INTRODUCTION Les différentes harpes Les cordes Comment se placer Placement et articulation des doigts CHAPITRE 1 : Je découvre la harpe Pour se repérer sur la harpe Une poule sur un mur Pouce ! CHAPITRE 2 : placer deux doigts Promenons-nous Gribouille boit son lait Sous la pluie Le papillon La danse de Gribouille Gribouille et la souris CHAPITRE 3 : placer 3 doigts Dans la forêt Gribouille s'est perdu La nuit tombe CHAPITRE 4 : placer 4 doigts Gribouille retrouve la maison Gribouille à l'école La lecture Récréation Gribouille et ficelle CHAPITRE 5 : double-notes, petits intervalles Chat perché Sur un nuage Gribouille à vélo CHAPITRE 6 : lire les notes CHAPITRE 7 : préparation aux gammes Une puce dans le dos Gamme Devinette Le jeu des différences 1 Pêche à la ligne Le jeu des différences 2 Saut à l'élastique Gribouille à la montagne Ronde CHAPITRE 8 : arpèges-accords à 3 doigts Gribouille se balance CHAPITRE 2 : rapprochement 2-1, 3-1, 4-1 Gribouille fait de l'endurance Carnaval CHAPITRE 10 : replacement d'arpèges Le moulin Larmes de crocodile CHAPITRE 11 : les intervalles Un festin de roi Gribouille et la pelotte de laine Gribouille chez sa cousine Mimi CHAPITRE 12 : gammes/passage du pouce Cache-cache CHAPITRE 13 : placer 4 2 1 Gribouille s'est cassé la patte CHAPITRE 14 : le triolet Les chatouilles CHAPITRE 15 : quatre doubles-croches Gribouille prend le train CHAPITRE 16 : arpèges à 4 doigts/glissando Toboggan Arabesques Chat chinois Au coin du feu CHAPITRE 17 : duos de chats Elise, la souris grise Le petit poisson Le crépuscule Don Carlos de la Pampa Paquita CHAPITRE 18 : exercices à quatre pattes en solo, duo, trio,... / Harpe

La harpe a une image d'instrument de salon au répertoire réduit. Pourtant ses pratiquants sont en nombre croissant et son répertoire se distingue par sa diversité et sa richesse. La harpe est bien vivante. Cet ouvrage redonne enfin toute sa place aux compositeurs du monde entier, du Moyen Âge à nos jours. Les notices alphabétiques décrivent et interrogent leurs relations à la harpe, celtique et à double mouvement, dans leur vie, dans leur ?uvre ou leur pratique. Le lecteur trouvera à la fin de chaque notice la liste des ?uvres pour harpe et harpe celtique, directement composées ou transcrites. D'amples nomenclatures complètent l'ensemble : ?uvres actuellement/anciennement éditées/jouées pour harpe/harpe celtique, ainsi qu'une discographie. L'approche d'Annie Glattauer est historique. C'est ainsi que le lecteur découvrira qu'un air de ballet pour ensemble d'instruments du début du XIXe siècle évolue en solo de harpe. L'étude est aussi organologique, renouvelant ainsi l'approche de l'instrument comme de l'interprétation. Plus particulièrement, la question des rapports avec le piano traverse tout l'ouvrage. Le Dictionnaire du répertoire de la harpe, premier du genre, s'adresse aux amateurs, aux interprètes débutants comme aux professionnels. De Marcel Grandjany à Franz Liszt, de Marcel Tournier à Charles-Marie Widor, toute la diversité du répertoire apparaît. Puisse ce dictionnaire contribuer à donner aux harpistes plus de liberté et de choix

A basic easy-to-understand step-by-step method about playing the harp. Extensively illustrated this book is for musicians of all levels requiring only an interest in learning to play the harp. The material in the book can beapplied to any type of harp (with or without pedals) and any type of music. Specific topics covered include basic positioning tuning and techniques etudes and a colorful selection of folk harp solos. Each section ofthe book is arranged to show the most efficient way to learn quickly and as easily.

How to Add Finger Markings to Non-Fingered Harp Music-?Sylvia Woods has done it again! Harp Fingering Fundamentals is a must for every teacher and student. It clearly and concisely shows how to approach harp fingerings in her accessible and charming style. It will be a staple in my studio and should be in your collection too.? ? Felice Pomeranz Professor of Harp Berklee College of Music Boston MA ?Chock-full of common-sense suggestions on fingering from the simplest to the trickiest passages. A real boon for do-it-yourself Harp players and good ideas even for experienced players on how to make the unplayable playable.?? Joyce Rice Harp instructor

For harpists orchestrators and arrangers. Emphasis is placed on the use of the pedals reading notes and finding the corresponding strings on the instrument.

This is the second part of the tutor for the celtic harp. Nowadays we prefer to call it the non-pedal harp because of its much larger range of models and possibilities. This album has the intention of helping harpists tounderstand and to elaborate upon old music symbols and ornamentations. Several special techniques possible on the non-pedal harp are given attention. Enjoy yourself!

The Folk Harp Wall Chart provides an overview of important hand positions and techniques unique to the Harp. Included is a table that explains tuning relating to sharpening levers examples of common Basspatterns fingering rules and brackets.This wall chart presents a visual aid for reading glissandos and covers special effects exclusive to the Harp. Ornaments essential for the Celtic musician are also included.This 24' x 35' poster is a great visual reference to have in the studio home or classroom.

Want to get started playing the harp' This book will show you how. Written explanations and plenty of songs help you play right away. You???re introduced to the symbols used in harp music the basics of note reading and fingering.There are new pieces old pieces silly pieces and serious pieces for you to play. And there is a part showing you how to care for your harp and replace strings. Take this book home and learn on your own or take it to a teacherand get some specialized help. It works both ways!

You Can Teach Yourself Lever Harp is an updated step-by-step method for playing the Harp. Designed to be used alone or with guidance from a teacher this method produces results from musicians of all levelsof ability regardless of their amount of previous experience. This book included a selection of popular pieces to play presenting various challenges that will require the student to put into practice the skills they havelearned. All basic techniques and tunes are clearly and thoroughly explained. Specific topics include: how to use this book how to sit with the Harp how to tune the Harp how to use your hands plucking the strings finger placement basic structural concepts of music and 14 tunes. Access to online audio downloads is included with the price of this book.

Carefully graded progressive material for use in teaching a sound and thorough approach to playing the harp.

A comprehensive and easy-to-follow beginner's guide the Hal Leonard Folk Harp Method is designed for anyone just learning to play Folk Harp.With this clear method you'll discover plenty of techniques tips and fun songs to learn and play. The accompanying CD contains 56 demo tracks that cover most of the music examples in the book.The Hal Leonard Folk Harp Method covers the following topics:The Harp and its partsSitting with the HarpHand position and finger placingKey signatures and meter signatures Scales and arpeggiosThe I-IV-VchordsOstinatos and slidesMany classic folksongs and much more

First Lessons Folk Harp is designed for the beginner Harp student who has no prior music training. In this book they will learn to read music notation count rhythm implement important fingering techniques organize practice tune a Harp play common bass patterns and make a decision about which kind of Harp to play.Tips are included to help students get the most out of practicing. The songs serve as examples of Harp basics allowing the student to learn while playing vibrant melodies instead of repetitive or trite exercises. This book features traditional Irish Scottish Welsh Canadian American and Renaissance music. These songs will transport anddelight audiences with their simplicity and profound clarity. They invite us to ancient landscapes steeped in mystery and to experience the traditions of Harping throughout the ages. This book presents two new note readingmethods based on logical predictable music patterns that employ cutting edge techniques. They were developed to move students beyond reading notes as single isolated symbols. The rhythm table compares the different note valuesand rests to each other and visually shows how they are related through counting out rhythm increments.Helpful photos define how important hand positions are on the harp. These are an immense resource for students allowingthem to avoid tension in their hands and prevent injury. Accompanying audio allows them to play along as they learn. Includes access to online audio.