John Williams: Suite from The Star Wars Epic - Part I

Play a selection of superb John Williams' compositions from Indiana Jones and the Kingdom of the Crystal Skull. This book is part of an instrumental series arranged for Violin Viola and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed Piano part that can easily be played by a teacher or intermediate piano student and a carefully crafted removable part complete with bowings articulations and keys well suited to the level 2-3 player. A fully orchestrated accompaniment CD containing a demonstration track of each song featuring live instrumental performance plusa Play-Along track. This terrific edition also contains a tuning note plus a host of full-colour stills from the film.

Indiana Jones and the Kingdom of the Crystal Skull-Play a selection of superb John Williams' compositions from Indiana Jones and the Kingdom of the Crystal Skull. This book is part of an instrumental series arranged for Violin Viola and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed Piano part that can easily be played by a teacher or intermediate piano student and a carefully crafted removable part complete with bowings articulations and keys well suited to the level 2-3 player. A fully orchestrated accompaniment CD containing a demonstration track of each song featuring live instrumental performance plusa Play-Along track. This terrific edition also contains a tuning note plus a host of full-colour stills from the film.

for Alto Saxophone and Concert Band-Steven Spielberg's 2002 film Catch Me If You Can was set in the 1960s and John Williams created a marvelous film score evoking the style of the progressive jazz movement popular during that time. Soloists on altosaxophone vibraphone and string bass are featured in this suite of three contrasting movements. “Closing In” relates to the often humorous sleuthing ever present in the story. This is followed by“Reflections” portraying the fragile family relationships and finally “Joy Ride” representing the main character's wild flights of fantasy. Dur: 13:00

from Jaws-Referring to the 1975 blockbuster Jaws director Steven Spielberg states that John Williams' music ?was clearly responsible for half the success of the movie.? This suite features two of the signature musicalsequences. In ?Out to Sea ? the trio of shark hunters led by police chief Martin Brody (played by Roy Scheider) heads into open water to find the menacing beast. This is followed by the ?Shark Cage Fugue ?a classically inspired and sophisticated accompaniment to a tense underwater scene in which Hooper (portrayed by Richard Dreyfuss) comes face-to-face with the great white in an all-too-fragile suspended cage.

Symphonic Suite-Combining the well-known themes composed by John Williams for the 1993 Jurassic Park with evocative new material by Michael Giacchino this symphonic setting from the 2015 blockbuster Jurassic World is both haunting and dramatic.

Faisant usage du thème distinctif Jedi Steps qu?on peut entendre dans la fin du film ainsi que du final entraînant du générique de fin Jay Bocook recrée de manière authentique la beauté et la puissance de cette spectaculaire musique de film.Composée par John Williams lui-même une « fin de concert » alternative figure aussi bien que la fin calme entendue à la fin du film.

Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts – The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition – To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of “Wie stark ist nicht dein Zauberton!”Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible Flutist“The Flutist,” Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1“Spring,” Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]“Appearance of the Thirteen Enchanted Princesses,” 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for Orchestra“Hagrid’s Friendly Bird,” bars 127-151Star WarsSuite for OrchestraPrincess Leia’s themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company

Arrangeur: Carol Matz. Music from the Motion Picture. Arranged by Carol Matz. Big Note Piano Edition. With vocal melody, lyrics, piano accompaniment and chord names (on selected songs). From one of the biggest summer blockbusters of 2006, this book features music from the movie soundtrack, providing lyrics along with piano arrnts for all the songs included. / Niveau : Facile / TV, Film, Comédie musicale / Recueil / Piano

Utilizing the distinctive ???Jedi Steps??? theme featured at the end of the film combined with the rousing ???Finale??? from the end credits Jay Bocook authentically recreates the beauty and power of this amazing film score. Courtesy of Mr. Williams himself an alternate ???concert ending??? is provided in addition to the quiet ending as heard at the end of the film.