Peters

Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?

All./Ing. Nouvelle feuille de musique and Coach Me CD Pack - la première collaboration entre Coach Me et édition Peters nous amène le meilleur scénario possible de coaching pour les chanteurs : musique édition Peters et entraîneur Me CD - dans un seul paquet / Voix Et Piano

Revised & Expanded Edition-Drawing on the comprehensive Edition Peters catalogue and incorporating new editions of many songs The Art of Song series provides: an extensive selection of songs and arias from the new ABRSM singing syllabus (valid from 2009). new editions of wide-ranging repertoire covering composers from Purcell and Byrd through Brahms and Schubert to Verdi and Sullivan. new versions of songs in different keys to suit different voice-types. This revised and expanded edition of Edition Peters Art Of Song Grade 8 for High Voice and Piano contains selection of songs from the ABRSM singingsyllabus for High Voice.

The Grade 8 Piano Anthology 2015/2016 from Edition Peters offers a selection of pieces from the ABRSM Piano exam syllabus including pieces from lists A B and C.The anthology is enhanced with Performance Notes by Norman Beedie Lecturer in Classical Improvisation Piano and Conducting at the Royal Conservatoire of Scotland giving guidance and promoting reflection on technical and interpretative matters for each piece.The pieces in this volume are drawn from the extensive range of piano music in the Edition Peters catalogue.

Following the acclaimed, award-winning publication of The Notebooks for Anna Magdalena Bach 1722

Number of Pages: 48
ISMN: 979-0-3007-5597-7
Format: 232 x 303 mm / Librairie, papeterie, dvd... / Papeterie / Cahier de musique / EDITION PETERS

Par HENSELT ADOLPH. Following his acclaimed first recording of Adolph von Henselt's piano works for Edition Peters Sounds (EPS005), Daniel Grimwood now presents a unique recording of Henselt's complete Études coupled with the complete Préambules. Henselt can truly be considered one of the founding fathers of the Russian School. He counted among his pupils Nicolai Sergeyvich Zverev, the teacher of Rachmaninoff and Scriabin. Rachmaninoff considered Henselt's Études the equal of those by Liszt and Chopin for their great beauty. This double album imaginatively places the two sets of Études Op. 2 and Op. 5 alongside Henselt's improvisatory 'Préambules', one in each key, and also includes the Étude in A minor and the Étude Op. 13 No. 2 'La Gondola' together with the Étude 'Au Jardin' that Balakirev composed to honour Henselt's fiftieth anniversary in St Petersburg. A blizzard of dazzling pianism Observer on EPS005 Henselt Piano Works / Date parution : 2022-12-12/ Etude / Piano

The Violin Lesson offers players of all standards the opportunity to immediately ? and dramatically ? improve their technique and understanding of violin playing. Presented in twelve comprehensive and highly accessiblelessons filled with more than 500 music examples and over 350 photographs, it provides fresh approaches to neglected aspects of playing whilst covering all the major areas of violin technique, including: toneproduction intonation avoiding aches and pains changing position improving bow strokes vibratoWhether outlining a basic concept or anadvancedtechnique, each topic is handled with the clarity and attention to detail for which Simon Fischer is so highly regarded. Fundamental exercises, principles and practice methods sit alongside case studies and practicalquestion-and-answer sections to present a truly rounded volume ? essential reading for both students and teachers alike. / Violon / Edition Peters

Par BORBOUDAKIS MINAS. Constellation by Minas Borboudakis is a 14-minute work for orchestra (4 Horns in F, Timpani, 3 Percussion, Strings – Sampler). 'The first version of Constellation for octet was written in 2002 when Gidon Kremer asked me to write a new piece for the sextet of the Kremerata Baltica during a series of performances of my works in his festival in Lockenhaus', says the composer. In the version for orchestra, glissandi spread out from a single note phrase by phrase. The four horns, placed stereophonically in pairs to the right and left of the conductor, create explosions of sound through repetitive lines and motivic escapades. The premiere took place on 7 January 2011 at the Tonhalle Zurich by the Tonhalle-Orchester Zurich under the baton of Constantinos Carydis. The score (EP 12575) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-09-07/ Répertoire / Orchestre

for Double Choir and Orchestra. Par ROXANNA PANUFNIK. Across the Line of Dreams by Roxanna Panufnik is a 17-minute work with a text by Jessica Duchen for double choir and orchestra. The work in three parts celebrates the stories of two extraordinary women Harriet Tubman and Rani Lakshmibai. It requires two conductors. Each heroine is represented by one conductor, one choir and half of the orchestra Tubman has woodwinds, brass and percussion and Lakshmibai is accompanied by harp, piano and strings The work was commissioned by the Baltimore Symphony Orchestra with the University of Maryland Concert Choir. The world premiere performance of the work took place on 14 March 2019 at The Music Center at Strathmore, Baltimore (USA), conducted by Marin Alsop and Valentina Peleggi. The full score (EP 73312) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-09-07/ Répertoire / Voix Mixtes et Orchestre

Par BORBOUDAKIS MINAS. Askese. Salvatores Dei by Minas Borboudakis ist a 26-minute work for mixed choir and orchestra (2(1/2,Picc,AFl).2(1/2,CorA).2(1/2,BCl).2(1/2,Cbsn) – 4.2(1,PiccTpt/2).2(1/2,BTbn).0 – Timp.2Perc – Str). It is based on the homonymous text by Nikos Kazantzakis which deals with man's daily struggle in search of truth and god. The initially very lush sound image is deconstructed more and more to let it implode in an intense way at the end. The premiere took place on 15 November 2013 at the Herz-Jesu-Kirche, Munich with the Bavarian Radio Orchestra and Choir conducted by Ulf Schirmer. The full score (EP 12973) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-09-07/ Répertoire / Voix Mixtes et Orchestre