Violoncello Sonata in E minor, Op. 38

George Frideric Handel's Sonatas Volume 1 for Violin solo and Piano accompaniment. Includes the works Sonata in A Major for violin and continuo HWV361 Op. 1 No. 3 Sonata in F major for violin and continuo HWV370 Op. 1 No. 12 and Sonata in G minor for violin and continuo HWV368 Op. 1 No. 10.

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Brahms Johannes et éditée par Henle cette partition est idéale pour les joueurs de Violoncelle. Si l'instrumentation Violoncelle Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Violoncelle Et Piano / Partition

Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano

The entire four movements of Henry Eccles’ Sonata in G Minor for ViolonCello and Piano remain in the key of G minor with many long expressive phrases and some moments of fleet-fingered delight.Henry Eccles was a Violinist and composer of the Baroque era who was a musician to King William and Queen Mary and a member of the Royal Band of Queen Anne. The Duke d’Aumont brought him to Paris where he entered the service of King Louis XIV. In 1720 Eccles published a book of sonatas for Violin and figured bass from which renowned English composer Malcolm Lipkin has created this arrangement for ‘Cello and Piano.

after the quartet no. 15 in A minor for violin, viola, violoncello and guitar. Par PAGANINI NICCOLO. This beautiful Sonata for alto saxophone and piano by the ECHO Klassik Award winner Raaf Hekkema is a valuable addition to the saxophone repertoire. The piece is an arrangement of Niccolò Paganini's Quartet No. 15 in A minor (originally scored for violin, viola, violoncello and guitar)./ Répertoire / Saxophone Alto et Piano

Ausgabe für Violoncello-An authoritative urtext edition of Schubert's Sonata In A Minor D 821 for the Arpeggione - also known as the Guitar-Violincello or 'Guitar D'Amour'. This version has been transcribed for Cello and Piano edited byWolf-Dieter Seiffert.

The first three movements of Johannes Brahms? E Minor Cello Sonata were composed in 1862 the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms? life however it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann?s advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata Op.38 by Cornelius van Vliet andEdwin Hughes Hugo Becker and Carl Friedberg as well as Julius Klengel. The cellists? van Vliet Becker and Klengel?s fingering and bowing allows for a better understanding of their performance practice. As such the Bärenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms? contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works? origins early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With an extensive Performance Practice Commentary.-

Par DAVID VINCENT. / Date parution : 2023-03-21/ Répertoire / Saxophone Mi B et Piano

Sonata no. 2 in g minor op. 117 for Violoncello and Piano-In contrast to the first cello sonata (HN 1357) composed four years earlier this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start. Friend and associate Vincent d???Indy wrote to Faur? the day after the premiere in May 1922: I would like to tell you how much I am still charmed by your so beautiful sonata. In it I found what is seemingly forgotten these days: music.??? It therefore comes as no surprise that the sonata rapidly found its way into the concert repertoire where it maintains an uncontested position to this today. The duo David Geringas and Markus Bellheim provided fingerings.

Instrumentation : cello and basso continuo Date of Publications : 05/04/2000 Number of Pages : 20 Arranger : Darmstadt, Gerhart Series : Cello Library