SKU: HL.1428063

UPC: 196288202073. 6.75x10.5 inches.

An inspiring pop anthem with winning lyrics and a chorus that sticks, Meghan Trainor's �??Run Like the River�?� (from Playmobil: The Movie) is given a first-rate choral arrangement by Roger Emerson. Building a sound both distinctive and faithful to the original, Emerson weaves a tapestry of melodies and countermelodies, complex rhythms, and exhilarating harmonies. A sonic force to be reckoned with!

SKU: VD.ED21732

ISBN 9790202047323. 11.69 x 8.27 inches.

SKU: HL.1434050

UPC: 196288203513.

In recent years, our addiction to our devices has negatively impacted our ability to focus and to connect with each other. The first part of �??Awaken�?� explores the dangers associated with overuse of these devices. It includes knocking sounds symbolizing our needed wake-up calls, along with optional staging suggestions using illuminated devices on stage or pantomime. The second part of the piece offers solutions, including experiencing nature, finding our passions, and connecting with each other. It ends with a powerful statement to �??make a difference and share the light in you.�?� This piece makes a powerful statement while bringing to light an important issue of our time.

SKU: HL.1428075

UPC: 196288202134. 6.75x10.5 inches.

Alternative rock band The Mowgli's have reached a level of cultural appreciation that far exceeds their indie roots. Their infinitely singable choruses, often featuring many layers of voices, practically beg audiences to sing along. Give this one a go and see!

SKU: CA.5165211

ISBN 9790007313845. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.

Arman’s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Arman’s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

SKU: HL.1452608

ISBN 9798350125214. UPC: 196288208297.

This Irish folk song has been creatively arranged for tenor/bass choirs. Its accessible setting, along with its fun-to-sing lyric and optional body percussion, will be an excellent choice for a light concert moment!

SKU: HL.1459950

UPC: 196288211105. 6.75x10.5 inches.

Premiered in New York City by Essential Voices USA at St. Malachy's, Chrismas Joy is a montage of traditional and familiar Christmas Carols, expertly arranged by Judith Clurman and Josh Clayton. This through-composed medley is 13 minutes of pure choral holiday joy!

SKU: HL.1428066

UPC: 196288202103. 6.75x10.5 inches.

An inspiring pop anthem with winning lyrics and a chorus that sticks, Meghan Trainor's �??Run Like the River�?� (from Playmobil: The Movie) is given a first-rate choral arrangement by Roger Emerson. Building a sound both distinctive and faithful to the original, Emerson weaves a tapestry of melodies and countermelodies, complex rhythms, and exhilarating harmonies. A sonic force to be reckoned with!

SKU: HL.1288630

UPC: 196288168003. 6.75x10.5 inches.

A Broadway standard for generations, this Frank Loesser showtune from �??Guys and Dolls�?� brims with playful longing with it's charming depiction of the thrill of love's possibilities. Lively, jazzy and fresh, the clever and catchy lyrics have stood the test of time.

SKU: CA.2300513

ISBN 9790007246907. Key: C major. German. Text: von Matthisson, Friedrich.

Today best known for his comic operas such as Zar und Zimmermann and Der Waffenschmied, Albert Lortzing was also a composer of sacred music. In 1822, inspired by the performances of great choral symphonic works at the Lower Rhine Music Festival, Lortzing, then aged only 21 years old, ventured to set a sacred anthem to music: In his Dich preist, Allmächtiger (Praise to you, Almighty) for four-part choir, soloists and orchestra, his love of opera shines through with memorable melodies, striking instrumentation and an expressive and diverse musical design that conjure up diverse scenes for the listener. The palette ranges from powerful wind passages praising God’s omnipotence to 'classical' fugati and intimate solo and ensemble passages with transparent accompaniment.

The Urtext edition – in fact the first printed version of the work – is based on autograph sources. Drawing on the preparatory work and practical experience of church musician and conductor Wolfgang Helbich, this edition was completed by his son, the musicologist Martin Helbich. Vocal score and performance materials are also available.

SKU: HL.1454734

UPC: 196288209140. 6.75x10.5 inches.

A modern poem is set to music in this choral work. Its sense of nostalgia and child-like wonder is carried along in both the text and melody, taking both the singer and listener back in time. A work of deep beauty for choirs of distinction!

SKU: HL.1455409

UPC: 196288209409.

A perfect introduction to syncopation and jazz, this sunny text reads and like a cross between Jim Papoulis and Mr. Rogers, setting the stage for a introductory number with easy vocal jazz flourishes and a even-keeled beat.