Commissioned by Britten Sinfonia and Town Hall Birmingham in 2009-10. Nicholas Daniel gave the premiere with Britten Sinfonia and together they have performed it many times since with a recording on the Harmonia Mundi label.In three contrasting movements this is a major addition to the repertory of concertante Oboe works.

Landscapes - Woodwind Quintet No.1 was composed by Hans Abrahamsen in 1972. Parts available: WH30818A

Internationally renowned oboe soloist and orchestral musician John Winstead plays the demo tracks for this book/2-CD pack which includes 14 classical favorites: Larghetto from Cimarosa's Oboe Concerto in C Minor · Allegro from Telemann's Fantasia III · Allegro Guisto Grave and Allegro from Vivaldi's Concerto in F Major · Pan Phaeton Niobe Bacchus Narcissus and Arethusa from Britten's The Six Metamorphoses After Ovid · and Stehe Still Im Treibhaus and Träume from Wagner's Wesendonch Lieder Suite.

3 Pièces brèves by Jacques Ibert for Wind Quintet. Score and Parts. Part of the the Alphonse Leduc catalogue this work has been produced to the highest editorial and printing standards.

Burnham Air by James Weeks for Oboe D'Amore. First performance: Christopher Redgate bmic's The Cutting Edge London November 2008.

Flute oboe & clarinet. A rhythmically demanding yet highly attractive work for this popular combination.Grade: 8+

pour hautbois avec petit orchestre-In the concertante Oboe repertory this Concerto by Martinu has established itself as a work of the first order alongside the concertos of Mozart and Richard Strauss. The present edition was the occasion for returning to the work's sources mainly the composer's autograph manuscript but also among others the scores used during the lifetime of the composer by early performers such as Tancibudek and Lady Eveyn Rothwell Barbirolli. This arrangement for Oboe with a Piano reduction of the orchestral material by Yann Ollivio with critical commentary and foreword by Maurice Bourge and Guy Porat.

Musgrave 'Impromptu No.1' arranged for Flute and Oboe. Performing Score edition.

Version 2010-“Books talk to each other” - Umberto Eco’s statement could just as easily apply to music as Les Citations for Oboe Harpsichord Double Bass and Percussion by Henri Dutilleux (1916-2013) brilliantly proves. Written in 1991 the score was reworked by the composer for the Festival d’Auvers-sur-Oise where the new version premiered in June 2010. The origin of this work goes back to For Aldeburgh 85. Written for the 75th birthday of singer Peter Pears the piece takes up a fragment of Peter Grimes whose leading role had been written by Britten for the beloved tenor. Dutilleux adds a page titled FromJanequin to Jehan Alain in which appears a song from the Renaissance composer “L’espoir que j’ay d’acquerir vostre grace” used by J. Alain in his Variations for Organ on a theme by Clément Janequin. The junction between the two parties is made through an Interlude that introduces the “wolf’s moan” theme from the ballet Le Loup (The Wolf) composed by Dutilleux in 1953 for the troupe of Roland Petit. This subtle tangle of quotations forms a shimmering and sensual work where the uniqueness of an authentic artist powerfully asserts itself.

This piece provides a compositional challenge to find a balance between 2 wind instruments and piano the general structure of the piece is evolved so that different balances between the 3 instruments can be explored. The mainsection of this composition demonstrates evenly matched instruments whilst there are 3 episodes interweaving throughout that are all different. The 2nd episode sees the wind and piano play extremely contrasting material inquick alternations whilst the 3rd episode shows how the instruments can be balanced in a close environment producing a short canon. The work is relatively short and all sections are played without breaks each one heralded by asingle soft piano chord.

Oboe Part-John Tavener's Kaleidoscopes is a tribute to Mozart for Solo Oboe Percussion and four String Quartets lasting approximately 30 minutes. The work was commissioned by the Britten Sinfonia and firstperformed by them with soloist Nicholas Daniel on 6th November 2006 at the Queen Elizabeth Hall London. This is the Solo Oboe part. In the composer's note Tavener explains his high regard forMozart and how in Kaleidoscopes he attempts to take Mozart's music and meditate upon it in four main cycles. He states that all the music has its source in Mozart whether it be rhythmic harmonic orcontrapuntal. 

Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Piano reduction. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda [D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was aworthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He was born around 1700 in Bohemia and worked in the 1730s as concertmaster at the court in Mainz where he died in 1732. Besides two Oboe concertos he composed a concerti à 4 for three wind instruments and BC.