This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)

Considered by some as Verdi's finest composition this highly dramatic work combines original melodies with liturgical strains in a tour de force of melodic invention absolute technical mastery and virtuoso orchestration. This enduringly popular work is scored for four solo voices — Soprano Mezzo Soprano Tenor and Bass — chorus and Orchestra.Reproduced from the authoritative C. F. Peters edition.

Introducing his new player-friendly edition of the Haydn Quartets Simon Rowland-Jones writes: 'There can be no such thing as a final perfect version; Haydn left too many questions open.' The new Peters Edition is founded upon this honest assessment. By heightening our awareness of the questions that remain 'open' this edition liberates the interpretative inspiration of performers as never before. As a result the new edition is likely to become indispensable for all who perform or study these masterpieces. Each volume includes: Full Score – included with the parts for the first time – invaluable for performance preparationFold-out Pages – as required in the separate parts eliminating all page-turns within movements Guidance for Performers – as well as giving historical background to the quartets the prefaces to each volume contain a treasure trove of information about all aspects of performance practice Critical Commentary – in the extensive Critical Commentary to each volume the most authoritative early sources for Haydn's quartets are carefully evaluated and full details of their variant readings given for comparison. Naturally the composer's autograph where extant assumes pre-eminence but alternative primary sources are also considered and secondary sources drawn upon where appropriate.

Edited by Clara Schumann-Superb collection of eight works including the celebrated 'Piano Quintet Op. 44' four 'Quartets' (Op. 41 Nos. 1-3 Op. 47) three 'Trios' (Opp. 63 80 110). Breitkopf

PIANO CONCERTO NO. 3 OP. 30in D minorPublisher: Boosey & HawkesScoreComposer: Sergei Rachmaninoff142 pages

Written for and first performed by the San Francisco Symphony Orchestra conducted by the composer in December 1986.

From the comic opera filled with pirates Turkish princes kidnapping and daring rescues Mozart's The Abduction from the Seraglio is the piece of music that generated the (possibly fictional) ?too many notes?story. It is written in the Turkish ?janissary? style a style of music that fascinated Europe at the time. In this arrangement the right hand of the piano is frequently written 8va to help recreate the piccolothat figured prominently in the original.

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.

Volume 1 of the complete edition of Joseph Haydn's String Quartets. Set of parts. Edited by Moser.14 Famous Quartets: Op.9 No.2; Op.17 No.5; Op.50 No.6; Op.54 Nos.1 2 3; Op.64 Nos.2 3 4; Op.74 Nos.1 2 3; Op.77 Nos.1 2

Requiem K.626 The Requiem completed by Franz Xaver Süssmayr in its traditional form.Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work.The completion of the fragmentary score by his assistant Franz Xaver Süssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the New MozartEdition- Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346

for Pianoforte and Orchestra op. 37-Beethoven’s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation dynamics and pedal markings are for the most part absent. However Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethoven placed slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation dynamics and notes. Inparticular the orchestral parts have been corrected for the first time since Beethoven’s lifetime.Piano reduction with a separate solo Piano part.A must for pianists orchestras and Beethoven scholars.