Format : Score
SKU: HL.49009259
ISBN 9790001092609. UPC: 884088083892. 8.75x12.0x0.423 inches.
SKU: HL.49009260
ISBN 9790001092616. UPC: 884088083885. 11.75x8.75x0.119 inches.
SKU: CA.1820400
ISBN 9790007166816.
Our series of chorale settings for organ continues with a volume of 35 compositions based on hymns which are used throughout the church year. The main feasts and themes represented in this collection include the celebration of Mass, the Holy Spirit, Trinity, Jesus Christ, Praise and Thanks, as well as trust and consolation. Distinguished composers from various European countries have contributed to the volume. Some works which are less well-known, from the Baroque to the 20th century, are also included. The collection contains several exciting new discoveries which will be useful in the liturgy of the Mass, in other services and in concerts. This third volume in the series follows on from the editions already published devoted to Christmas and Easter.
SKU: M7.DOHR-20446
ISBN 9790202044469.
Max Reger fühlte sich nicht nur als neuer Bach, sondern wurde von seinen Zeitgenossen auch als solcher angesehen. Tatsächlich war Bach Regers Bezugspunkt in all seinen künstlerischen Äußerungsformen: als Komponist, der Bach''sche Formen - Fugen, Motetten, Choralvorspiele - aufgriff; als Interpret, der Bach immer wieder auf seine Programme setzte; als Bearbeiter, der sich mehr als jeder andere Komponist mit seinem Übervater auseinandersetzte. So hat Reger insgesamt etwa 150 Werke Bachs bearbeitet, um Bach populärer zu machen, aber auch, um sich kompositorisch an seinen Werken weiter zu bilden. Die hier in fünf Heften vorgelegten 15 Bearbeitungen Bach'scher Klavierwerke entstanden 1902/1903 und erschienen im gleichen Zeitraum im Verlag Joseph Aibl (München). Mit ihnen verfolgte Reger das Ziel, das Repertoire des Organisten um weitere authentische Bachsche Kompositionen zu bereichern. (Otto Depenheuer) Die vorliegende Ausgabe bietet den Notentext im Reprint der erwähnten Erstausgabe.
SKU: CA.1820300
ISBN 9790007143428.
The second volume continues with 43 compositions for the time of Holy Lent and Easter. For this time of year the new hymnal Gotteslob contains a great number of new songs. Therefore more than 20 pieces are commissioned renditions for this edition - for many songs they are even the first chorale arrangements overall. The collection presents some previously unknown pieces between baroque and present times. The pieces are quite easy to learn and take between two and five minutes playing time and are particularly suitable for the recessional and for the communion.
SKU: CA.1820200
ISBN 9790007141714.
The first volume of our new series with music to the hymnal Gotteslob assembles 30 pieces for Advent and Christmas, previously unknown pieces between baroque and present times, particularly convenient for liturgical use. About a third of the pieces was composed specifically for this edition. Most of the songs are suitable for ecumenical use.
SKU: CA.1822120
ISBN 9790007249052.
An indispensable collection for professional and non-professional church musicians! After the successful first volume of chorale preludes on the seasonal hymns from Advent to Whitsun, published on the anniversary of the new lectionary of the Evangelical Church in Germany, Volume 2 now follows with preludes on the hymns from Trinity to the end of the church year. With this two-volume edition, editor Ingo Bredenbach has created an indispensable collection with chorale preludes for the two seasonal hymns for all Sundays and the most important feast days. The volumes provide organists with a complete, innovative and varied selection of chorale preludes. Over a third of the c. 160 chorale preludes have been newly composed, and the others have been chosen partly from little-known collections from the 18th to the 20th century. Many hymns were considered for which there have been no chorale preludes to date, or none which are suitable. With all the arrangements, there is an option for shortening the piece to provide a suitable intonation. The difficulty level of the pieces is structured so that non-professional organists can learn the works within a week, whilst professional church musicians can play from this new collection with less time needed. Thanks to the variety of styles included, the collection can also be used in organ teaching. Both the volumes contain indices, including one to enable the use of the preludes with other hymns in the Evangelisches Gesangbuch.
SKU: BA.BA05476
ISBN 9790006471713. 24 x 32.5 cm inches.
88 Kompositionen von Joachim Barth, Volker Gwinner, MAtthias Kern, Klaus von Loeffelholz, Gerhard von Schwartz, Traugott Timme und Gunter de Witt.
SKU: BA.BA11243
ISBN 9790006564439. 24 x 30.5 cm inches. Text language: German. Preface: Göttsche, Gunther Martin / Weyer, Martin.
7 Volumes in a set.
SKU: CA.1811599
The organists Helmut Brand, Ingo Bredenbach and Martin Hagner play on the organ of the Evangelische Stadtkirche Tutttlingen 67 of their own new chorale arrangements of well-known hymns from the Evangelische Gesangbuch (German Protestant Hymnbook). Carus has published these settings in a new edition. This volume presents a loose succession of the most important hymns contained in the Gesangbuch. Some of them allude to musical eras of the past, some refer tongue in cheek, in a more or less hidden manner, to famous compositions. Score available separately - see item CA.1811500.
SKU: BA.BA11236
ISBN 9790006561001. 24.7 x 31 cm inches. Preface: Karas, Markus / Klomp, Carsten.
Das ökumenische Orgelbuch ist Novum und Must zugleich: Es bietet auf über 540 Seiten Choralvorspiele und Sätze zu allen 135 Melodien, die sowohl im „Evangelischen Gesangbuch“ (EG) als auch im neuen katholischen „Gotteslob“ (GL) vorkommen. Sämtliche Kompositionen stammen von je sieben lebenden Komponisten beider Konfessionen, darunter Markus Karas, Carsten Klomp, Thomas Gabriel und Gunther Martin Göttsche.Neben der Verwendung im Gottesdienst eignen sich die meisten der hier vorgelegten Choralvorspiele auch für das Geistliche Konzert oder die Orgelvesper. Für jede Zeit im Kirchenjahr sind Stücke in stilistisch großer Bandbreite vorhanden. Diese Vielfalt der Formen und Stile kann Anregung für die eigene Kreativität und Improvisationspraxis sein.
