Flute Solos

11 beloved Bach pieces arranged as flute solos with both piano and harpsichord accompaniment on the CD. Includes: Sonata in A Major BWV 1032 2nd Movement ?Largo? ? Sonata in C Major BWV 1033 2nd Movement?Allegro? ? Sonata in C Major BWV 1033 3rd Movement ?Adagio? ? Sonata in C Major BWV 1033 4th Movement ?Menuetto I

Originally published in a different format, Potter's Alto Flute Solos is here issued in a separate book for alto flute and piano accompaniment. This collection contains works at the easy and intermediate levels, and includes popular recital pieces such as Bizet?s Habanera from Carmen, the traditional Irish tune Danny Boy, and 18 others. The same contents are also available in Bass Flute Solos (FH0512).

Par BLUESTONE HARRY. A fine collection of beginning flute solos with styles ranging from classics to folk songs, sea chanties, and ragtime! A fine solo supplement to any method, providing enjoyable material for recitals or performance practice. Keyboard accompaniment included. / Niveau : Débutant / All Styles - Solos / Recueil / Flûte Traversière et Piano

One of the most idiosyncratic bands to develop during the 1960s Jethro Tull remain a distinctive musical voice adored by fans everywhere. In Ian Anderson Jethro Tull boast a folk hero and Flute virtuoso with a playing style that is as unique as his stage performances. This exciting folio of transcriptions gives you the chance to learn Anderson's groundbreaking Flute solos with transcriptions of 18 of his very best including Bungle In The Jungle Cross-Eyed Mary and Thick As A Brick.

A collection of classical works for Flute and Piano accompaniment edited by Trevor Wye. Volume Two includes music by Telemann Donjon Vivaldi Chopin Jacob. All of these Flute Solos have been carefully and specificallyselected for their melodic interest. Suitable for players grade 3-4.

This collection of Great Flute Solos contains sixty well known film themes classical pieces jazz and blues standards showtunes and popular hits all arranged for beginner to immediate level flautists.

Arias with 1 or 2 flutes obbligato (with the complete vocal part)-Arias with 1 or 2 Flutes obbligato (with the complete vocal part).Selected movements from secular cantatas from St Matthew Passion Mass in B minor and the Lutheran Mass in A major. This volume presents for the first time all those arias from the oratorios Passions Masses and sacred and secular cantatas of Johann Sebastian Bach that contain obbligato parts for one or two Flutes. The musical text has been adopted from the “ Urtext ” of the New Bach Edition. Music and words are inseparable in Bach’s works. Therefore as an aid to the interpretation of these Flute solos our richly annotated collection offers notonly Flute part but also the complete vocal part for each movement. In this way the edition not only represents a novel form of Orchestral studies it also opens up an important area of the Flute repertoire. Contents:Kantate 45. Es ist dir gesagt Mensch was gut ist. Nr. 5 Alt-Arie: Wer Gott bekenntKantate 55. Ich armer Mensch ich Sündenknecht. Nr. 3 Tenor-Arie: Erbarme dichKantate 79. Gott der Herr ist Sonn und Schild. Nr. 2 Alt-Arie: Gott ist unsre Sonn und SchildKantate 180. Schmücke dich o liebe Seel. Nr. 2 Tenor-Arie: Ermuntre dich dein Heiland kommtKantate 94. Was frag ich nach der Welt. Nr. 4 Alt-Arie: Betörte Welt betörte WeltKantate 110. Unser Mund sei voll Lachens. Nr. 2 Tenor-Arie: Ihr Gedanken und ihr Sinnen (2 Flöten)Kantate 78. Jesu der du meine Seel. Nr. 4 Tenor-Arie: Das Blut so meine Schuld durchstreichtKantate 100. Was Gott tut das ist wohlgetan. Nr. 3 Sopran-Arie (Vers): Was Gott tut das ist wohlgetanKantate 96. Herr Christ der einge Gottessohn. Nr. 3 Tenor-Arie: Ach ziehe die Seele mit Seilen der LiebeKantate 102. Herr deine Augen sehen nach dem Glauben. Nr. 5 Tenor-Arie: Erschrecke doch du allzu sichre SeeleKantate 113. Herr Jesu Christ du höchstes Gut. Nr. 5 Tenor-Arie: Jesus nimmt die Sünder anKantate 99. Was Gott tut das ist wohlgetan. Nr. 3 Tenor-Arie: Erschüttre dich nur nicht verzagte SeeleKantate 114. Ach lieben Christen seid getrost. Nr. 2 Tenor-Arie: Wo wird in diesem JammertaleKantate 130. Herr Gott

A Method for The Intermediate Flutist with Piano Accompaniment-Flute 102: Mastering the Basics continues the technical creative and musical development of intermediate flautists by integrating etudes solo repertoire orchestral excerpts duets and contemporary techniques into an innovative curriculum. Lesson plans present in a clear and logical sequence activities to develop tone vibrato technique and musicianship. The phrasing guides practice suggestions and prelude activities expand on the pedagogical approach used in Flute 101 making Flute 102 a must-have staple - perfect for use in the private or university studio. Flute 102: Mastering the Basics features: Daily Warm-up Major and minor scale studies arpeggios and more Technical studies: articulation dynamics tone and vibrato Over 40 etudes Recital repertoire: 15 accompanied Flute solos and 2 unaccompanied solos Creating your own preludes to develop musicianship Idea to follow Flute 101 or any other introductory Flute method

Compilation. A compendium of classic solos for the flute. This expansive volume contains the great masterpieces of the world's foremost composers. Over 50 favourite flute solos with full piano accompaniment and a separate matching solo part for the flautist. Carefully selected to provide a lifetime of playing pleasure for every performer. Spiral bound. / Rép Classique / Recueil / Flûte Traversière

TO ALL LOVERS OF CUBAN FLUTE MUSIC (A TODOS LOS AMANTES DE LA FLAUTA CUBANA) This book dedicated to the flute in popular Cuban music is a method in which I have tried to include all the technical and stylistical aspects that are of interest to the musician who wishes to become acquainted with the world of Latin music. On the one hand, the book presents the most important genres of our music where the flute plays an outstanding role as a solo instrument; on the other hand, it introduces the most essential characteristics of the individual genres the flutist should be familiar with when performing Cuban music. This method mainly focusses on technical aspects comprising the knowledge of the clave, articulations, embellishments and the like, presented along with exercises, examples and the analysis of flute solos. I would like to recommend you this book written with deeply-felt dedication by one of Cuba?s greatest contemporary flute players. This excellent work, I have had the pleasure of viewing before its publication, has been created by supreme effort by a good friend of mine who I have worked with at work sessions, on stage and in the recording studio for a long time. I hope that this wonderful concept will help to give worldwide publicity to an instrument of fundamental importance to Cuban music of all times. (Orlando Valle ?Maraca?)

Faure’s two original pieces for flute and piano – the Fantaisie Op.79 and the Morceau de Lecture – Sarabande - appear here in Urtext form beside arrangements of other pieces that either feature famous orchestral flute solos or happen to suit the flute especially well. This is a highly comprehensive edition of these pieces which have been edited and arranged by Roy Howat and includes detailed commentaries with thorough editorial markings and suggestions.The solo flute part is also included on a separate insert.

Le Merle Noir written in 1952 by Olivier Messiaen is a chamber work for Flute and Piano that lasts 5 minutes and is one of the most remarkable pieces of the Flute repertoire. Based on the study of bird songs this piece is very technical and challenging with many details to focus on and would therefore be a fit for advanced students.Le Merle Noir is divided into five sections not officially written and mixed tonal and atonal parts. Each of the section is different to the ones surrounding them and the piece also contains a few Flute solos. Olivier Messiaen (1908-1992) was a Frenchorganist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.