Luna's Magic Flute is a fairytale for Flute and Piano which invites you to join Luna and her Magic Flute as they set out on an unforgettable adventure in the wide world. 11 pieces are interspersed with beautiful illustrations which guide you through the story as Luna makes new friends and triumphs over the evil dragon who steals her Magic Flute. / Flûte Et Piano

Cette partition SOUVENIR DU CASINO DE MARSEILLE OPUS 187 de Krakamp Emmanuel a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8009. Cette oeuvre d'une durée de 00:08:00 est idéale pour les musiciens pratiquant Flûte Traversière. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Piccolo Et Piano / Partition

From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915.Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez wascompositionally preoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les nes The Donkeys from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres.Grovlez was quite a cosmopolitan character; besides making a notable mark in his native country (he was latterly a professor of chamber music at the Paris Conservatoire) he travelled to the United States and Africa as well as across Europe. Although we tend to remember Grovlez today for his influence primarily as a composer in the mould of Fauré or Debussy bringing a quirky quality to some of his writing more than occasionally reminiscent of Poulenc it was as a conductor that Grovlez initially made an impact. Moreover we should not overlook the fact that he gave the inaugural performances of some highly treasured works by the likes of Ravel (Ma Mère l'Oye) and Fauré (Dolly Suite) a piano duet which has earned an especially important

Reduction for flute and piano. This suite was commissioned by Cookham Festival Society first performed in 1979. Originally scored for solo flute harpsichord and strings. Duration 16 minutes.

For solo Flute-Born in 1970 Eric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his expertise combined have created the sublime Ghost for solo Flute. Suitable for Grade seven and eight flautists Ghost makes use of a wide range of extended techniques. These include timbral trills aeolian sounds harmonics sound and voice notes sounds of indeterminate lengths flutter tonguing pizzicato key percussion and variations in fingerings. Ghost is an exciting and varied addition to the advanced flautist's repertoire with a typical performance lasting around fourminutes. Ledeuil's Ghost is essential to advanced flautists seeking to improve and expand their repertoire for performances.

This dreamlike and evocative piece from Peter Maxwell Davies was originally composed for Flute and orchesta. Here it is presented as Flute with Piano reduction and still captures the wonder and sanctuary of the composer's home surrounded by seabirds and seals that fire the imagination in childlike ways evoking images of mermaids and angels. The Flute solo is both tranquil and highly virtuosic and is well supported by the Piano accompaniment. The piecewas first performed in May 1999 at the Royal Concert Hall Dublin.

Radiant Music was written for flautist Alice K. Dade at her request for a short recital piece. The CD part is made up of several episodes of shimmering music for flutes dulcimers organs and sampled baroque strings trumpet and choir. This piece attempts to obsess over a repeated sequence of chords – this progression appears in the opening bars of the piece. This sequence reappears in each episode as a harmonic goal for the flute whose part circumnavigates it but never hits it exactly. Also at play in Radiant Music is a notion of fast music that moves slowly versus slow music that moves quickly. This is most evident in the Throbbing musicwhich is very fast but has an immensely slow harmonic motion and in the conclusion which is made of one chord reworked over a long stretch of time. Radiant Music is dedicated to Alice K. Dade with thanks to Alex Sopp who edited the part in 2007. Download the pre-recorded element  HERE . If you encounter any problems please email promotion@musicsales.co.uk .

Carl Nielsen's The Fog Is Lifting Op.41 from Helge Rode's play The Mother for Flute with Piano or Harp accompaniment.

The first performance of Malcolm Arnold's Duo For Flute And Viola was given by John Francis and Bernard Davies at Salle Erard London in December 1946.

Born in 1970 Éric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his expertise has combined to create the sublime Flute Quartet Sombres Rivages. Suitable for grade 6 and 7 standard flautists Sombres Rivages is made up of five sections; The Approach of a Vessel Ghost Choreography Short Lull Darkening and Diabolical Dance and Apotheosis. Sombres Rivages is an exciting and varied addition to the Flute Quartet repertoire. Ledeuil's Sombres Rivages is essential to intermediate to advanced flautists seeking to improve andexpand their ensemble repertoire.

Concerto For Flute And Orchestra was composed by Carl Nielsen in 1926. This Flute concerto mirrors the more modernistic currents of the 1920s and was composed for and premiered by the flautist Gilbert Jespersen.