Matériel : Partition
Voir toutes les partitions de Percy Aldridge Grainger
SKU: CF.CPS211F
ISBN 9781491153055. UPC: 680160910557.
A very interesting new setting for band of British folk songs that were actually arranged for voice and piano by Beethoven! Arranger Balent has created a delightful three section piece based on Beethoven's work. It is a colorful new rhapsody for band that works exceptionally well. It would be a refreshing piece in a concert or contest program.Beethoven wrote at least nine folk song settings from the British Isles. Originally for piano and voice, three of them are included in this medley:The Pulse of an Irishman (Irish) - Alexander BoswellBonny Laddie, Highland Laddie (Scottish) - James HoggThe Minstrel Boy (Irish) - Willam SmythYour band will enjoy playing this unusual part of musical history.Performance Time: 4:00.
SKU: CF.CPS211
ISBN 9781491152379. UPC: 680160909872.
SKU: HL.49018936
ISBN 9790220133053. 9.0x12.0x0.068 inches. English.
Key of E-Major. No. 26 from British Folk-Music Settings.
SKU: AP.41765
UPC: 038081468457. English. Traditional Carols; words adapted by Charlotte Lee.
Four treasured carols from Wales, England, and Ireland comprise this colorfully arranged Christmas medley (three-and-a-half minutes in length). The slow-fast-slow-fast form is carefully constructed for choir alone, band alone, or a combined performance. An elegant and timeless treat for the holidays.
About Alfred Choral Designs
Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: HL.49029757
ISBN 9790220108655. 9.25x12.0x0.02 inches.
SKU: CA.221400
ISBN 9790007188573.
The Folk Songs choral collection explores the musical world of Great Britain and Ireland. It contains 21 arrangements of English-language verse songs, canons, and ballads for mixed unaccompanied chorus. The folk songs are as diverse as the stories they tell: from the moving Greensleeves and Two hearts beat as one, through charming settings such as A rosebud by my early walk and There were three ravens, to saucy and tongue-in-cheek songs such as Dashing away with the smoothing iron and The mother-in-law. The stylistic treatment is very varied: the collection contains both original settings from the 13th century as well as arrangements specially commissioned from contemporary composers for the collection. The settings are in three to five parts, and the vocal parts sometimes divide. They are by well-known British and Irish composers such as Benjamin Britten, Gustav Holst, Ralph Vaughan Williams, and Charles Villiers Stanford, as well as contemporary composers such as John Rutter and Carsten Gerlitz - who give a new twist to these traditional songs. Calmus Ensemble has recorded six arrangements from this collection for their CD Folk Songs (Carus 83.034).
SKU: CA.221405
ISBN 9790007188580.
The Folk Songs choral collection explores the musical world of Great Britain and Ireland. It contains 21 arrangements of English-language verse songs, canons, and ballads for mixed unaccompanied chorus. The folk songs are as diverse as the stories they tell: from the moving Greensleeves and Two hearts beat as one, through charming settings such as A rosebud by my early walk and There were three ravens, to saucy and tongue-in-cheek songs such as Dashing away with the smoothing iron and The mother-in-law. The stylistic treatment is very varied: the collection contains both original settings from the 13th century as well as arrangements specially commissioned from contemporary composers for the collection. The settings are in three to five parts, and the vocal parts sometimes divide. They are by well-known British and Irish composers such as Benjamin Britten, Gustav Holst, Ralph Vaughan Williams, and Charles Villiers Stanford, as well as contemporary composers such as John Rutter and Carsten Gerlitz - who give a new twist to these traditional songs. Calmus Ensemble has recorded six arrangements from this collection for their newly-released CD Folk Songs (Carus 83.034). Score available separately - see item CA.221400.
SKU: AP.31704
UPC: 038081356211. English.
In his American Song Settings, No. 1, Joseph Kreines has created a delightful theme and variations on the well-known traditional melody, Billy Boy. Every instrument in the band has the melody at some point in this outstanding arrangement done in a distinctly early 20th century British style, providing opportunities for young players to play in 4/4, 3/4 and 2/4 time.
SKU: AP.50211
UPC: 038081573816. English.
This, the first of Handel's four Coronation Anthems, has been a cherished part of crowning British royalty from George II in 1727 to the current sovereign, Charles III. Commemorate the grand occasion with this condensed version of the majestic Baroque masterwork. Available in three fresh editions designed with student choirs in mind. Perform with the accessible piano reduction, or combine with your school orchestra (strings, brass, and timpani) for a regal fanfare.
SKU: AP.50210
UPC: 038081573809. English.
SKU: AP.50213
UPC: 038081573830. English.
SKU: AP.50212
UPC: 038081573823. English.
SKU: BT.DHP-1206265-130
English Dances, Set I, opus 27, is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers, at the time the head of publisher Alfred Lengnick & Co., who asked Arnold to write a suite of dances as an English counterpart to Dvo ák’s Slavonic Dances and Bartók’s Romanian Folk Dances. The première took place in the spring of 1951, played by the London Philharmonic Orchestra, conducted by Sir Adrian Boult. Following the success of the first set, DeNevers asked the composer to write a second one, which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr. English Dances, Set I, opus 27, is een licht klassieke compositie die in 1950 door de Britse componist Malcolm Arnold voor orkest geschreven werd. De set bestaat uit vier dansen die zonder onderbreking in elkaar overgaan: de afzonderlijke delen worden aangegeven met de tempomarkering. Het werk kwam tot stand op verzoek van Bernard de Nevers, destijds het hoofd van uitgeverij Alfred Lengnick & Co., die Arnold vroeg om een reeks dansen te schrijven als een Engelse tegenhanger voor de Slavische dansen van Dvo ák en de Roemeense volksdansen van Bartók. De première werd in het voorjaar van 1951 gebracht door het London Philharmonic Orchestra, onder leiding van Sir Adrian Boult.Na het succes van de eerste set vroeg De Nevers om een tweede, die Arnold een jaar later voltooide (opus 33). Het Andantino uit de eerste set is door Ray Farr meesterlijk gearrangeerd en ge nstrumenteerd voor brassband. English Dances, Set I, opus 27, ist eine leicht Klassische Komposition, die 1950 von dem britischen Komponisten Malcolm Arnold für Orchester geschrieben wurde. Die Reihe enthält vier Tänze, die ohne Unterbrechung gespielt werden. Die einzelnen Sätze sind mit Tempoangaben versehen. Das Werk entstand auf Wunsch von Bernard de Nevers, dem damaligen Leiter des Verlags Alfred Lengnick & Co., der Arnold bat, eine Reihe von Tänzen als englisches Gegenstück zu Dvo áks Slawischen Tänzen“ und Bartóks Rumänischen Volkstänzen“ zu schreiben. Die Uraufführung fand im Frühjahr 1951 mit dem London Philharmonic Orchestra unter der Leitung von Sir Adrian Boult statt. Nach demErfolg der ersten Reihe bat de Nevers den Komponisten, eine zweite Reihe zu schreiben, die Arnold im darauffolgenden Jahr fertigstellte (op. 33). Das Andantino aus der ersten Reihe wurde von Ray Farr gekonnt für Brass Band arrangiert und orchestriert. English Dances, Set I, opus 27, est une composition de musique légère classique pour orchestre écrite en 1950 par le compositeur britannique Malcolm Arnold. La série comprend quatre danses qui s’enchaînent sans interruption, les divers mouvements étant indiqués par des changements de tempo. Cette œuvre fut écrite la demande de Bernard de Nevers, alors directeur de l’éditeur Alfred Lengnick & Co., qui pria Arnold de composer une série de danses qui serait l’équivalent anglais des Danses slaves de Dvo ák et des Danses populaires roumaines de Bartók. L’œuvre fut créée le 14 avril 1951 par le London Philharmonic Orchestra sous la direction de Sir Adrian Boult. la suite du succès de la première série, De Nevers pria le compositeur d’en écrire une seconde, qui fut achevée l’année suivante (Op. 33). L’Andantino de la première série a été habilement arrangé et orchestré pour brass band par Ray Farr.
SKU: BT.AL-1078
English.
SKU: BT.AL-1059
SKU: BT.AL-R1230S
SKU: BT.AL-1079