Bach Johann Sebastian - Keyboard Classics Basix Series + Cd - Piano

Kommt, Eilet Und Laufet. Par BACH JOHANN SEBASTIAN. Critical new edition 2004, edited by Ulrich Leisinger: Carus 31. 249; old edition, edited by Dieter Hellmann: Carus 31. 249/50. Parody of the secula cantata 'Entfliehet, verschwindet, entweichet, ihr Sorgen' BWV 249a. Like the Ascension Oratorio BWV 11, Johann Sebastian Bach’s Easter Oratorio BWV 249 is entirely and unjustly overshadowed by his two great Passion settings and the Christmas Oratorio. It was given its first hearing on 1 April 1725. Thereafter Bach performed the work for his Leipzig congregations on at least three Easter Sundays, touching up the composition each time. Our new edition is the first to reproduce the musical text of the fair autographe scoredating from the late 1730s – the text that Bach regarded as the repertoire version. / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes à Bec F1, Flû

Kantate für den 24. Sonntag nach Trinitatis. Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of ”vanity. ”/ Répertoire / Chant

Kantate Zum 3. Weihnachtstag. Par BACH JOHANN SEBASTIAN. The cantata 'Ich freue mich in dir' was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett [Zink], which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word'Getrost!' [safely]. The oboes d'amore which accompany the alto lend the movement a special color. In the second aria [for soprano], Bach again shows himself to be the master of text interpretation. The words 'Wie lieblich klingt es in den Ohren' are emphasized in an exchange between open strings and sixteenth note figures. / Date parution : 2004-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, 2

Himmelfahrtsoratorium. Par BACH JOHANN SEBASTIAN. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 [Ascension Oratorio]. Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ’s ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger./ Répertoire / Solistes SATB, Choeur SATB, 3 Trompettes, 2 Flûtes

Kantate Für Einen Bußgottesdienst (Fassung In G). Par BACH JOHANN SEBASTIAN. From the deep, Lord, cried I out to Thee is one of Bach's earliest cantatas. Composed in Mühlhausen in 1707, the work does not yet know the board sweep of arias and choral movements of the Leipzig days./ Répertoire / Solistes SATB, Choeur SATB, HautboiSBasson, Instru

B-Dur. Par BACH JOHANN SEBASTIAN. Tonalité : B-Dur - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 97/ Répertoire / Solistes SATB, Choeur SATB, 2 HautboiSBasson, Viol

Kantate Zum Sonntag Misericordias Domini. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 112/ Répertoire / Solistes SATB, Choeur SATB, 2 Cors, 2 Hautbois d'A

Kantate Zum 19. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : g-Moll - Kubik, Reinhold (Arr.) - Lunn, Jean (Trad.) - BWV 5/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, Tromba Da

Kantate Zum 10. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : d-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 101/ Répertoire / Solistes SATB, Choeur SATB, (Cto et 3 Trombones),

Kantate zum Fest Mariae Heimsuchung Leipziger Fassung. Par BACH JOHANN SEBASTIAN. German-English/ Répertoire / Choeur Mixte et Instrument Divers