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Orchestra
Barenreiter
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65
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1
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71
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2
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1
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86
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56
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938
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35
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6
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253
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13
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14
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1037
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51
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161
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139
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235
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53
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757
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48
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8
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6
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7
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7
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21
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184
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116
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14
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3
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72
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8
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1
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1
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7
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2
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1
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2
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4
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10
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2
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1
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4
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2
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1
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24
Harp and Piano
1
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1
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5
Harpsichord and Strings
8
Horn, Violin, 2 Violas and Cello
1
Oboe, Violin, Piano
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Piano Quartet: piano, violin, viola, cello
13
Piano Quintet: piano, 2 violins, viola, cello
14
Piano Quintet: piano, violin, viola, cello, double bass
2
Piano Trio: piano, violin, cello
51
Piano Trio: Violin, Viola, Piano
1
String Orchestra
58
String Quartet: 2 violins, viola, cello
338
String quartet: 4 violins
1
String quintet
5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
String Quintet: 2 violins, 2 violas, cello
4
String Quintet: 2 violins, viola, 2 cellos
1
String Quintet: 2 violins, viola, cello, bass
8
String trio
4
String Trio: 2 violins, cello
6
String Trio: 2 violins, viola
4
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5
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20
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1
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268
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1
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4
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3
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2
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2
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55
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387
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280
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19
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15
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1
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6
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14
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7
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2
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Cello, Orchestra
58
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23
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60
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12
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16
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25
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3
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2
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5
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25
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1
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8
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1
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1393
Orchestra, Violin
126
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35
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3
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253
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1
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2
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66
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4
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2
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1
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22
Soli, Mixted choir and accompaniment
623
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1
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58
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5
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99
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2
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Hallelujah for String Orchestra
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Barenreiter - Orchestra
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Concerto grosso d minor, Op. 6/10 HWV 328
Orchestra
[Study Score / Miniature]
Barenreiter
By George Frideric Handel (1685-1759). Edited by Adolf Hoffmann; Hans Ferdinand ...
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By George Frideric Handel (1685-1759). Edited by Adolf Hoffmann; Hans Ferdinand Redlich. For orchestra. This edition: Stapled, Urtext edition edition. Stapled. Barenreiter Study scores. Urtext der Hallischen-Handel-Ausgabe. Study score. Opus 6/10, HWV 328 Study Score / Miniature
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Symphony d minor op. 107 'Reformations-Symphony'
Orchestra
[Set of Parts]
Barenreiter
Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwo...
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Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. This edition: urtext edition. Stapled. Set of wind parts. Opus 107. 138 pages. Published by Baerenreiter Verlag (BA.BA9095-65).
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La Mer
Orchestra
[Study Score / Miniature]
Barenreiter
(Trois esquisses symphoniques). Composed by Claude Debussy (1862-1918). Edited b...
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(Trois esquisses symphoniques). Composed by Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For orchestra (2 flutes/soprano flute/2 oboes/english horn/clarinet/2 bassoons/5 contrabassoons/2 trumpets/horn/2 trombones/tuba/percussion/celeste/2 harps/strings). This edition: Urtext edition. Paperback. Study score. Text Language: English/French/German. Duration 10 minutes. Published by Baerenreiter Verlag
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Franz Schubert : Symphony, No. 8 C major D 944
Orchestra
[Score]
Barenreiter
(In 2 sections). By Franz Schubert (1797-1828). Edited by Werner Aderhold. For o...
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(In 2 sections). By Franz Schubert (1797-1828). Edited by Werner Aderhold. For orchestra. This edition: Clothbound, Complete edition, Urtext edition edition. Clothbound. New Schubert Edition. Series V, Volume 4. Score. D 944, No. 8. 91 pages. Published by. Score.
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Orchestral Suite (Overture) D major BWV 1068
Orchestra
[Score]
Barenreiter
By Johann Sebastian Bach (1685-1750). Edited by Heinrich Besseler; Hans Gruss. F...
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By Johann Sebastian Bach (1685-1750). Edited by Heinrich Besseler; Hans Gruss. For orchestra (3 trumpets/timpani/2 oboes/2 violins/viola/basso continuo (cello/double bass/harpsichord)). This edition: Stapled, Urtext edition. Score. Text Language: German/English. BWV 1068. 50 pages. Duration 24'. Published by Baerenreiter Verlag
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Mladi - Die Jugend
Orchestra
[Study Score / Miniature]
Barenreiter
(Blasersextett). By Leos Janacek (1854-1928). Edited by Jan Dolezal. For Flute (...
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(Blasersextett). By Leos Janacek (1854-1928). Edited by Jan Dolezal. For Flute (including piccolo) Oboe, Clarinet, Horn, Bassoon, Bass-Clarinet. Study Score (paperbound). Published by Baerenreiter Verlag
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Sechs Brandenburgische Konzerte BWV 1046-1051 - Brandenburg Concertos Nos. 1-6 BWV 1046-1051
Orchestra
[Study Score / Miniature]
Barenreiter
Urtext der Neuen Mozart-Ausgabe. By Johann Sebastian Bach. Edited by Heinrich Be...
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Urtext der Neuen Mozart-Ausgabe. By Johann Sebastian Bach. Edited by Heinrich Besseler. For Orchestra (2). Baerenreiter Studienpartituren - Study scores. Study Score; Urtext Edition (paperbound). Published by Baerenreiter-Taschenpartituren (German import).
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Symphony No. 3 C minor op. 78
Orchestra
[Score]
Barenreiter
Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This e...
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Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 78, No. 3. Baerenreiter Verlag #BA07896. Published by Baerenreiter Verlag (BA.BA07896).
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Vii. Symfonie No. 7 D Minor, Op. 70
Orchestra
[Score]
Barenreiter
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For orchestra. This e...
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By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For orchestra. This edition: Urtext edition. Paperback. Score. English/Czech/German. No. 7, Op. 70. Duration 38 minutes. Published by Baerenreiter Verlag
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Symphony D major, KV 196/121(207a)
Orchestra
[Score]
Barenreiter
(Overture to La finta giardiniera K. 196 und K. 121(207a) ). By Wolfgang Amadeu...
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(Overture to La finta giardiniera K. 196 und K. 121(207a) ). By Wolfgang Amadeus Mozart (1756-1791). Edited by Hermann Beck. For orchestra (2 Oboes/2 Horns/Strings). This edition: Stapled, Urtext edition. Stapled. Score. KV 196/121(207a). Duration 10 minutes. Published by Baerenreiter Verlag
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Prelude to the Afternoon of a Faun fur Orchestra
Orchestra
[Score]
Barenreiter
(Prelude to the Afternoon of a Faun). By Claude Debussy (1862-1918). Edited by D...
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(Prelude to the Afternoon of a Faun). By Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For orchestra (3 flutes/2 oboes/english horn/2 clarinets/2 bassoons/4 horns/cymbal/2 harps/2 violins/viola/cello/double bass). This edition: Stapled, Urtext edition. Score. Text Language: English/French/German. 44 pages. Duration 10'. Published by Baerenreiter Verlag
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Symphonie d-Moll op. 107 Reformations-Symphonie
Orchestra
[Score]
Barenreiter
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. Orche...
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By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. Orchestra. For 2 flutes, 3 oboes, 2 clarinets (b flat), 2 bassoons, contrabassoon, serpent, 2 horns, 2 trumpets, 2 trombones, drums, strings. This edition: Urtext edition. Score (paperbound). Opus 107. Published by Baerenreiter Verlag
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Sinfonie Nr. 35 - Symphony No. 35
Orchestra
[Study Score / Miniature]
Barenreiter
Haffner-Sinfonie. Urtext der Neuen Mozart-Ausgabe - Haffner Symphony. By Wolfgan...
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Haffner-Sinfonie. Urtext der Neuen Mozart-Ausgabe - Haffner Symphony. By Wolfgang Amadeus Mozart. Text: Mahling, Christoph Hellmut. For Orchestra. Baerenreiter Studienpartituren - Study scores. Study Score; Urtext Edition. KV 385. Published by Baerenreiter-Taschenpartituren (German import).
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The Hebrides
Orchestra
[Study Score / Miniature]
Barenreiter
(Concert Overture). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christ...
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(Concert Overture). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. For Orchestra. Baerenreiter Studienpartituren - Study scores. Study Score; Urtext Edition. Op. 26. Duration 10'
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Symphony No. 8
Orchestra
[Study Score / Miniature]
Barenreiter
By Franz Schubert. Edited by Werner Aderhold. For Orchestra. Baerenreiter Studie...
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By Franz Schubert. Edited by Werner Aderhold. For Orchestra. Baerenreiter Studienpartituren - Study scores. Pocket Score; Urtext Edition (paperbound). D 944. Published by Baerenreiter-Taschenpartituren (German import).
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Symphony No. 40
Orchestra
[Study Score / Miniature]
Barenreiter
2. Fassung mit Klarinetten. Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus...
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2. Fassung mit Klarinetten. Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Robbins H.C. Landon. For Orchestra. B0renreiter Studienpartituren - Study scores. Study Score; Urtext Edition. KV 550. Published by Baerenreiter-Taschenpartituren (German import).
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Variations on an Original Theme for Orchestra Enigma
Orchestra
[Score]
Barenreiter
By Edward Elgar. Edited by Christopher Hogwood. For Orchestra. Score; Urtext Edi...
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By Edward Elgar. Edited by Christopher Hogwood. For Orchestra. Score; Urtext Edition (paperbound). Op. 36. Published by Baerenreiter-Ausgaben (German import).
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Sarka
Orchestra
Barenreiter
Composed by Bedrich Smetana (1824-1884). Edited by Hugh MacDonald. This edition:...
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Composed by Bedrich Smetana (1824-1884). Edited by Hugh MacDonald. This edition: urtext edition. Paperback. Barenreiter Urtext. From: Ma vlast (My Fatherland). Score. Duration 12 hours. Baerenreiter Verlag #BA11532. Published by Baerenreiter Verlag (BA.BA11532).
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Overture to Cosi fan tutte
Orchestra
[Score]
Barenreiter
By Wolfgang Amadeus Mozart. Edited by Faye Ferguson; Wolfgang Rehm. For Orchestr...
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By Wolfgang Amadeus Mozart. Edited by Faye Ferguson; Wolfgang Rehm. For Orchestra. Score; Urtext Edition (paperbound). KV 588. Published by Baerenreiter-Ausgaben (German import).
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Symphony No. 41
Orchestra
[Study Score / Miniature]
Barenreiter
Jupiter Symphonie. By Wolfgang Amadeus Mozart. Edited by Robbins H. C. Landon. F...
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Jupiter Symphonie. By Wolfgang Amadeus Mozart. Edited by Robbins H. C. Landon. For Orchestra. Baerenreiter Studienpartituren - Study scores. Study Score; Urtext Edition. KV 551. Published by Baerenreiter-Taschenpartituren (German import).
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Eine kleine Nachtmusik
Orchestra
[Score]
Barenreiter
Serenade for String Quartet (Quintet) or String Orchestra. By Wolfgang Amadeus M...
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Serenade for String Quartet (Quintet) or String Orchestra. By Wolfgang Amadeus Mozart. Edited by Schmid, Ernst Fritz. For Strings. Score; Urtext Edition. KV 525. Duration 15`. Published by Baerenreiter-Ausgaben (German import).
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Ruy Blas Concert Overture
Orchestra
[Score]
Barenreiter
Op. 95. By Felix Mendelssohn. Edited by Hogwood, Christopher. For Orchestra. Sco...
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Op. 95. By Felix Mendelssohn. Edited by Hogwood, Christopher. For Orchestra. Score; Urtext Edition (paperbound). Op. 95. Published by Baerenreiter-Ausgaben (German import).
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Ouverture (Orchestersuite) C major BWV 1066
Orchestra
[Score]
Barenreiter
Composed by Johann Sebastian Bach (1685-1750). Edited by Heinrich Besseler, Hans...
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Composed by Johann Sebastian Bach (1685-1750). Edited by Heinrich Besseler, Hans Gruss. For orchestra. This edition: Urtext edition. Stapled. Score. Text Language: German/English. BWV 1066. 22 pages. Duration 28 minutes. Published by Baerenreiter Verlag
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Bedrich Smetana : Ma vlast (My Country)
Orchestra
[Study Score / Miniature]
Barenreiter
By Bedrich Smetana (1824-1884). Edited by Frantisek Bartos. This edition: Urtext...
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By Bedrich Smetana (1824-1884). Edited by Frantisek Bartos. This edition: Urtext edition. Paperback. Study score, Urtext edition. Language: Czech/English/German. Duration 1 hour, 15 minutes. Published by Baerenreiter Verlag
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Sinfonie Nr. 39 - Symphony No. 39
Orchestra
[Study Score / Miniature]
Barenreiter
Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Robbins H...
(+)
Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Robbins H.C. Landon. For Orchestra. Baerenreiter Studienpartituren - Study scores. Study Score; Urtext Edition (paperbound). KV 543. Published by Baerenreiter-Taschenpartituren (German import).
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Symphony No. 8 Great C major Symphony
Orchestra
[Score]
Barenreiter
Urtext der Neuen Schubert-Ausgabe. By Franz Schubert. Edited by Werner Aderhold....
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Urtext der Neuen Schubert-Ausgabe. By Franz Schubert. Edited by Werner Aderhold. For Orchestra. Score; Urtext Edition. D 944. Published by Baerenreiter-Ausgaben (German import).
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The Hebrides
Orchestra
[Score]
Barenreiter
Concert Overture. By Felix Bartholdy Mendelssohn. Edited by Christopher Hogwood....
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Concert Overture. By Felix Bartholdy Mendelssohn. Edited by Christopher Hogwood. For Orchestra. Score; Urtext Edition (paperbound). Op. 26. Duration 10'. Published by Baerenreiter-Ausgaben (German import).
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Symphony No. 32
Orchestra
[Study Score / Miniature]
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Overture in G major. By Wolfgang Amadeus Mozart. For Orchestra. B0renreiter Stud...
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Overture in G major. By Wolfgang Amadeus Mozart. For Orchestra. B0renreiter Studienpartituren - Study scores. Study Score; Urtext Edition. KV 318. Published by Baerenreiter-Taschenpartituren (German import).
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Symphonie fantastique
Orchestra
[Score]
Barenreiter
By Hector Berlioz. Edited by Temperley, Nicholas. For Flute 1, Flute 2/Piccolo, ...
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By Hector Berlioz. Edited by Temperley, Nicholas. For Flute 1, Flute 2/Piccolo, Oboe 1, Oboe 2/English Horn, Clarinet (B Flat) (2), Bassoon (4), Horn (4), Trumpet (2), Cornet (2), Trombone (3), Ophicleide (2), Kettledrum, Drums, Harp (4), Strings. Score; Urtext Edition (paperbound). Duration 54'. Published by Baerenreiter-Ausgaben (German import).
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Symphony in B-flat major
Orchestra
[Score]
Barenreiter
La Reine. By Franz Joseph Haydn. Edited by Nakano, Hiroshi. For Orchestra. Score...
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La Reine. By Franz Joseph Haydn. Edited by Nakano, Hiroshi. For Orchestra. Score; Urtext Edition. Hob. I:85. Published by Baerenreiter-Ausgaben (German import).
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Castor et Pollux RCT 32A-B (RAMEAU JEAN-PHILIPPE)
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[Score]
Barenreiter
Tragédie in one Prologue and Five Acts. Par RAMEAU JEAN-PHILIPPE. Rameau Castor...
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Tragédie in one Prologue and Five Acts. Par RAMEAU JEAN-PHILIPPE. Rameau Castor et Pollux RCT 32A-B (Versions from 1737 and 1754) Symphonies (Full Score) Symphonies / Versions from 1737 and 1754 This collection of all instrumental numbers from 'Castor et Pollux' (tragédie in a prologue and five acts) brings together the movements and dances of all versions based on the volumes of the ?Opera Omnia Rameau? IV.3 (version 1737, BA08874-01) and IV.23 (version 1754, BA08864-01). Orchestras can use this to compile a suite to meet their needs aided by a register which offers a separate overview sorted by key. The performance material of the 'Symphonies' is available on hire in the accustomed high quality of the ?Opera Omnia Rameau?. - Compilation of the instrumental numbers from all opera versions - Overview of the keys to enable a tailor-made compilation of orchestral suites - Based on the scholarly-critical new edition of all original versions - Performance material available for hire / Date parution : 2023-06-01/ Répertoire / Orchestre
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BEETHOVEN L.V. - LEONORE OUVERTURE N°3 - SCORE
Orchestra
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Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of t...
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Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of the ?Leonore? overtures- Based on the G. Henle Complete Edition of the ?Works of Ludwig van Beethoven?- Orchestral parts in an enlarged format (25.5 cm x 32.5 cm)Of the four overtures that Beethoven composed for his only opera, the ?Leonore Overture? No. 3 is the most popular. The first reviewer found fault with it for its ?incessant dissonances and overblown fluttering of the violins? (Wiener Theater-Zeitung, 1806), but it soon became famous as ?one of the most imposing, difficult, yet richest and strangest of compositions? (Allgemeine Musikalische Zeitung, 1810). This version of the ?Leonore Overture? quickly established itself independently of the stage in the concert hall and has found a lasting place in the symphonic repertoire.The editor has devoted herself to the complex genesis of the various ?Leonore Overture? versions, in particular the question whether the trumpet call in measures 272?277 and 294?299 should be played by one or two instruments. The edition is based on the Complete Edition of the ?Works of Ludwig van Beethoven? issued by the G. Henle publishing company. / Grand format / Barenreiter
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Nocturne for String Orchestra in B major Op. 40 (DVORAK ANTONIN)
Orchestra
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Par DVORAK ANTONIN. / Date parution : 2022-11-08/ Répertoire / Orchestre
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Zoroastre - RCT 62 A-B Symphonies (RAMEAU JEAN-PHILIPPE)
Orchestra
[Score]
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Par RAMEAU JEAN-PHILIPPE. Richer than ever Rameaus Zoroastre in the ver...
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Par RAMEAU JEAN-PHILIPPE. Richer than ever Rameaus Zoroastre in the version of 1756. Opera in five acts. Rameaus revised version of his opera Zoroastre, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from todays point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameaus most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime Hymne à la Lumière, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with Zoroastre the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Glucks opera reform by many years. Here we present the instrumental numbers for concert performance. - Based on the first scholarly-critical edition, published as part of Opera Omnia Rameau - Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites - Published with performance material on hire / Date parution : 2022-11-08/ Répertoire / Orchestre
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Symphony No.52 in C minor Hob.I:52 (HAYDN JOSEPH)
Orchestra
[Score]
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Par HAYDN JOSEPH. Only eleven of the over one hundred symphonies by Joseph Haydn...
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Par HAYDN JOSEPH. Only eleven of the over one hundred symphonies by Joseph Haydn are composed in a minor key. Written in the early 1770s, the Symphony Hob.I:52 in C minor bears some similarities to the slightly earlier Symphony in E minor Hob.I:44 (?Mourning?, BA 10988), not only because they both are composed in a minor key but also because they both feature a pair of horns tuned at different pitches. Haydn seems to have experimented with differently tuned horns inspired by an article in Johann Adam Hiller?s journal ?Musikalische Nachrichten und Anmerkungen? of July 1770, which suggested to tune the horns a minor third apart in order to expand the total horn range. While Haydn followed this recommendation just like that in the E-minor symphony, he chose to have the horns tuned a major sixth apart (high C and E-flat) in the outer movements of the C-minor symphony Hob. I:52, resulting in an unusual horn sound within the orchestral texture. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag. - Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag - Orchestral parts in a large format (25.5 cm x 32.5 cm) / Date parution : 2022-11-08/ Répertoire / Orchestre
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Sinfonie In C (HAYDN JOSEPH)
Orchestra
[Score]
Barenreiter
Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Scor...
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Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Score) Letters of the composer have come down to us only on a few of Haydns symphonies, amongst them the Laudon Symphony Hob. I:69. In one of these letters, Haydn agrees to the publishers suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition Joseph Haydn Works published by G. Henle Verlag. - First performing Urtext edition - Urtext of the Complete Edition Joseph Haydn Works published by G. Henle Verlag - Orchestral parts in the format 25.5 cm x 32.5 cm / Date parution : 2022-07-20/ Répertoire / Orchestre
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BUNK GERARD - BUNK - SONATE EN FA MINEUR OP.32
Orchestra
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/ Partitions classique / Ensemble et orchestre / Ensemble mixte / BARENREITER
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DVORAK A. - SYMPHONIE N°9 OP.95 SYMPHONIE DU NOUVEAU MONDE - CONDUCTEUR
Orchestra
[Study Score / Miniature]
Barenreiter
Dvorák, Antonín
Symphony no. 9 in E minor op. 95 New World
- Groun...
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Dvorák, Antonín
Symphony no. 9 in E minor op. 95 New World
- Groundbreaking Urtext edition taking new sources into consideration
- Offers solutions for controversial musical questions
- With an informative Foreword (Eng/Cz/Ger) and a detailed Critical Commentary (Eng)
The ?New World? Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition.
Yet again Jonathan Del Mar has managed to untangle a complex network of surviving sources, some of which have never been taken into account before. Among them are several musical examples in Dvorák?s hand known to have been used in a lecture he held at Columbia University shortly after the première given by the New York Philharmonic under the baton of Anton Seidl.
Del Mar thus sheds light, for example, on the frequently debated rhythm of the horn entrance in measure 4 of the opening movement and illuminates Dvorák?s vague instructions on the use of mutes in movement 2. / Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
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Die Geschöpfe des Prometheus - Ouverture (BEETHOVEN LUDWIG VAN)
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[Score]
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Op. 43. Par BEETHOVEN LUDWIG VAN. / Date parution : 2022-05-03/ Répertoire / O...
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Op. 43. Par BEETHOVEN LUDWIG VAN. / Date parution : 2022-05-03/ Répertoire / Orchestre
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Symphony no. 9 in E minor op. 95 New World
Orchestra
Barenreiter
Par DVORAK ANTONIN. Since 2019 the ?New World? Symphony, a jewel of the symphoni...
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Par DVORAK ANTONIN. Since 2019 the ?New World? Symphony, a jewel of the symphonic repertoire, has been available from Bärenreiter in a reliable scholarly edition in which the editor, Jonathan Del Mar, clarified the complexities of the work?s source transmission. He did this by consulting previously overlooked sources, including music examples in Dvorák?s hand that the composer is known to have used in a lecture he delivered at Columbia University, New York, shortly after the symphony was premièred by the New York Philharmonic under Anton Seidl. With this volume the Del Mar edition is now available in a practical study score with a new introduction by Dvorák authority Jan Smaczny. / Date parution : 2022-04-05/ Répertoire / Orchestre
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Ouverture Egmont (BEETHOVEN LUDWIG VAN)
Orchestra
[Score]
Barenreiter
Op. 84. Par BEETHOVEN LUDWIG VAN. Beethoven?s incidental music op. 84 was writte...
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Op. 84. Par BEETHOVEN LUDWIG VAN. Beethoven?s incidental music op. 84 was written in 1809 for a performance of Goethe?s drama ?Egmont? at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for the dramatic material of Goethe?s tragedy, several in collaboration with the author himself. The overture reflects the themes of the play through its expressive music, and over the last two hundred years it has become one of the most popular works by Beethoven conceived for the stage. For this new edition, Beethoven specialist Jonathan Del Mar draws on various manuscript sources including a handwritten set of parts which has never been taken into account before. Thus, numerous discrepancies such as missing notes in the flute part or unclear bowing could be clarified for the first time. / Date parution : 2022-04-05/ Répertoire / Orchestre
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Ouverture Coriolan (BEETHOVEN LUDWIG VAN)
Orchestra
[Score]
Barenreiter
Op. 62. Par BEETHOVEN LUDWIG VAN. Beethoven?s ?Coriolan? overture was composed i...
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Op. 62. Par BEETHOVEN LUDWIG VAN. Beethoven?s ?Coriolan? overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed at the Palais Lobkowitz and it was the Lobkowitz family who played a decisive role in the transmission of the sources. For this new edition, Beethoven specialist Jonathan Del Mar incorporates various manuscript sources, including a handwritten set of parts that has never been considered before. As a result, numerous discrepancies could be clarified. / Date parution : 2022-04-05/ Répertoire / Orchestre
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Symphonie Nr. 1 op. 5 (GADE NIELS WILHELM)
Orchestra
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Par GADE NIELS WILHELM. 'I can?t remember when another work made a more lively, ...
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Par GADE NIELS WILHELM. 'I can?t remember when another work made a more lively, beautiful impression on me? ? this is what a very enthusiastic Felix Mendelssohn wrote to Niels Gade in January 1843. On March 2nd he premiered Gade?s C minor Symphony at the Leipzig Gewandhaus. On 26 October of the same year the 26 year old Danish composer conducted the second performance himself and in the following year he was engaged as co-conducter of the Gewandhaus concerts. His first symphony, however, was to remain Gade?s greatest success: unique are its colourful instrumentation, atmospheric melodies and the characteristic sound world which we know as Nordic. This volume presents Gade?s opus 5 as volume I.1 of the Complete Edition ?Niels W. Gade / Works?, edited by Finn Egeland Hansen. The volume also contains a preface by Inger Sørensen as well as a separate discussion of the musicological reception of this central work. / Date parution : 2022-03-05/ Répertoire / Orchestre
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Joseph Haydn: Symphony in E-flat major Hob. I:76: Orchestra: Score
Orchestra
[Score]
Barenreiter
Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 an...
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Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 and 78 for a planned trip to England that never took place. Nonetheless, H. C. Robbins Landon calls these works the ?English symphonies? as they arestylistically closely linked to the ?London Bach?, Johann Christian Bach. Haydn himself, in a letter of 1783 to his Parisian publisher Charles-Georges Boyer, described the symphonies as ?Leicht und nicht vil Concertirend?, meaningthat they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form. Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn?s large-scalechoral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the ?Works of Joseph Haydn?. The Bärenreiter catalogue now includes the complete performance material for several ?Sturm und Drang?symphonies as well as all the London and Paris symphonies.
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Jean-Philippe Rameau: Dardanus RCT 35A-35B: Orchestra: Score
Orchestra
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Dardanus RCT 35A-35B
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Jean-Philippe Rameau: Le Temple de la Gloire RCT 59: Orchestra: Score
Orchestra
[Score]
Barenreiter
Le Temple de la Gloire RCT 59. Rameau?s only extant opera based on a libretto by...
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Le Temple de la Gloire RCT 59. Rameau?s only extant opera based on a libretto by Voltaire has come down to us in two versions (1745 and 1746), that of 1745 having long been regarded as lost. Volume IV.12 of the ?Opera omnia Rameau? now provides a complete edition for the first time and thus the means to perform both versions. Voltaire refers to Metastasio in his libretto, in that he wanted to liberate the opera from the gallant milieu in order to make it a moralising and at the same time both edifying and political work of art for the stage. Following a prologue dedicated to the personified Envy, the tyrants Bélus and Bacchus are chased out of the Temple of Glory and Trajan is finally crowned with a laurel wreath for defeating the rebels, forgiving them and then transforming the Temple of Glory into a public temple. The music contains many remarkable passages, examples being a richly orchestrated overture, the famous monologue ?Profonds abîmes du Ténare? with obbligato bassoons and Trajan?s artful final scene ?Ramage d?oiseaux?. The opera?s individual instrumental movements are also available in the customary manner now as a practical separate edition. The performance material is available on hire.
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Antonin Dvorak: Symphony No. 8 In G Major Op. 88: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
Barenreiter
Symphony No. 8 In G Major Op. 88. With its Bohemian echoes and thematic diversit...
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Symphony No. 8 In G Major Op. 88. With its Bohemian echoes and thematic diversity, Symphony No. 8 enjoys a special status among lovers of Antonín Dvorák's music. For a long time, the performance material for this work has been notorious for its myriad mistakes. For his edition of Dvorák's 8th Symphony, editor Jonathan Del Mar was therefore faced with the task of making comprehensive corrections. He has taken into account the engraver?s copy, which was actually discovered in a trash bin at Novello?s in 1964. Its title page bears the words ?Copied from my original manuscript? in Dvorák?s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyist?s pen. This study score edition is complemented by the full score and orchestral parts (BA10418).
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Bedrich Smetana: Vysehrad: Orchestra: Full Score
Orchestra
[Score]
Barenreiter
Symphonic Poem-In late September 1874 shortly after losing his hearing Smetana...
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Symphonic Poem-In late September 1874 shortly after losing his hearing Smetana started work on â??VyÅ¡ehradâ? the first symphonic poem in what would become a six-part cycle with the title â??Má vlastâ? (My Country). It tells the eventful history of this fort in Prague.â??VyÅ¡ehradâ? was published by Urbánek together with â??Vltavaâ? (The Moldau) the next part in the cycle in a version for piano duet in December 1879. The full score and parts proofread by the composer followed in February 1880. Hugh Macdonald has corrected many errors in this first edition. He draws on the autograph and first print of the orchestral version and also refers to the autograph and printed piano duet version.In late September 1874 shortly after losing his hearing Smetana started work on â??VyÅ¡ehradâ? the first symphonic poem in what would become a six-part cycle with the title â??Má vlastâ? (My Country). It tells the eventful history of this fort in Prague.â??VyÅ¡ehradâ? was published by Urbánek together with â??Vltavaâ? (The Moldau) the next part in the cycle in a version for piano duet in December 1879. The full score and parts proofread by the composer followed in February 1880. Hugh Macdonald has corrected many errors in this first edition. He draws on the autograph and first print of the orchestral version and also refers to the autograph and printed piano duet version.
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The Nine Symphonies
Orchestra
Barenreiter
Entre 1996 et 2000 Barenreiter publié des éditions savantes critiques de Beeth...
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Entre 1996 et 2000 Barenreiter publié des éditions savantes critiques de Beethoven neuf symphonies édité par la première classe musicologue Jonathan Del Mar. Le processus de rédaction a été une entreprise colossale en raison de la situation source complexe en ce qui concerne les symphonies de Beethoven qui a culminé avec la Symphonie avec choeurs, qui est venu jusqu'à nous dans près de 20 sources différentes. Ce n'était donc pas surprenant que Barenreiter de la nouvelle édition Urtext eut un grand retentissement dans le monde de la musique.Depuis la publication, édition Del Mar bénéficie l'éloge sans bornes de conducteurs, les artistes et la critique et est devenu la publication la plus largement utilisée des Symphonies de Beethoven qui peut être entendu non seulement tous les jours dans les salles de concert, mais aussi sur les enregistrements de CD par John Eliot Gardiner , David Zinman, Jos van Immerseel et Claudio Abbado. / Conducteur / Partition
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Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV)
Orchestra
[Sheet music]
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The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. Incarnati...
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The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. Incarnation (1956), Bohuslav Martinus fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinus friend Rudolf Firkuný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, Concerto in B flat major for Piano and Orchestra, known under the name Fantasia Concertante, was to be Martinus very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composers own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
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[Sheet music]
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Violoncello/Bass. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Arc...
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Violoncello/Bass. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
Orchestra
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Barenreiter
Viola. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach ...
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Viola. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Mass In B Minor Bwv 232
Orchestra
Barenreiter
Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présente...
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Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.:Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris.Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets.' / Orchestre
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
Orchestra
[Sheet music]
Barenreiter
Violin Ii. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives B...
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Violin Ii. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
Orchestra
[Sheet music]
Barenreiter
Set Of Winds. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archive...
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Set Of Winds. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Kalanus Op. 48 (GADE NIELS WILHELM)
Orchestra
[Sheet music]
Barenreiter
Dramatic Poem. Par GADE NIELS WILHELM. 'Kalanus, a 'dramatic poem for soloists...
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Dramatic Poem. Par GADE NIELS WILHELM. 'Kalanus, a 'dramatic poem for soloists, choir and orchestra op. 48 was composed between June 1867 and March 1869 and is based on a text by Carl Andersen. A historical event during Alexander the Great's Indian campaign (326 AD) serves as the origin of the material: Alexander met Indian philosopher Kaljana, referred to as Kalanos in ancient sources. Gade had originally intended to unite the composition with 'Korsfarerne (The Crusaders) (1866), and another work with Jewish-historical content in 'a type of trilogy, however, he later abandoned his plan and 'Kalanus remained in its singular form. The reception of the work was predominantly positive in regard to the music, while form and subject received a somewhat reserved response./ Répertoire / Orchestre
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Symphonic Extracts From The Conducting Score: Les Fêtes De L'Hymen Et De L'Amour
Orchestra
Barenreiter
Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate b...
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Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as 'Zaïs?, 'Zoroastre? and 'Les Boréades?. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from 'Aruéris?, a scoring found nowhere else in his oeuvre.For the first time, this scholarly-critical edition of 'Les Fêtes de l'Hymen et de l'Amour? presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.- Milestone of French Baroque opera in performance practice orientated vocal score- With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition / Orchestre
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Le Nozze Di Figaro Kv 492 (Les Noces de Figaro)
Orchestra
[Study Score / Miniature]
Barenreiter
Studienpartitur. Par MOZART WOLFGANG AMADEUS. Premièred at the Vienna Hoftheate...
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Studienpartitur. Par MOZART WOLFGANG AMADEUS. Premièred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart?s and Lorenzo Da Ponte?s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart?s music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work?s spread outside the German-speaking countries. At least equally responsible for the opera?s success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing. Many of the sources for Mozart?s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ?New Mozart Edition? volume was published. These include the autograph scores of acts 3 and 4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor?s copy from the first performance of 1786. These original sources, now available again, offer compelling solutions to several previously unresolved questions. Edition based on the Urtext of the ?New Mozart Edition? reflecting the latest musicological research With findings from original sources now available again Detailed foreword (Ger/Eng) Full score (BA4565-01), Vocal score (BA4565-92), study score format 22. 5 x 16. 5cm
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Variations On An Original Theme For Orchestra 'Enigma'
Orchestra
Barenreiter
/ Orchestre
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