Committin' This Day

Parts-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. These are the instrumental Parts.

Uses: Commitment General Praise Team Youth Scripture: Proverbs 16:3 - Matthew 22:37 - I Peter 5:8 Here is a dazzling contemporary song that leaps from the page with a confident statement of steadfastness and faithfulness. Driving rhythms and a vitalizing vibe make this uplifting piece a brilliant choice for the contemporary choir. Much repetition allows for quick learning and the engaging theme will make this one a new favorite! Score and Parts (pic hn 1-2 tbn 1-2 btbn perc pno ac gtr/b vn 1-2 va vc) available as a digital download.

Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source for Sonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc's 1740 print of Sonatas I to VI & an edition probably made without the composer's consent & the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi's direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas . ' (Ensemble January 2004) 'This is certainly the definitive edition of these works. '(Strings August/September 2003) / Répertoire d'Examen / Répertoire / Violoncelle et Basse Continue

(replaces HM 278) The 'Devil's Trill' Sonata is the most famous of the violin sonatas of Giuseppe Tartini (1692-1770). In this scholarly-critical edition, it holds many a surprise in store. For the first time, all available contemporary sources have been consulted to produce an edition closely approximating Tartini's lost autograph. The solo part offers several ossia passages and alternative articulation marks, and the score has been given an eminently playable realization of the continuo part offering ample scope for improvisation. Also for the first time, this edition includes a separate part for violoncello or violone.A detailed Foreword sheds light on the genesis and subsequent reception of this sonata. There is also a Critical Report discussing and evaluating all sources used and providing explanations of a number of important passages, including the famous trill itself. / Violon Et Basse Continue

Volume 1-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.

Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi?s time including those of Vivaldi himself have come down to us in the form of a score employing two staves: one for violin and one for bass. This guarantees that although portions of the work may be missing what survives is textually complete. Exceptionally five of Vivaldi?s violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv Graz the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas which all have four movements possess partial concordances in other sources with which they share two or three movements but two of them ? RV 11 and RV 37 ? have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction and there is in addition a realization of the continuo by the editor.

Par ROSEINGRAVE THOMAS. This is the first of a set of twelve Sonatas for Flute and Continuo by Thomas Roseingrave published in 1728. This edition of the work has been edited and realised by Richard Platt. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano

Händel, Georg Friedrich
Concerto for Flute (Oboe) and Orchestra in G minor HWV 287
Urtext based on newly found source
Edition no.
BA08533-90
ISMN
9790006521142
The Concerto for Flute and Orchestra in G minor, HWV 287 is a first edition.
Although published in the Handel Complete Edition, IV/12 for oboe in 1971, the work has for many years been considered spurious because no contemporary source existed. This concerto was thought to have been written by an amateur musician who borrowed material from Handel's works written or published after 1733. The situation changed drastically when a contemporary set of parts for the concerto, originally copied in Stuttgart for the Erbprinz Friedrich Ludwig von Württemberg, were found in 1993. These parts, copied about 1720, show that the composer borrowed from this concerto for compositions such as the organ concerto HWV 296a, the concerto grosso op. 6 No.11, HWV 329 as well as the trio sonata in G minor, HWV 390. The parts are titled Concerto à 5 for 1 Flut Travers e Hautb , 2 Violino , 1 Alto Viola Col Basso continuo. This new critical edition by Terence Best is the first to make use of this new source. The score contains a lengthy preface and critical commentary.
- First ever publication making use of the new source material
- Informative preface describing the origin and genesis of the work
- A major new work for flute players / Partitions classique / Bois / Hautbois / BARENREITER

The popularity of Handel's recorder sonatas can easily be gauged by the sheer number of old and modern publications of them. This edition unites the six authentic sonatas and also includes the early version of movement no. 6 to the D minor sonata. It is based on the eminently reliable text of the Halle Handel Edition the 'last word' in Handel scholarship.The G minor A minor C major and F major sonatas were originally edited by Hans Peter Schmitz in 1955 for the Halle Handel Edition. These sonatas were then re-edited in 1995 by Terence Best.The publication contains a thorough discussion of the history and genesisof the works and handy tips dealing with performance practice by the renowned Handel scholar Terence Best. In addition to the score the edition has a solo recorder part and a bass part with figures.A must publication for performers of Handel's beloved music for recorder.This publication replaces the older Hortus Musicus nos. 251 269.Authoritative edition based on the reliable Urtext of the Halle Handel EditionPerformance practice tips (English/German)Score with solo recorder part and bass part with figures'Let's hope that this is the final 'scholarly edition' of the Handel recorder sonatas. I do not see a need for any more !'(Martha Bixler ' American Recorder November 1993)

Here's your chance to be part of the world's favorite brass quintet! These 17 easier pieces were chosen by The Canadian Brass for this special collection. The quintet made new recordings for the companion CD. For each piece youhear The Canadian Brass play the music followed by a version with your part omitted. The individual part books may be played together in ensemble as a brass quintet. Songs include: Eternal Father Strong to Save •Greensleeves • Just a Closer Walk with Thee • Largo (Handel) • Ode to Joy • Sakura • Trumpet Voluntary • more.

Here's your chance to be part of the world's favorite brass quintet! These 17 easier pieces were chosen by The Canadian Brass for this special collection. The quintet made new recordings for the companion CD. For each piece youhear The Canadian Brass play the music followed by a version with your part omitted. The individual part books may be played together in ensemble as a brass quintet. Songs include: Eternal Father Strong to Save •Greensleeves • Just a Closer Walk with Thee • Largo (Handel) • Ode to Joy • Sakura • Trumpet Voluntary • more.

This CD features the distinctive arrangements by Luther Henderson for Brass quintet written for The Canadian Brass captured in an authentic style and spirit of early jazz.Tracks: High Society • Beale Street Blues• Sugar Blues • Saint James Infirmary • Bill Bailey • You Made Me Love You • Ballin' the Jack • Deep River • Chinatown My Chinatown • Back Home in Indiana • Royal Garden Blues •Dog Gone Blues • 12th Street Rag • Goin' in & Movin' on Out • That's a Plenty • Nearer My God to Thee.

17 easy pieces-Here's your chance to be part of the world's favorite brass quintet! These 17 easier pieces were chosen by The Canadian Brass for this special collection. The quintet made new recordings for the companion CD. For each piece youhear The Canadian Brass play the music followed by a version with your part omitted. The individual part books may be played together in ensemble as a brass quintet. Songs include: Eternal Father Strong to Save •Greensleeves • Just a Closer Walk with Thee • Largo (Handel) • Ode to Joy • Sakura • Trumpet Voluntary • more.

J S Bach’s original scoring of the work included Voices with Trumpet Oboes Strings and Continuo. This movement has been extracted and has frequently been performed separately. Arrangements exist for solo Organ and many other instrument combinations. This Chorale is one of Bach’s most enduring works familiar to the public and popular as a voluntary at church services and at weddings.

Cantata for Whit Sunday-Cantata for Whit SundayIn 1717 Telemann composed his cantata ?Gott Der Hoffnung Erfülle Euch? for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the ?Concerten-Jahrgang? also known as ?Das Harmonische Zion? or ?Italienischer Jahrgang? where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored.This particular work includes two Oboes two Corni da Caccia and Strings. Vocal soloists choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service orconcert repertoire.Urtext edition based on ?Georg Philipp Telemann Musical Works?Cantata for the first day of WhitsunIdeal for church services and concertsAn attractive addition to the repertoire with a view to the 250th anniversary of Telemann?s death (2017)Full score & parts (BA5898) and vocal score (BA5898-90) available for sale