6 Sonatas Op. 2, Volume 2 (3-4)

Zwei Sonaten für Orgel und Orchester-The 17 Church or 'Epistle' Sonatas were composed between 1772 and 1780. They are short single-movement pieces intended to be played during a celebration of the Mass.Three of the sonatas are scored for small Orchestra including Oboes Horns Trumpets and Timpani and the rest are scored for Organ and Strings without Violas.The Sonatas in this Volume 3/4 are the Sonata in C major K.278 (2 Oboes 2 Trumpets Timpani Strings Organ) and the Sonata in C major K.329 (2 Oboes 2 Horns 2 Trumpets Timpani Strings Organ).Also available:Volume 1: BA4731Volume 2: BA4732Volume 5: BA4735

Sonate für Orgel und Kammerorchester Streicher ohne Viola-Composed between 1772 and 1780 Mozart's 17 Church or 'Epistle' Sonatas are short single-movement pieces intended to be played during a celebration of the Mass. Three out of the 17 sonatas are scored for small Orchestra including Oboes Horns Trumpets and Timpani. The rest are scored for Organ and Strings without Violas. This volume contains the Cello/Bass parts for the Sonata In C Major K.263 (Organ Solo Trumpet (2) Strings). Also available: Volume 1: BA4731. Volume 2: BA4732. Volume 3/4: BA4733.

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano

Nos. 1-15-The entire corpus of Beethoven???s piano sonatas is contained in this two volume work 32 sonatas in all. Volume One contains the fifteen sonatas from Beethoven???s first period including the Pathetique Moonlight and Pastorale Sonatas. The music is reproduced from the exemplary Universal-Edition set edited by Heinrich Schenker. Combining scrupulous scholarship and profound artistic vision Schenker achieved an edition which is universally admired by musicians and scholars. For this Dover edition Schenker???s footnotes have been translated into English and his preface retranslated. A new introduction introduction by Carl Schachter has also been included. This edition will bewelcomed by all pianists both professional and amateur for its accuracy and reliability; it is highly desirable for instruction study reference and enjoyment.

Fünf Sonaten für zwei Violinen Orgel Violoncello und Bass-About Complete Church Sonatas. Volume 25 Sonatas for two Violins Organ Violoncello and Bass. By Wolfgang Amadeus Mozart. Edited by Minos E. Dounias. For Violin 1 Violin 2 Organ Violoncello Contrabass. Playing Score; Set of Parts; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). (BA4732) ISBN M006454525. Contents:KV 244 F-dur /4`KV 245 D-dur /5`KV 274 (271d) G-dur /5`KV 328 (317c) C-dur /4`KV 336 (336d) C-dur /3`

Bach: Complete Organ Works Vol. 5 Sonatas / Trios / Concertos - ed. by Pieter Dirksen Organ Works Based on Compositions by Bach and Others Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements by Bach of original compositions and of works by other composers. Next to the Sonatas BWV 525?530 and the Concertos or concerto movements based on pieces by other composers BWV 592?596, the volume also contains the Trio in D minor BWV 583, the Trio settings BWV 585?587 as well as the early versions of BWV 527 and 528. Moreover, the CD-ROM offers eight arrangements of trio movements by Bach made by others. In his detailed introduction, Pieter Dirksen discusses various aspects of these pieces' origins, inasmuch as they help us better understand the works. The organist will especially welcome the comments on performance practice and registration. It is precisely the fact that these works derive from chamber-music models that leads to individual considerations for each work group.

Comme le principal représentant de la musique tchèque à Vienne du 18e siècle, Leopold Kozeluh (17471818) a été observée principalement comme compositeur, pianiste et professeur de clavier. Ses 50 sonates pour clavier couvrent toute sa carrière et marquent non seulement la transition entre le clavecin et clavicorde manière le style fortepiano entièrement idiomatique, mais aussi le développement de la 'sonate classique' de l'ordre de trois décennies (17731806) .Jusqu'à présent, les pianistes ont eu peu de chance de se familiariser avec la gamme complète des sonates de Ko?eluh depuis quelques existait dans les éditions modernes. Cette nouvelle édition complète par Christopher Hogwood présente pour la première fois toutes les sonates de Ko?eluh pour solo de clavier.Le projet est divisé en quatre volumes qui paraîtront en 2007 et 2008, allant chronologiquement à travers les séries publiées. Volume 4 contient également ces sonates qui ne se trouvent que dans les sources manuscrites. La première édition complète des Sonates pour clavier du compositeur tchèque Leopold Kozeluh Remplit un vide dans le répertoire du répertoire classique tchèque et de l'Europe centrale Convient pour les amateurs et les professionnels, et idéal pour les fins d'enseignement Introduction détaillée (Cz / Eng / Ger...), Commentaire critique (Fr.) et facsimilés / Clavier

This volume presents nearly all of the composerâ??s works for piano solo: four piano sonatas Invitation to the Dance (a waltz later orchestrated by Berlioz) eight sets of variations 'Momento capriccioso ' 'Grande Polonaise ' 'Rondo brillante' and 'Polacca brillante.' Reprinted from the authoritative C. F. Peters edition.

from 'Versuch uber die wahre Art das Clavier zu spielen'-Book 4 in this collection of Selected Carl Emanuel Bach Keyboard Works contains six fantastic sonatas from his Versuch uber die wahre art das Klavier zu spielen or The True Art of Playing Keyboard Instruments. Published within the â??Signature Series' a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars including informative introductions and performance notes. These authoritative and satisfying volumes are all set for solo Keyboard instrument and are suitable for Piano Harpsichord or Keyboard solo.

Sonaten op. 1: Nr. 1 4 und 9 op. 3: Nr. 2 4 und 12. Very few works in music history have been associated with the phrase 'epoch-making' yet Arcangelo Corelli's Trio Sonatas are among them. In 1681 and 1685 with the composition of Sonate da chiesa Op. 1 and Sonate da camera Op. 2 Corelli laid the foundation for a genre which was to be the chamber music format for almost 100 years. It was only in 1781 that it was superseded by Joseph Haydn's String Quartets Op. 33 which were also highly significant to the era. From a historical point of view the String Quartet can be viewed as a 'child' of the trio sonata. As a result Wiener Urtext Edition have published a selection of 12 of a total of 48 trio sonatas due to the 300th anniversary of the composer's death. Volume 1 contains six sonatas of the Da Chiesa model Volume 2 six pieces of the Da Camera type. This new edition was based on original editions the first Italian reprints as well as the Rogers Amsterdam edition. In addition to parts for the melodic instruments the new edition also contains a Continuo score with realised easily playable Basso Continuo. This edition is perfectly suitable as an introduction into chamber music.

A highly authoritative Urtext edition of Carl Philipp Emanuel Bach's Piano Sonatas as edited by Darrell M. Berg and Klaus Borner. Available here is the third volume of piano sonatas.Contents:Sonata C major Wq 51 1( Level of difficulty: 6 ) Sonata (First Edition) C major Wq 65 35 ( Level of difficulty: 4/5 ) Sonata (First Edition) C major Wq 65 36 ( Level of difficulty: 5 ) Sonata A major Wq 65 37 ( Level of difficulty: 5/6 )Sonata D major Wq 65 40 ( Level of difficulty: 5 ) Sonata C major Wq 65 41 ( Level of difficulty: 5 ) Sonata E flat major Wq 65 42 ( Level of difficulty: 5 ) Sonata B flat major Wq 65 44 ( Level of difficulty: 5/6) Hamburg Sonata F major Wq 62 24 ( Level of difficulty: 5 ) Sonata (First Edition) [Hamburg Sonata] C major Wq 65 47 ( Level of difficulty: 4/5 ) Sonata (Hamburg sonata) G major Wq 65 48 ( Level of difficulty: 4 )Appendix: Larghetto (originally second movement of the Sonata No. 31) E flat major ( Level of difficulty: 3 )

This collection of the most beautiful 100 easy original compositions for piano presented by Schott contains a selection of works that accompany every pupil in the first years of his or her piano lessons.



The volume contains compositions from the days of Johann Pachelbel (1653-1706) to the days of Alexander Grechaninov (1864-1956), providing playing material from the high baroque period to the early 20th century. Apart from numerous individual pieces, there are also easy sonatas and sonatinas by Haydn, Cimarosa, Clementi, Mozart and Beethoven. Complete with fingerings, tempo suggestions in the form of metronome numbers and notes on the execution of ornaments, the collection with its modern, readable typeface is ideal not only for lessons, but also for the private music-making of every music lover.



This album represents superb value for money! / Partition /

For Viola Da Gamba-This superbly produced volume brings together nine of Bach's most performed compositions: six Cello Suites and three Sonatas for Viola da Gamba and Harpsichord. Reprinted from the definitive Bach-Gesellschaft edition.

This edition of recorder duet sonatas is intended as a corrected urtext but for its transposition to the range suitable for treble recorders. They will make ideal recital pieces for any concert.