KV 10 11 12 13 14 15-The Six Sonatas for Flute and Piano presented in this ...(+)
KV 10 11 12 13 14 15-The Six Sonatas for Flute and Piano presented in this edition were written by Mozart when he was eight years old. They are dedicated to the Queen of England. Edited by Louis Moyse.
Jehan Alain (1911-1940) was a French organist and composer. His Aria for Organ w...(+)
Jehan Alain (1911-1940) was a French organist and composer. His Aria for Organ was composed in 1938 and was superbly rearranged for Flute and Organ later that year by his brother Olivier Alain. Alain studied with Organ virtuosos Guilmant and Vierne and was primarily an organist and composer of religious music. Whilst at the Paris Conservatoire he won many prizes and his composition catalogue comprises some 140 works. Alain's Aria remains popular suitable for intermediate flautists. As a lively piece for Flute its Organ accompaniment as opposed to Piano accompaniment is unusual.Yet Alain's Aria is an exciting and varied piece for aspiring flautists.
An enjoyable and comprehensive repertoire for beginners with virtuoso Murray Pa...(+)
An enjoyable and comprehensive repertoire for beginners with virtuoso Murray Panitz of the Philadelphia Orchestra as your teacher and guide. Listen to his masterful interpretations and learn then you step in and take his place! Includes a slower-tempo practice versions of the Lully Bouree and Minuet section and of Hopkins' Flirtatious Fancy to help as you master the piece. Includes a high-quality printed music annotated with performance suggestions and a digitally remastered stereo compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Performed by Murray Panitz flute Accompaniment: Harriet Wingreen piano
This classic series of duets for two Flutes is recognizable to nearly everyone w...(+)
This classic series of duets for two Flutes is recognizable to nearly everyone who has ever studied an instrument. The wealth of material supplements musical development and provides a rich experience for growing musicians. Duet playing is often a student's first form of ensemble experience – technique tone quality intonation and balance are introduced as students do one of the things they enjoy most – making music with a friend.
These works impressively document the last phase of the Baroque era. This editio...(+)
These works impressively document the last phase of the Baroque era. This edition is based on an early copy which belonged to Johann Philipp Kirnberger. It bears the title 'Sechs Sonaten für 2 fleutten von Friedemann Bach'. The Duets Nos. 5 and 6 were added by another copyist.
Music through the Ages in 3 Volumes-A carefully graded selection of tuneful piec...(+)
Music through the Ages in 3 Volumes-A carefully graded selection of tuneful pieces for Flute and Piano.Well-crafted arrangements provide practice of the keys note-ranges and fingering patterns encountered in the early grades.A wide range of material from Purcell to Puccini and from Schubert to Stravinsky.Each volume in this series presents the pieces in chronological order and prints the year in which they were written.
Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of th...(+)
Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto 2. Adagio non troppo and 3. Rondo: Allegretto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of G major. All three movements contain a cadenza which initially would have been left forthe performer to improvise. However cadenzas have since been written including those of Johannes Donjon (1839-1912). Donjon was a prominent flautist of his time and his understanding of Mozart's Flute Concerto in D is second to none making his cadenzas well-informed and essential to performers of the concerto.
The three books of studies which make up the Progress in Flute Playing Op.33 we...(+)
The three books of studies which make up the Progress in Flute Playing Op.33 were intended to compliment the course of instruction in Kohler's flute method. The studies range from Grade 4 to Grade 8 and beyond. Book twocontains 12 intermediate studies which have been edited by Edward Blakeman.
Le Merle Noir written in 1952 by Olivier Messiaen is a chamber work for Flute a...(+)
Le Merle Noir written in 1952 by Olivier Messiaen is a chamber work for Flute and Piano that lasts 5 minutes and is one of the most remarkable pieces of the Flute repertoire. Based on the study of bird songs this piece is very technical and challenging with many details to focus on and would therefore be a fit for advanced students.Le Merle Noir is divided into five sections not officially written and mixed tonal and atonal parts. Each of the section is different to the ones surrounding them and the piece also contains a few Flute solos. Olivier Messiaen (1908-1992) was a Frenchorganist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.
The Sonata No. 2 for Flute and Piano (Op. 94) was written in 1943. It is written...(+)
The Sonata No. 2 for Flute and Piano (Op. 94) was written in 1943. It is written in the key of D and is scored in four movements: Moderato - Scherzo: Presto - Andante - Allegro con brio. Serge Prokofiev (1891-1953) was a Ukrainian-born Soviet composer pianist and conductor. He is best remembered for his 1936 children?s theatrical work Peter And The Wolf but he also wrote several operas symphonies ballets and concertos. He was a leading figure in the Neoclassical movement; his dissonant harmonies and virtuosic style frequently shocked audiences and helped establish him as one of the foremost composers ofhis generation.
Scherzo Op.48 is a really lyrical piece for Wind Quintet (Flute Oboe Clarin...(+)
Scherzo Op.48 is a really lyrical piece for Wind Quintet (Flute Oboe Clarinet Bassoon Horn) which lasts around 2 minutes 30 seconds. The work starts Allegro Vivo with the main theme and some variations of this theme by each instrument then appear to end up on a final Animando. It reminds of music played to hold suspense during movies. This restless piece requires a good mastering of breathing techniques. This book features score and parts. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the GrandPrix de Rome. He composed several operas chamber works and ballets among others.
Trevor Wye (b. 1935) is an English flautist pedagogue and music editor who has ...(+)
Trevor Wye (b. 1935) is an English flautist pedagogue and music editor who has been playing the flute for over 65 years. Despite not attending any conservatory or university he has held professorships at both theGuildhall School of Music and the RNCM. He has written several successful educational flute works and edited many more. The third volume of Wye’s Flute Duets contains six easy and tuneful Sonatas by the19th century composer and flautist Eugène Walkiers (1793-1866) taken from his opus 55. Walkiers is best remembered for his Flute duets trios and quartets compositions which are far superior to his solo works.
Quatre Mouvements is a piece written by Marc Berthomieu for a Flute or a Cello ...(+)
Quatre Mouvements is a piece written by Marc Berthomieu for a Flute or a Cello with Piano accompaniment. Written for intermediate players this piece is divided into four distinct parts: 1. Larghetto – romantic 2. Scherzo – cheerful 3. Andante 4. Presto Quite romantic to start with the piece becomes cheerful in the second part and ends up on a fast section. It includes a coda some trills and will require some basics of breathing technique. Marc Berthomieu (1906-1991) was a French composer. He created one of the Conservatoire inParis'' “15th arrondissement” and has composed many small operas.
Sonata In G Minor For Flute And Continuo. A separate Continuo part is supplied. ...(+)
Sonata In G Minor For Flute And Continuo. A separate Continuo part is supplied. The Continuo part is realised for performance with Piano. Edited by Louis Moyse.
Rising for Flute and String Quartet was commissioned by Backshore Artists Projec...(+)
Rising for Flute and String Quartet was commissioned by Backshore Artists Project Inc. on the occasion of Carol Wincenc's 60th birthday; underwritten by a generous grant from Linda and Stuart Nelson.Thefirst performance took place on the 31st March 2010 by Carol Wincenc and the Juilliard String Quartet at the Juilliard School New York NY.A recording by Carol Wincenc with Kevin Lawrence Carolyn Stuart Sheila Browne and Brooks Whitehouse is available on Bridge Records (CD 9373). Duration: ca. 16 minutes.
This piece was originally written for Violin and Piano and if the 'New World' S...(+)
This piece was originally written for Violin and Piano and if the 'New World' Symphony and the 'American' String Quartet are the best-known products of Anton n Dvorak's years in the United States the little Sonatina in G major(sometimes called the 'Indian Lament' Sonatina) may well be the most obscure; yet it is a charming work that deserves better than its relegation to the learning books of young violinists. The Sonatina is in four movements:Allegro risoluto Larghetto Scherzo (molto vivace) and Allegro. The first movement's principal tune has a firm rhythmic spine its second tune a gentle plaintiveness; there is just a hint of Americanfolk music in the movement.The following Larghetto earned the Sonatina its nickname. The succession of its three melodies - one in G minor one in B flat major and one in G major - has to it the same wistfulness and thesame sudden brightening and then softening of mood that we hear in the famous slow movement of the 'New World' Symphony.The Scherzo takes the very first gesture of the Allegro risoluto as its starting-point. The finale isa substantial sonata-allegro movement with three wonderful themes: the opening syncopated idea in G major a subsidiary thought in E minor very dancelike and built around a repeating marcato cell and finally a rich tranquillomelody that closes the exposition. This adaptation for Flute and Piano by James Galway conveys all the spirit of the original.