Eclipse (Collection In Edit)

Composed by Howard Shore. For Keyboard; Piano; Voice. This edition: Piano Solo & Piano/Vocal/Chords. Artist/Personality; Book; Piano - Personality Book; Piano Supplemental; Piano/Vocal/Chords. Movie. 112 pages. Published by Alfred Music

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

54 Songs, including 8 Cycles or Sets - Medium/Low Voice. By Gerald Finzi. This edition: M051934010. Boosey and Hawkes Voice. Softcover. 224 pages. Published by Boosey and Hawkes.

20 Galactic Easy Piano Pieces. Composed by Hans- Guenter Heumann. This edition: Saddle stitching. Sheet music with CD. Piano Collection. Classical. Edition with CD. Composed 2017. 56 pages. Schott Music #ED 23203. Published by Schott Music

Orchestra

SKU: HL.14027979

Composed by Poul Ruders. Music Sales America. Score. 111 pages. Edition Wilhelm Hansen #KP00695. Published by Edition Wilhelm Hansen (HL.14027979).

ISBN 9788759888780. English.

Corona - The Solar Trilogy No. 3 for Orchestra was composed by Poul Ruders in 1995. Programme note: CORONA makes the final part of the SOLAR-TRILOGY, a huge symphonic triptych about the life and behavior of the Sun. The first'panel' GONG depicts the birth, life and final collapse of our nearest star, the second ZENITH describes in its ultra-slow tempo the patient rise of the Sun toward midday ferocity and its subsequent setting. CORONA, then, is a symphonic 'portrait' of the phenomenally hot whispy brim encircling and radiating from the Sun, a sizzling halo of electrons and photons visible only during a total eclipse. Formally CORONA follows the process of such totalityin progress:the gradual eclipsing by the Moon - total darkness with thefierce, sparkling outer corona - the gradual 'rebirth' of the light toward the full gl.ory and warmth of the Sun.Besides the obvious astronomical narrative of the SOLAR-TRILOGY there's a metaphysical angle too, underlying each of the three compositions: GONG, in spite of its apparent energy, may be the most pessimistic of them all, epitomizing the death and ultimate annihilation of the prime source of Life itself. ZENITH is a hommage to human aspiration and spiritual endurance and CORONA ends with Hope and Glory after a journey from depression throughtotal despair. Super-structurally, the zenith of ZENITH makes the zenith of the entire trilogy, i.e. when the E- flat of the unisone horns in ZENITH is heard, we are exactly halfway through the collected work. Poul Ruders.

String Quartet

SKU: PR.154400180

Composed by Andrea Gabrieli. Edited by Hans David. Arranged by Hans Theodore David. Renaissance. Score and parts. With Standard notation. 28 pages. Theodore Presser Company #154-40018. Published by Theodore Presser Company (PR.154400180).

UPC: 680160642465. 9 x 12 inches.

Andrea Gabrieli was a major force in moving the classical music world toward the more modern Venetian school of the Renaissance. Called by Alfred Einstein One of the greatest and most influential masters of the Renaissance period, Gabrieli fully developed the use of choirs of voices and instruments, often in opposition to each other. David has selected three examples from a posthumous 1589 collection, advising that the four-part pieces were originally scored for viols but are here arranged for modern instruments. And while the arrangement will accommodate a number of players per part, single players would be more historically correct. As important as Andrea was to the Venetian School, his fame would be eclipsed by his nephew and student, Giovanni Gabrieli.

String Quartet

SKU: PR.15440018S

Composed by Andrea Gabrieli. Edited by Hans David. Arranged by Hans Theodore David. Renaissance. Score. With Standard notation. 12 pages. Theodore Presser Company #154-40018S. Published by Theodore Presser Company (PR.15440018S).

UPC: 680160642489. 9 x 12 inches.

Andrea Gabrieli was a major force in moving the classical music world toward the more modern Venetian school of the Renaissance. Called by Alfred Einstein One of the greatest and most influential masters of the Renaissance period, Gabrieli fully developed the use of choirs of voices and instruments, often in opposition to each other. David has selected three examples from a posthumous 1589 collection, advising that the four-part pieces were originally scored for viols but are here arranged for modern instruments. And while the arrangement will accommodate a number of players per part, single players would be more historically correct. As important as Andrea was to the Venetian School, his fame would be eclipsed by his nephew and student, Giovanni Gabrieli.