Arrangeur: John Glenesk Mortimer. Par QUEEN / MERCURY. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Par NORIS GUNTER. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Par PARSON TED. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Par PARSON TED. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Par PARSON TED. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Arrangeur: Marcel Saure. Par WEILL / BRECHT / BLITZSTEIN. / Niveau : Difficile / Répertoire / Voix et Orchestre à vent

Par PURCELL HENRY. Henry Purcell's only Opera proper, Dido and Aeneas is a magnificent example of English Baroque music, with lively dances and passionate aria sections that demonstrate Purcell's masterful compositional and choral writing skill. Based on a libretto by Nahum Tate it was first performed in 1689, comprises three acts and lasts about an hour. Filled with dramatic lyricism with a wide range of musical and emotional content, it is a monumental Baroque composition considered to be one of England's foremost operatic works. Dido and Aeneas contains all the elements for a successful opera including a shipwreck, sorcery, love and lost love and death. This is the Vocal and Full Operatic Score, edited by Margaret Laurie and Thurston Dart. With its interesting and imaginative realization and authentic editorial process this is an excellent edition that features some performing choices and variants and also includes the reconstructed prologue. / Niveau : Difficile / Rép Classique / Répertoire / Chant et Piano

Par BRAID DAVID. / Niveau : Avancé / Répertoire / Mezzo-Soprano, Clarinette et Guitare

Par HUSSEIN NICOLAS. Composées en 2016. / Niveau : Difficile / contemporain / Répertoire / Voix Moyenne et Piano

Par GUILLOU JEAN. Abbing, Joerg / Niveau : Avancé / Répertoire / 8 Parties Mixtes et Orgue

Arrangement : Jean-Marc Legrand. Par PERGOLESI GIOVANNI BAPTISTA. Le célèbre Salve Regina adapté pour voix et clavier par Joseph COPPEY. / Niveau : Avancé / baroque / Répertoire / Voix Aigüe et clavier

Par SPEARS GREGORY. The Tower and the Garden is a setting of three poems for choir and string quartet. The texts juxtapose the dangers of technological hubris (the tower) and the need for a place of refuge (the garden) in a world threatened by war and ecological disaster. Each text suggest ways in which Catholic thought and imagery might challenge the status quo. The first text, poem 80 from the collection “Cables to the Ace,” was written by Trappist monk and social activist Thomas Merton. It is an eschatological meditation on the garden of Gethsemane, where Christ’s disciples slept on the eve of his crucifixion. Merton compares their slumber to society’s indifference to the destruction of our natural world by potentially dangerous new technologies and war. The second text was written by poet and Catholic activist Denise Levertov. It is a meditation on the Tower of Babel and the tendency for technology in the information and nuclear age to serve only its own growth and to potentially destroy our lives in the bargain. The third poem, written by Keith Garebian, is an homage to queer filmmaker Derek Jarman and his cottage garden at Dungeness on the English coast. Situated precariously between a towering nuclear power plant and the sea, the garden was Jarman’s austere refuge during the final months of his struggle with AIDS. While an atheist and highly critical of the church, Derek Jarman was intrigued by the role religious and hagiographic narratives could play in his filmic indictments of Thatcher-era Britain. This is most notable in his film The Garden, which was shot on location in Dungeness. – Gregory Spears / Niveau : Avancé / Répertoire / Chœur Mixte SATB et Quatuor à Cordes

Par KREISLER GEORG. Small-scale art music by Georg Kreisler (lyrics and music): Kreisler, who died in 2011, wrote the 'Untergangssextet' [Sextet of Doom] shortly before his death. He finished it save for the last bars; his fellow countryman Gerhard Wimberger added the ending (23 bars) in this version. Inspired by the pianist Sherri Jones, Kreisler, as in 'Fünf Lieder für Barbara', seized on ideas of his early piano compositions from the 1940s and 1950s. Extract from the lyrics: When the moon sets, everything is over. Then come the shadows, the weakened squadrons, the anointed sanctimonious old windbags with wind music, wind music, wind music and shouting […] The Jews take flight, the Christians take the Pope, Arabians take Mohammed. We buy and win and we take…until the end. Damn it! This is hard. / Niveau : Avancé / Répertoire / Soprano et Baryton, Hautbois, Violon, Violoncelle