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CHANT DU TENERE (ROBIN JEAN-BAPTISTE)
Orgue Seul
[Sheet music]
Billaudot
Par ROBIN JEAN-BAPTISTE. / Date parution : 2023-03-21/ Répertoire / Orgue Seul...
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Par ROBIN JEAN-BAPTISTE. / Date parution : 2023-03-21/ Répertoire / Orgue Seul
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Marée, qui rassemble les horizons (DAMIANO-COTTI ANDREA)
Organ
[Sheet music]
Billaudot
Par DAMIANO-COTTI ANDREA. / Date parution : 2022-11-29/ Répertoire / Orgue
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Ma mère l?Oye (RAVEL MAURICE)
Organ
[Sheet music]
Billaudot
Par RAVEL MAURICE. Thomas Ospital Pourquoi Ravel n'a t'il rien composé pour l'...
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Par RAVEL MAURICE. Thomas Ospital Pourquoi Ravel n'a t'il rien composé pour l'orgue ? C'est l'éternelle question que se posent les organistes ... Seulement, aimait-il cet instrument? Sa musique, si gracieuse et infiniment mouvante pouvait-elle épouser l'apparente rigidité de l'orgue ? D'autre part, on peut se demander quel aurait été son attrait pour cet instrument si la musique d'orgue de son temps eut été plus connectée à la vie musicale du début du xx:e siècle. Et que dire s'il avait connu nos instruments modernes ... Et nous pourrions ainsi continuer à spéculer et nous livrer à des débats sans lendemain. Bien sûr la transcription permet de combler une partie de ce manque. Mais finalement, avons-nous le droit de détourner une ?uvre imaginée et rêvée dans une finalité sonore simplement pour assouvir notre frustration ? J'ai pour ma part beaucoup hésité à me lancer dans cette aventure. Mais en y travaillant, je me suis rendu compte que cela ouvrait de nouvelles pistes dans l'écriture pour orgue afin de transcrire non pas le texte musical mais cette flexibilité du son si présente dans l' ?uvre de Ravel. Je me suis appuyé pour cela sur les deux versions de Ma Mère l'Oye; celle pour piano à 4 mains composée en 1910 et l'orchestration datant de 1911. Le piano, dont l'épanouissement sonore est si particulier et insaisissable, reste un instrument toujours difficile à transcrire. Aussi, l'orchestration de cette ?uvre par l'auteur donnait de nombreuses réponses quant à la manière de traiter les questions de résonances ou de masses sonores. Lorgue de Saint-Eustache fut également un véritable complice dans cette réalisation; une sorte de laboratoire pour chercher à transposer les effets sonores générés par l'orchestration. Les registrations ont été inspirées par les couleurs de cet orgue bien que rationalisées pour un orgue à trois claviers. Aussi, il est important de ne pas être trop scrupuleux dans l'application de ces indications. De façon générale, il faut veiller à ce que chaque plan sonore reste équilibré et clair. Ne pas hésiter à enlever certains jeux de fonds pour favoriser la lisibilité du discours. Enfin, colorer les jeux solistes par l'adjonction mesurée d'harmoniques. Thomas Ospital / Date parution : 2022-11-29/ Répertoire / Orgue
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Organ Works (CARTA ALESSANDRO)
Organ
[Sheet music]
Da Vinci Publishing
Par CARTA ALESSANDRO. / Date parution : 2022-11-29/ Répertoire / Orgue
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Was können wir tun? (EGGERT MORITZ)
Organ
[Score]
Ricordi
Für Orgel mit Setzeranlage und optionaler Vierteltontastatur. Par EGGERT MORITZ...
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Für Orgel mit Setzeranlage und optionaler Vierteltontastatur. Par EGGERT MORITZ. / Date parution : 2022-10-12/ Répertoire / Orgue
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Triptychon über Stille Nacht op. 352 (PAULMICHL HERBERT)
Organ
[Sheet music]
Doblinger
Par PAULMICHL HERBERT. / Date parution : 2022-10-12/ Répertoire / Orgue
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Kleine Partita über O Heiland reiß die Himmel auf (CAPEK WOLFGANG)
Organ
[Sheet music]
Doblinger
Par CAPEK WOLFGANG. / Date parution : 2022-10-12/ Répertoire / Orgue
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Date de parution : 12/10/2022 ISBN : 9790215826892 Sei Studi per Organo Op. 231 (FUMAGALLI POLIBIO)
Organ
[Sheet music]
Armelin Musica
Par FUMAGALLI POLIBIO. / Date parution : 2022-10-12/ Répertoire / Orgue
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Ricercari da cantare a quattro voci (MERULO CLAUDIO)
Organ
[Sheet music]
Ut Orpheus
intavolato e diminuito per Organo (Venezia 1608). Par MERULO CLAUDIO. / Date pa...
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intavolato e diminuito per Organo (Venezia 1608). Par MERULO CLAUDIO. / Date parution : 2022-10-25/ Recueil / Orgue
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Organ Music for the Christmas Season
Organ
[Sheet music]
Tim Knight Music
Par . / Date parution : 2022-10-25/ Recueil / Orgue
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Legende for Organ and Brass Quartet Op. 55a (BUNK GERARD)
Organ and Brass Quartet
[Score and Parts]
Barenreiter
Par BUNK GERARD. As a 20th century composer, Gerard Bunk developed a distinctive...
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Par BUNK GERARD. As a 20th century composer, Gerard Bunk developed a distinctive musical style comparable perhaps to that of Max Reger or Sigfrid Karg-Elert. In addition to Bunk?s large-scale organ work ?Legende? Op.29 and its symphonic version Op.29II, there is a further well-known ?Legende? Op.55b written for organ and string orchestra (or string quartet) which was composed in 1945. This edition offers the earlier version of this work, dating from 1914, in its original instrumentation for organ and brass quartet. In order to facilitate performance, the sketchily notated score is carefully supplemented by performance markings from the string version. What Albert Schweitzer praised in the earlier ?Legende?, ?the calm and vivid layout of the complete work?, is also recognisable in Bunk?s later composition: the catchy, modestly beautiful theme alongside the clear musical form of this ?Legende? for organ and brass quartet. - Scored for 2 Flugelhorns, French horn, Trombone - Attractive chamber music for brass with organ - Edited by the composer?s grandson - Also suitable for amateur ensembles / Date parution : 2022-07-30/ Répertoire / Orgue et Quatuor de Cuivres
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Orgelwerke Band I/1 (BUXTEHUDE DIETERICH)
Organ
[Sheet music]
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is ...
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Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Partimenti Ossia Basso Numerato (FENAROLI FEDELE)
Organ
[Sheet music]
Armelin Musica
Par FENAROLI FEDELE. / Date parution : 2022-10-12/ Recueil / Orgue
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Orgelwerke Set Band I (BUXTEHUDE DIETERICH)
Organ
[Sheet music]
Breitkopf & Härtel
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the r...
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Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Orgelwerke Band II (BUXTEHUDE DIETERICH)
Organ
[Sheet music]
Breitkopf & Härtel
Freie Orgel- und Clavierwerke - BuxWV 162-176, 225. Par BUXTEHUDE DIETERICH. / ...
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Freie Orgel- und Clavierwerke - BuxWV 162-176, 225. Par BUXTEHUDE DIETERICH. / Date parution : 2022-10-12/ Recueil / Orgue
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Variations on an English Carol (CHOATE ERIC)
Organ
[Sheet music]
MorningStar Music Publishers
Blessed Be That Maid Mary. Par CHOATE ERIC. A theme and set of three variations:...
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Blessed Be That Maid Mary. Par CHOATE ERIC. A theme and set of three variations: Trio, Aria and Fugue. / Date parution : 2022-07-23/ Répertoire / Orgue
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Four Meditations for Organ (HELMAN MICHAEL)
Organ
[Sheet music]
MorningStar Music Publishers
Par HELMAN MICHAEL. Four quiet, original compositions. / Date parution : 2022-07...
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Par HELMAN MICHAEL. Four quiet, original compositions. / Date parution : 2022-07-23/ Recueil / Orgue
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Choralbearbeitung (THEILL GUSTAV ADOLF)
Organ
[Sheet music]
Forberg
Par THEILL GUSTAV ADOLF. / Date parution : 2022-07-23/ Recueil / Orgue
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Opere per Voce e Organo (BOSSI MARCO ENRICO)
Voice, Organ
Armelin Musica
Par BOSSI MARCO ENRICO. / Date parution : 2022-07-30/ Recueil / Chant et Orgue
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Opere per Voce e Organo (BOSSI MARCO ENRICO)
Voice, Organ
Armelin Musica
Par BOSSI MARCO ENRICO. / Date parution : 2022-07-30/ Recueil / Chant et Orgue
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Composiozionoi Sacre Volume 9 (MISERACHS VALENTINO)
Voice, Organ
Armelin Musica
Psalmi et Evangelii Cantica. Par MISERACHS VALENTINO. / Date parution : 2022-07...
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Psalmi et Evangelii Cantica. Par MISERACHS VALENTINO. / Date parution : 2022-07-30/ Recueil / Chant et Orgue
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Composiozionoi Sacre Volume 7 (MISERACHS VALENTINO)
Voice, Organ
Armelin Musica
Liber Missarum II. Par MISERACHS VALENTINO. / Date parution : 2022-07-30/ Recue...
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Liber Missarum II. Par MISERACHS VALENTINO. / Date parution : 2022-07-30/ Recueil / Chant et Orgue
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Le Chant d'Orphée (CONNESSON GUILLAUME)
Organ, Trumpet (duet)
[Sheet music]
Billaudot
Par CONNESSON GUILLAUME. Le poète-musicien Orphée, selon la mythologie grecque...
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Par CONNESSON GUILLAUME. Le poète-musicien Orphée, selon la mythologie grecque, pouvait par son chant se rendre maître de la nature et des animaux. Ma pièce se présente donc telle une grande mélodie charmeuse basée sur un motif de neuf notes - les neuf cordes de la lyre d'Orphée - accompagnée par des accords modaux. Elle est construite en forme ternaire : La première partie expose à l'orgue la mélodie de la lyre et à la trompette, la ligne vocale du poète-musicien. La partie centrale, plus agitée, développe un motif discontinu sur les accords haletants de l'orgue. Un crescendo en vagues successives mène à un point culminant sur le contre-ut de la trompette. Avec le retour du motif de la lyre, un sentiment d'apaisement cosmique s'installe et, à la fin de la pièce, comme venue du fond des temps, une citation de L'Orfeo de Monteverdi se fait entendre à la trompette avec sourdine Bol. Guillaume Connesson Commande de Radio France. Création du 8 juin 2021, par David Guerrier (trompette) et Jean-Baptiste Robin (orgue). / Date parution : 2022-06-08/ Répertoire / Trompette et Orgue
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Gregoriana For Organ
Organ
[Sheet music]
Stainer and Bell
Twelve chant-based organ pieces by contemporary women composers. Par . / Date p...
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Twelve chant-based organ pieces by contemporary women composers. Par . / Date parution : 2022-06-08/ Recueil / Orgue
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Encores for Organ (TROTTER THOMAS)
Organ
[Sheet music]
Oxford University Press
Par TROTTER THOMAS. for solo organ. This superb volume contains twelve varied pi...
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Par TROTTER THOMAS. for solo organ. This superb volume contains twelve varied pieces arranged for organ by celebrated recitalist Thomas Trotter. All the pieces are short and suitable as recital encores, but they could also double up as recital pieces, and in some cases as church voluntaries. / Date parution : 2022-06-08/ Recueil / Orgue
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Psalm 121 - Ga Niet Alleen Door 't leven (VAN DE VEEN EVERT)
Organ
[Sheet music]
Par VAN DE VEEN EVERT. / Date parution : 2022-06-08/ Répertoire / Orgue
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Ausgewählte Orgelwerke (SCHMITT GEORG)
Organ
[Sheet music]
Dohr
Par SCHMITT GEORG. / Date parution : 2022-06-14/ Répertoire / Orgue
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Orgelwerke, Band 4 (MACCHIA Grimoaldo)
Organ
[Sheet music]
Dohr
Par MACCHIA Grimoaldo. / Date parution : 2022-06-14/ Répertoire / Orgue
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9961
MUSIC GENRES
AMERICANA
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BLUES
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