqueray Antoine: Pieces de Viole avec la Basse Continue - 1747. Anonyme: (Methode d'accompagnement) - s. d. Volume 4: Alembert Jean Le Rond d': Elemens de musique - 1752. Blainville Charles Henri de: Essay sur un troisieme mode - 1751. Corrette Michel: Le maitre de Clavecin - 1753. Laporte Claude de: Traite theorique et pratique - 1753. Geminiani Francesco Saverio: L'art de bien accompagner - 1754. Dubugrarre: Methode plus courte et plus facile - 1754. Volume 5: Tapray Jean: Abrege de l'accompagnement - 1755. Labbet Antoine Joseph et Leris Antoine de: Sentiment d'un Harmoniphile - 1756. Clement Charles Francois: Essai sur l'accompagnement - 1758. Gianotti Pietro: Le guide du compositeur - 1759. Rameau Jean-Philippe: Code de musique pratique - 1760. Bethisy Jean-Laurent de: Exposition de la theorie et de la pratique - 1764. Roussier Pierre-Joseph: Traite des accords et de leur succession - 1764. Le Boeuf: Traite d'harmonie et regles d'accompagnement - 1766. Garnier Honore: Nouvelle methode pour l'accompagnement - 1767. Dubreuil Jean-Jacques: Manuel harmonique - 1767. Biferi Francesco Fils: Traite de musique abrege, divise en trois parties - 1770. Simon Simon: Theorie pratique d'accompagnement - s. d. Gougelet Madame: Methode ou abrege des regles - 1771. Volume 6: Roussier Pierre-Joseph: L'harmonie pratique - 1775. Corrette Michel: Prototipes contenant des lecons d'accompagnement - 1775. Anonyme: Abrege des regles de composition - 1777. Bemetzrieder Antoine: Nouvelles lecons de clavecin ou instructions generales - 1782. Rodolphe Jean-Joseph: Theorie d'accompagnement - c. 1785. Gournay B. C. : Lettre a M. l'abbe Roussier - 1785. Langle Honore-Francois-Marie: Traite de la basse sous le chant - 1797. Froestler B. : Traite d'harmonie et de modulation - 1800. Anonyme: Principes de l'accompagnement - s. d. Anonyme: Regles d'accompagnement - s. d. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimiles of copies from: - Conservatory Library of Geneva (Switzerland). - Conservatory Library of Dijon (France). - Royal Conservatory of Liege (Belgique). - Municipal Library of Bordeaux (France). - Municipal Library of Grenoble (France). - Municipal Library of Lyon (France). - National Library of Paris (France). - Royal Library of Brussels (Belgium). - Sainte-Genevieve Library of Paris (France). - British Library of London (England). - Nederlands Muziek Instituut of The Hague (Netherlands). - Yale University, Music Library of New Haven (USA). - Zentralbibliothek of Zurich (Switzerland). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the continuo.
SKU: FL.FX073906
The instrumentalists with an advanced level will have to give a fiery character to this piece... - Pascal PROUST ; A piece to be played from 5 years of practice. ; Instruments: 1 C Trumpetor 1 Bb Trumpet/Cornet 1 Piano; Difficuly Level: Grade 3.
SKU: CA.916100
ISBN 9790007252670.
For almost 30 years the conductor and musicologist Clytus Gottwald has made transcriptions of songs and instrumental pieces for unaccompanied choir by a wide variety of different composers, which have been performed throughout the world with huge success. Richard Strauss left a wealth of wonderfully sensitive and subtle songs from all decades of his compositional output, many of them written specifically for his wife, the singer Pauline Strauss-de Ahna.
SKU: BT.DHP-1115053-140
A3 (420X297) inches.
...Then Thy Words Will Take Wing... is a four movement composition based upon drawings made by Russian painter Zinovii Tolkatchev (1903-1970), who served as official artist during the liberation of concentration camps in Auschwitz. After the war, Tolkatchev’s works were published and now tour the world as a travelling exhibition. This composition is a tribute to the victims of the Holocaust who still remain nameless, and is a powerful piece to include in any concert programme.“…d an zullen uw woorden vleugels krijgen...” is een vierdelige compositie gebaseerd op vier tekeningen van de Wit-Russische schilder Zinovii Tolkatchev (1903-1970). Tijdens de bevrijding van de concentratiekampen Auschwitz en Majdanekwas Tolkatchev bij het Rode Leger in dienst als tekenaar. Na de oorlog verschenen de tekening van Tolkatchevs in albumvorm en momenteel reizen ze de wereld over, te bekijken bij tentoonstellingen. De compositie is een eerbetoonaan alle naamloze slachtoffers van de Holocaust en grijpt daarbij ook terug op de hoofdgedachte van de Yad Vashems, het gedenkbeeld van de Holocaust in Jeruzalem.Für Blasorchester, Violoncello und Kinderchor...dann wachsen Flügel Deinen Worten...“ ist eine viersätzige Komposition nach Zeichnungen des weißrussischen Malers Zinovii Tolkatchev (1903-1970), der bei der Befreiung der Konzentrationslager Auschwitz und Majdanek in der Roten Armee als Zeichner diente. Nach dem Krieg wurden seine Bilder veröffentlicht und wandern jetzt in einer Ausstellung um die Welt. Diese Komposition will an die vielen namenlos gebliebenen Opfern des Holocaust erinnern und damit einen der Leitgedanken Yad Vashems, der Holocaust-Gedenkstätte in Jerusalem, vermitteln.…Alo rs tes paroles s’envolent en chanson… est une oeuvre en quatre mouvements s’inspirant de quatre dessins du peintre biélorusse Zinovii Tolkatchev (1903-1970) qui servait dans l’Armée rouge en tant qu’illustrateur lors de la libération des camps de concentration d’Auschwitz et de Majdanek, sa t che consistant réaliser des croquis des atrocités commises. Plus tard, les enfants de Tolkatchev firent don de la série au mémorial Yad Vashem de Jérusalem. Ces dessins sont rassemblés en une exposition qui fait aujourd’hui le tour du monde.Un brano in quattro movimenti che si ispirano a quattro dipinti del pittore bielorusso Zinovii Tolkachev (1903-1970) che servì nell’Armata Rossa come illustratore durante la liberazione dei campi di concentramento di Auschwitz e Majdanek. Il suo compito era realizzare schizzi delle atrocit commesse. In seguito, i figli di Tolkachev decisero di donare la serie di disegni al Memorial Yad Vashem di Gerusalemme, disegni ora oggetto di una mostra itinerante.
SKU: BT.DHP-1115053-010
9x12 inches.
...Then Thy Words Will Take Wing... is a four movement composition based upon drawings made by Russian painter Zinovii Tolkatchev (1903-1970), who served as official artist during the liberation of concentration camps in Auschwitz. After the war, Tolkatchev’s works were published and now tour the world as a travelling exhibition. This composition is a tribute to the victims of the Holocaust who still remain nameless, and is a powerful piece to include in any concert programme.“…d an zullen uw woorden vleugels krijgen...” is een vierdelige compositie gebaseerd op vier tekeningen van de Wit-Russische schilder Zinovii Tolkatchev (1903-1970). Tijdens de bevrijding van de concentratiekampen Auschwitz en Majdanekwas Tolkatchev bij het Rode Leger in dienst als tekenaar. Na de oorlog verschenen de tekening van Tolkatchevs in albumvorm en momenteel reizen ze de wereld over, te bekijken bij tentoonstellingen. De compositie is een eerbetoonaan alle naamloze slachtoffers van de Holocaust en grijpt daarbij ook terug op de hoofdgedachte van de Yad Vashems, het gedenkbeeld van de Holocaust in Jeruzalem....dann wachsen Flügel Deinen Worten...“ ist eine viersätzige Komposition nach Zeichnungen des weißrussischen Malers Zinovii Tolkatchev (1903-1970), der bei der Befreiung der Konzentrationslager Auschwitz und Majdanek in der Roten Armee als Zeichner diente. Nach dem Krieg wurden seine Bilder veröffentlicht und wandern jetzt in einer Ausstellung um die Welt. Diese Komposition will an die vielen namenlos gebliebenen Opfern des Holocaust erinnern und damit einen der Leitgedanken Yad Vashems, der Holocaust-Gedenkstätte in Jerusalem, vermitteln.…Alo rs tes paroles s’envolent en chanson… est une oeuvre en quatre mouvements s’inspirant de quatre dessins du peintre biélorusse Zinovii Tolkatchev (1903-1970) qui servait dans l’Armée rouge en tant qu’illustrateur lors de la libération des camps de concentration d’Auschwitz et de Majdanek, sa t che consistant réaliser des croquis des atrocités commises. Plus tard, les enfants de Tolkatchev firent don de la série au mémorial Yad Vashem de Jérusalem. Ces dessins sont rassemblés en une exposition qui fait aujourd’hui le tour du monde.Un brano in quattro movimenti che si ispirano a quattro dipinti del pittore bielorusso Zinovii Tolkachev (1903-1970) che servì nell’Armata Rossa come illustratore durante la liberazione dei campi di concentramento di Auschwitz e Majdanek. Il suo compito era realizzare schizzi delle atrocit commesse. In seguito, i figli di Tolkachev decisero di donare la serie di disegni al Memorial Yad Vashem di Gerusalemme, disegni ora oggetto di una mostra itinerante.
SKU: SU.90920170
Critical Edition edited by Marty EhrlichDogon A.D. Rites The Painter The Hard Blues In 1972, Julius Hemphill brought a quartet into a studio in St. Louis, Mo, to record four compositions for release on his own Mbari label. This recording, Dogon A.D. introduces Hemphill's brilliant composing and dynamic alto saxophone playing to a wider world, facilitated by its release in 1976 on Arista Freedom records. Dogon A.D. is one of the most critically acclaimed recordings of its decade.. (The composition The Hard Blues is recorded the same day, and finds its release on Hemphill’s first Arista/Freedom recording, Coon Bid’Ness(1975). Hemphill returns to these compositions throughout his career, expanding them with new parts and new orchestrations. This edition presents the range of compositional work Hemphill did with them in the small jazz ensemble context. Each piece is playable with the original sax/trumpet/cello/drums instrumentation, with guitars, bass, and other instruments added depending on the work. asx, tpt, vibr, 2gtr, vc, cb, drs Composed: 1970 Published by: Subito Music Publishing.
SKU: BT.ALHE31676
French.
André Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at Paris Conservatoire. Concerto No. 2 for Trumpetwas composed in 1955, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments and therefore has a considerable number of works in all fields. The composer's style is also knownfor its spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in Concerto No. 2 for Trumpet. The piece requires high,virtuosic skills due to its expansive use of extended techniques. For all advanced trumpeters, Jolivet provides an exciting, different piece for the instrument's repertoire.
SKU: BT.ALHE31679
Mesto - Concitato; Grave; Giocoso (for Trumpet and Orchestra - with reduction for Trumpet and Piano)
André Jolivet (1905-1974) established his love for composition from a young age. This remainedthroughout his life, and he held the post of Professor of Composition from 1966-1970 at Paris Conservatoire. Concerto No. 2 For Trumpet was composed in 1955, and remains highly regarded.
Jolivet,himse lf a cellist, wished to explore composition for all instruments, and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality, and the desire to associate theeverydaywith the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in Concerto No. 2 For Trumpet. The piece requires high, virtuosic skills due to its expansive use ofextended techniques. For all advanced trumpeters, Jolivet provides an exciting, different piece for the instrument's repertoire.
SKU: HL.48187803
UPC: 888680873622. 9.0x12.0x0.125 inches. French.
“André Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at Paris Conservatoire. Concerto for Bassoon was composed in 1954, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments, and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in his Concerto for Bassoon. The piece requires high, virtuosic skills due to its expansive use of extended techniques. For all advanced bassoonists, Jolivet provides an exciting, alternative piece for the instrument's repertoire.”.
SKU: BT.ALHE31669
English.
André Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at Paris Conservatoire. Concerto for Bassoon wascomposed in 1954, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments, and therefore has a considerable number of works in all fields. The composer's style is also known forits spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in his Concerto for Bassoon. The piece requires high, virtuosicskills due to its expansive use of extended techniques. For all advanced bassoonists, Jolivet provides an exciting, alternative piece for the instrument's repertoire.
SKU: HL.48181612
UPC: 888680846206. 9x12 inches.
“Andr é Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at the Paris Conservatoire. Caprice Fantasy for Flute and Piano was published in 1954, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments, and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in his Caprice Fantasy. The piece requires advanced skills due to its use of complex rhythms and exploited tonality. For all advanced flautists, Jolivet provides an exciting, alternative piece for the instrument's repertoire.&rdquo.
SKU: HL.48187808
UPC: 888680873585. 9.0x12.25x0.173 inches. French.
“André Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at Paris Conservatoire. Concerto No. 2 for Trumpet was composed in 1955, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in Concerto No. 2 for Trumpet. The piece requires high, virtuosic skills due to its expansive use of extended techniques. For all advanced trumpeters, Jolivet provides an exciting, different piece for the instrument's repertoire.”.
SKU: MB.95552
ISBN 9780786605828. UPC: 796279026826. 8.75 x 11.75 inches.
Master guitarist Al Petteway ventures into new territory with 15 Celtic-inspired, traditional, and New Age fingerstyle compositions in standard and alternate tunings. Derived from Al??s award-winning solo recording of the same title, each piece bears the inimitable Petteway signature of profoundly graceful, inspired innovation. Written in standard notation and tab with several pieces in alternate tunings. Al began his professional music career at the age of 11. He played guitar, drums, and string bass with a variety of rock and folk acts in the Washington D.C. area during the 60??s, becoming a local legend by the time he went to college to study music composition in 1970. In 1977, Al took a job with The National Geographic Society. His work as Supervisor of Picture Editing for the society??s Image Collection, gave him the artistic freedom to develop his own acoustic guitar style. While long recognized as one of the country??s foremost bluegrass and folk sidemen, Celtic music specialty label Maggie??s Music signed Al in 1993 and released Whispering Stones following by The Waters and the Wild-exposing his solo acoustic guitar work to an international audience for the first time. Al left the National Geographic to become a full-time musician in the spring of 1995, just before the release of Midsummer Moon.
SKU: PR.144405660
UPC: 680160609765.
Marti n discusses his childhood fascination with composition, and eventual discovery of counterpoint, fugues, and canons. He was brought up short, upon learning that such composition was so out of favor at 1970-era Peabody. Even so, he created his third quartet, Canons, from his journals of those previous efforts. These movements are titled Prelude, Episode I, Interlude, Aria, Episode II, and Meditation. There are canons, fugue-like pieces, and even some double canons. Other sections are strict in pitch but free in rhythm. One piece is imitative, but freely so. For advanced performers. Duration: 11'30.
SKU: PR.14440566S
UPC: 680160609789.
SKU: CL.029-1349-01
Feature the ‘now’ sound and style with optional parts for electric guitar and bass. Audiences will love this composition!
