Bach, Johann Sebastian : Le Clavier (Clavecin) bien tempéré I BWV 846-869 / The Well-Tempered Clavier I BWV 846-869

Par BACH JOHANN SEBASTIAN. A- Flûte à Bec - Piano/ Répertoire / Flûte à Bec ou Alto et Clavier

La partition Inventions A 2 Voix de Bach Johann Sebastian/Delecluse a été composée pour Percussions et plus particulièrement pour 2 Percussionsnistes Claviers. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / 2 Percussionnistes Claviers / Partition

Kantate Zum 4. Advent. Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn “Herr Christ der einig Gotts Sohn' [Elisabeth Cruziger], has been lost, here the cantata ends with the last movement [transposed from B flat to A major], to the same words, of the cantata BWV 164./ Répertoire / Solistes SATB, Choeur SATB, HautboiSBasson, 2 Viol

Kantate Zum 13. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe [NBA 1/21] is followed./ Répertoire / Solistes SATB, Choeur SATB, Trompette (Da Tirarsi)

Kantate Zum 3. Weihnachtstag. Par BACH JOHANN SEBASTIAN. The cantata 'Ich freue mich in dir' was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett [Zink], which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word'Getrost!' [safely]. The oboes d'amore which accompany the alto lend the movement a special color. In the second aria [for soprano], Bach again shows himself to be the master of text interpretation. The words 'Wie lieblich klingt es in den Ohren' are emphasized in an exchange between open strings and sixteenth note figures. / Date parution : 2004-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, 2

Kantate Für Einen Bußgottesdienst (Fassung In G). Par BACH JOHANN SEBASTIAN. From the deep, Lord, cried I out to Thee is one of Bach's earliest cantatas. Composed in Mühlhausen in 1707, the work does not yet know the board sweep of arias and choral movements of the Leipzig days./ Répertoire / Solistes SATB, Choeur SATB, HautboiSBasson, Instru

Kantate Zum 14. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : A-Dur - BWV 17/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, Instrument

Kantate Zum 5. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : c-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 93/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, Instrument

Kantate Zum 3. Sonntag Nach Epiphanias. Par BACH JOHANN SEBASTIAN. Tonalité : a-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 111/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, Instrument

Kantate Zum Sonntag Sexagesimae. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 181 / Date parution : 1991-09-01/ Répertoire / Solistes SATB, Choeur SATB, Trompette, Flûte Trave