This work was first performed in June 1984 by Rosemary Furniss (violin) and Gregory Knowles (cimbalom).Set of parts. Duration c. 12mins.

Part for the optional Antique Cymbals from Paul Mealor's A Prayer Of King Henry VI.

This work was first performed in June 1984 by Rosemary Furniss (violin) and Gregory Knowles (cimbalom).Score (miniature). Duration c. 12mins.

Untuned percussion part 4. A superb cycle of 7 songs depicting the hero's stay on Grandma's farm somewhere in the Orkneys one summer. The songs tell of the farm chores nature and ghosts and are arranged for unison voices piano recorders and pitched or unpitched percussion. The songs can be used individually to link in with topic work or performed as an attractive concert item.

A concerto for Percussion and Orchestra. Full Score.Commissioned by the National Youth Orchestra of Scotland.First performance:Tuesday 4 January 2005 Usher Hall Edinburgh by Colin Currie (solo percussion)and The National Youth Orchestra of Scotland conducted by Garry Walker Instrumentation Solo percussion:Marimba metal wind chimes [mark tree] Chinese Bell tree Vibraphone Tubular bells 4 conga drums 4 tom toms 4 bongos2 Flutes2 Oboes2 Clarinets in Bb2 Bassoons4 Hornsin F3 Trumpets in CTrombonesTubaPercussion (4 Players):PERC A 1o: Tubular bells cymbal [medium] wood blocks crotalesPERC A 2o: Metal wind chimes [mark tree] Side drum temple blocks Tam-tamPERC B 1o: xylophone glockenspiel side drum cymbal [high] tomtomsPERC B 2o: Chinese bell tree Bass drum maracas triangle sleigh bellsStringsDuration: circa 17 min.

A superb cycle of 7 songs depicting the hero's stay on Grandma's farm somewhere in the Orkneys one summer. The songs tell of the farm chores nature and ghosts and are arranged for unison voices piano recorders and pitched or unpitched percussion. The songs can be used individually to link in with topic work or performed as an attractive concert item. Untuned percussion 1 part.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

John Luther Adams: Ilimaq for four percussionists (or one percussionist with digital delay).   Grammy-winning composer John Luther Adams always speaks with reverence about capturing “the tone within thenoise ” and if any of his recent work can be said to take that mission directly to heart it’s Ilimaq. A true electro-acoustic recording that channels the energy passion and precision of Wilco drummer Glenn Kotche Ilimaq (which loosely translates from the native Alaskan Inupiaq language as “spirit journeys”) maps a vivid phantasmagorical progression through liquid cascades of percussion otherworldly ambient soundscapes harmonic dissonance melodic convergence and almost everything that’s musically—and sonically—possible in between.

A superb cycle of 7 songs depicting the hero's stay on Grandma's farm somewhere in the Orkneys one summer. The songs tell of the farm chores nature and ghosts and are arranged for unison voices piano recorders and pitched or unpitched percussion. The songs can be used individually to link in with topic work or performed as an attractive concert item. Untuned percussion 3 part.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

A superb cycle of 7 songs depicting the hero's stay on Grandma's farm somewhere in the Orkneys one summer. The songs tell of the farm chores nature and ghosts and are arranged for unison voices piano recorders and pitched or unpitched percussion. The songs can be used individually to link in with topic work or performed as an attractive concert item. Alto Glockenspiel part.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Facsimile Of The Draft Score and Paul Sacher'S Annotated Full Score Copy-Béla Bartók's Sonata for Two Pianos and Percussion composed in summer 1937 on a commission from Paul Sacher and premièred in Basel in January 1938 is incontestably one of the supreme creations of modern music. This publication with introductory essays by Felix Meyer Robert W. Wason Lászlo Vikárius and Wolfgang Rathert presents two major handwritten sources for this work from the holdings of the Paul Sacher Foundation: the draft score which offers a fascinating glimpse into the sonata's genesis and a 'whiteprint' of the fair copy which contains additions from Bartók and differs substantially from the definitiveversion at the end of the development section in movement 1. The volume also contains on an enclosed CD the radio recording of 1940 with Bartók and his wife Ditta Pásztory on the piano parts as well as a new recording of the sonata in its 'original' form played by the Bugallo-Williams Piano Duo with percussionists Matthias Würsch and Christian Dierstein.

For five players. Who can resist a Gershwin tune! Fascinating Rhythm swings here in a jazz/pop style. The arrangement utilizes unique percussion sounds (i.e., brushes on tuned timpani, mallet handles on drums and keyboard bars) to create unusual colors. A percussion quintet with two keyboard parts provided. Instrumentation: bells, xylophone, marimba, 3 woodblocks, triangle, 3 tom-toms, bass drum, 3 timpani.