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French Horn and Piano
G Henle
G. Henle
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1 Piano, 4 hands
88
2 Pianos, 4 hands
43
Harpsichord
5
Keyboard
43
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26
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1
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18
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2
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15
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1
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12
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3
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1593
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2
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77
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4
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28
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51
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51
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30
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11
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19
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100
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10
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5
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2
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3
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12
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4
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2
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1
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1
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15
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77
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4
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207
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3
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1
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14
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3
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8
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10
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3
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4
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21
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29
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40
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211
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6
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5
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1
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7
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2
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4
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1
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ENSEMBLE
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4
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4
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3
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2
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6
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2
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16
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2
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2
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1
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1
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171
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5
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18
Piano Quintet: mixed chamber instrumentation
1
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2
Pocket, Study conductor
17
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3
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4
String quintet
3
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11
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8
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4
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Digital results
French Horn and Piano
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A Thousand Years for French Horn and Piano
A Thousand Years for French Horn and Piano
6.54€
$6.99
#
French Horn and Piano
#
Christina Perri
Nikolai Rimsky-Korsakov: The Flight of the Bumblebee for horn & piano
6.54€
$6.99
#
French Horn and Piano
#
Nikolai Rimsky-Korsakov
Wolfgang Amadeus Mozart: Concerto No.4 K495 in Eb major for horn & piano
6.54€
$6.99
#
French Horn and Piano
#
Wolfgang Amadeus Mozart
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G-Henle - French Horn and Piano
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Paul Dukas - Villanelle
French Horn and Piano
G. Henle
(for Horn and Piano). By Paul Dukas (1865-1935). Edited by Dominik Rahmer and Kl...
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(for Horn and Piano). By Paul Dukas (1865-1935). Edited by Dominik Rahmer and Klaus Schilde. For Horn, Piano Accompaniment (Score and Solo Part). Henle Music Folios. Softcover. G. Henle #HN1170. Published by G. Henle
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Reverie Op. 24
French Horn and Piano
G. Henle
(for Horn in F and Piano). Composed by Alexander Glazunov (1865-1936). Edited by...
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(for Horn in F and Piano). Composed by Alexander Glazunov (1865-1936). Edited by Dominik Rahmer. For French Horn, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1285. Published by G. Henle
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Robert Schumann : Adagio and Allegro, Op. 70
French Horn and Piano
G. Henle
(Horn and Piano). By Robert Schumann. Edited by Ernst Herttrich. Henle Music Fol...
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(Horn and Piano). By Robert Schumann. Edited by Ernst Herttrich. Henle Music Folios. Book only. G. Henle #HN1023. Published by G. Henle
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Horn Concerto No. 2 in E-flat Major, K. 417
French Horn and Piano
G. Henle
with Comments in English - wit Parts in E-flat and F- for Horn and Orchestra - P...
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with Comments in English - wit Parts in E-flat and F- for Horn and Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by H. Wiese. Horn. Pages: Score = IV and 22 * Hr F Part = 5 * Hr E Part = 5. Urtext edition (Paper-bound). Published by G. Henle.
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Morceau de Concert in F minor Op. 94
French Horn and Piano
[Sheet music]
G. Henle
Horn and Piano
. Composed by Camille Saint-Sa�«ns. Edited by Dominik Rah...
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Horn and Piano
. Composed by Camille Saint-Sa�«ns. Edited by Dominik Rahmer. Henle Music Folios. Softcover. 24 pages. G. Henle #HN1284. Published by G. Henle (HL.51481284).
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Concerto for Horn and Orchestra No. 1 in D Major Kv 412/514
French Horn and Piano
G. Henle
For Horn and Piano Reduction. By Wolfgang Amadeus Mozart. Henle Music Folios. So...
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For Horn and Piano Reduction. By Wolfgang Amadeus Mozart. Henle Music Folios. Softcover. 42 pages. Published by G. Henle.
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Canto Serioso for Horn and Piano
French Horn and Piano
G. Henle
(ONLY AVAILABLE FOR DISTRIBUTION IN CANADA). Composed by Carl August Nielsen (18...
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(ONLY AVAILABLE FOR DISTRIBUTION IN CANADA). Composed by Carl August Nielsen (1865-1931). Edited by Dominik Rahmer. For Horn, Piano Accompaniment (Score and Solo Part). Henle Music Folios. Softcover. 10 pages. G. Henle #HN586. Published by G. Henle
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Horn Concerto No. 4 in E-flat Major, K. 495
French Horn and Piano
G. Henle
with 2 parts, in E-flat and F - for Horn and Orchestra - Piano Reduction. By Wol...
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with 2 parts, in E-flat and F - for Horn and Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by H. Wiese. Horn. Pages: Score = IV and 27 * Hr F Part = 8 * Hr E-flat Part = 8 * Parts in original color. Urtext edition (Paper-bound). Published by G. Henle.
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Franz Joseph Haydn : Concerto for Horn and Orchestra in D Major Hob Viid:3
French Horn and Piano
G. Henle
With Cadenzas by J. Ritzkowsky - for Horn and Orchestra - Piano Reduction. By Fr...
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With Cadenzas by J. Ritzkowsky - for Horn and Orchestra - Piano Reduction. By Franz Joseph Haydn. Edited by M. Ohmiya, S. Gerlach. This edition: HN461. Horn. Henle Music Folios. Pages: Score = III and 20 * Horn Part in D = 6. Piano Reduction-paper bound. 38 pages. Published by G. Henle.
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Camille Saint-Saëns - Romances for Horn and Piano
French Horn and Piano
G. Henle
(Version for Violoncello With Marked and Unmarked String Parts). Composed by Cam...
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(Version for Violoncello With Marked and Unmarked String Parts). Composed by Camille Saint-Saens (1835-1921). Edited by Dominik Rahmer. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1168. Published by G. Henle
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Alexander Scriabin : Romance for Horn and Piano
French Horn and Piano
G. Henle
By Alexander Scriabin (1872-1915). Edited by Michael Schneidt. For Horn. Henle M...
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By Alexander Scriabin (1872-1915). Edited by Michael Schneidt. For Horn. Henle Music Folios. Softcover. G. Henle #HN576. Published by G. Henle
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Horn Concerto No. 1 in E-Flat Major, Op. 11
French Horn and Piano
G. Henle
Horn and Piano Reduction. Composed by Richard Strauss. Edited by Peter Damm....
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Horn and Piano Reduction. Composed by Richard Strauss. Edited by Peter Damm. Henle Music Folios. Classical. Softcover. 42 pages. G. Henle #HN1253. Published by G. Henle
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Concertino Op. 45 for Horn and Orchestra
French Horn and Piano
[Reduction]
G. Henle
For Horn and Piano Reduction. Composed by Carl Maria von Weber (1786-1826). E...
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For Horn and Piano Reduction. Composed by Carl Maria von Weber (1786-1826). Edited by Dominik Rahmer. Sheet Music. Paperbound. Henle Music Folios. With additional Horn part in E und F. Classical. Softcover Piano Reduction. 44 pages. G. Henle #HN1179. Published by G. Henle
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Richard Strauss: Andante in C major for Horn and Piano: French Horn:
French Horn and Piano
G. Henle
In the summer of 1888 while also working on his tone poem Don Juan Richard Str...
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In the summer of 1888 while also working on his tone poem Don Juan Richard Strauss composed this brief Andante for his father Franz Strauss a member of the Munich Court Opera and one of the greatest horn players of his age. The Andante was intended as the slow movement ???of a still unfinished??? sonata that Strauss however never did complete (to the chagrin of all horn players). The piece thus remained unpublished until 1973. For the new Urtext edition by G. Henle Publishers the original autograph manuscript held at the Munich Public Library was able to be examined directly. The Andante is of only moderate difficulty and is ideally suited for teaching purposes and as aneffective Romantic performance piece. In the summer of 1888 while also working on his tone poem Don Juan Richard Strauss composed this brief Andante for his father Franz Strauss a member of the Munich Court Opera and one of the greatest horn players of his age. The Andante was intended as the slow movement ???of a still unfinished??? sonata that Strauss however never did complete (to the chagrin of all horn players). The piece thus remained unpublished until 1973. For the new Urtext edition by G. Henle Publishers the original autograph manuscript held at the Munich Public Library was able to be examined directly. The Andante is of only moderate difficulty and is ideally suited for teaching purposes and as aneffective Romantic performance piece.
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Richard Strauss: Horn Concerto No. 2 in E flat major: Horn: Study Score
French Horn and Piano
G. Henle
As if looking back on his youth toward the end of his life Richard Strauss wrot...
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As if looking back on his youth toward the end of his life Richard Strauss wrote a second concerto for horn and orchestra again in Eb major around sixty years after his first concerto for horn. This sublimely beautiful late work which gives no indication of the oppressive circumstances of Strauss? poor health and the Second World War was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss? death that the concerto appeared in print in London making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor Hans Pizka former principal horn of the BavarianState Opera in Munich learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances the especially playable piano reduction by Johannes Umbreit is a great help. As if looking back on his youth toward the end of his life Richard Strauss wrote a second concerto for horn and orchestra again in Eb major around sixty years after his first concerto for horn. This sublimely beautiful late work which gives no indication of the oppressive circumstances of Strauss? poor health and the Second World War was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss? death that the concerto appeared in print in London making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor Hans Pizka former principal horn of the BavarianState Opera in Munich learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances the especially playable piano reduction by Johannes Umbreit is a great help.
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On The River D 943 For Voice, Horn And Piano
Français
French Horn and Piano
G. Henle
The scoring of Schubert's Auf dem Strom (On the River) for voice, horn and piano...
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The scoring of Schubert's Auf dem Strom (On the River) for voice, horn and piano is reminiscent of that of the Hirt auf dem Felsen (Shepherd on the Rock, HN 969) with obligato clarinet. Both pieces were written in 1828 and each one upon a musician's request - in this case that of the horn player Rudolf Lewy. Schubert gave the first performance of Auf dem Strom with the latter and the tenor Ludwig Tietze on 26 March 1828 in Vienna. It was such a success that it was soon performed again, and the press raved about it being an 'indescribable treat for the ears?. This popular work is now available in a handy format for singers, with, of course, parts for horn in E as well as a transposition for horn in F. / Voix, Cor Et Piano
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Horn Concerto No. 1 In E Flat Major Op. 11 (STRAUSS RICHARD)
French Horn and Piano
G. Henle
Par STRAUSS RICHARD. Avec son premier concerto pour cor, et étant à peine âgÃ...
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Par STRAUSS RICHARD. Avec son premier concerto pour cor, et étant à peine âgé de 18 ans, Richard Strauss accomplit un coup de génie ravissant. Jusqu'à nos jours, ce concerto est apprécié dans le monde entier par les cornistes (et par d'autres), faisant partie, aux côtés des chefs-d'oeuvre de Mozart, des pièces de répertoire incontournables à l'instrument. Peter Damm, ancien cor solo de l'orchestre de la Sächsische Staatskapelle de Dresde et soliste de renommée mondiale, ne s'est pas contenté de jouer lui-même en public ce concerto plus de 170 fois, mais il a en outre présenté et publié les résultats fondamentaux de ses investigations concernant la genèse de ce concerto. Son édition Urtext prenden considération toutes les sources conservées et peut ainsi être considérée comme une édition de référence. Pour l'étude de la pièce ainsi que pour les auditions, la réduction pour piano réalisée par Johannes Umbreit et particulièrement bien jouable, s'avère d'une grande aide. Avec son premier concerto pour cor, et étant à peine âgé de 18 ans, Richard Strauss accomplit un coup de génie ravissant. Jusqu'à nos jours, ce concerto est apprécié dans le monde entier par les cornistes (et par d'autres), faisant partie, aux côtés des chefs-d'oeuvre de Mozart, des pièces de répertoire incontournables à l'instrument. Peter Damm, ancien cor solo de l'orchestre de la Sächsische Staatskapelle de Dresde et soliste de renommée mondiale, ne s'est pas contenté de jouer lui-même en public ce concerto plus de 170 fois, mais il a en outre présenté et publié les résultats fondamentaux de ses investigations concernant la genèse de ce concerto. Son édition Urtext prenden considération toutes les sources conservées et peut ainsi être considérée comme une édition de référence. Pour l'étude de la pièce ainsi que pour les auditions, la réduction pour piano réalisée par Johannes Umbreit et particulièrement bien jouable, s'avère d'une grande aide./ Répertoire / Cor et Piano
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Morceau De Concert F-Moll Op. 94 (SAINT-SAENS)
French Horn and Piano
G. Henle
Par SAINT-SAENS. Ähnlich wie Schumanns 'Konzertstück für vier Hörner' op. 86...
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Par SAINT-SAENS. Ähnlich wie Schumanns 'Konzertstück für vier Hörner' op. 86 (HN 1138) entstand auch Saint-Saëns' 'Morceau de Concert' mit der Idee, die technischen Möglichkeiten einer neuen Ventilhorn-Konstruktion auszureizen. In diesem Falle gab der französische Hornist Henri Chaussier den Anstoß. Er hatte ein neuartiges „Cor omnitonique' entwickelt und wollte mit Saint-Saëns' Komposition die Vorzüge seines Instruments demonstrieren. Chaussiers Erfindung konnte sich bei den Hornisten nicht durchsetzen - wohl aber das 'Morceau de Concert'! Das beliebte einsätzige Werk ist aus heutiger Sicht technisch nicht übermäßig anspruchsvoll - zudem hat schon Saint-Saëns selbst zwei erleichternde Kürzungsmöglichkeiten vorgesehen, so dass sich auch schon fortgeschrittene Schüler an das Stück wagen können./ Répertoire / Cor et Piano
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DUKAS PAUL - VILLANELLE - COR and PIANO
French Horn and Piano
G. Henle
Paul Dukas
Villanelle pour cor et piano
Dominik Rahmer (Editeur)
...
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Paul Dukas
Villanelle pour cor et piano
Dominik Rahmer (Editeur)
Klaus Schilde (Doigtés)
Edition Urtext, reliure paperback
Exigeant morceau de concours, la Villanelle de Paul Dukas fut composée en 1906 à l?attention de la classe de cor du Conservatoire de Paris. Évoquant ces joyeux chants populaires d?Italie au XVIe siècle, le titre indique que nous n?avons pas ici affaire à une simple étude. Parallèlement aux exigences techniques (sons bouchés, gammes rapides, jeu sans pistons faisant appel à la technique du cor naturel), cette oeuvre convainc par l?entrain mélodique, de sorte que la Villanelle reste aujourd?hui un des morceaux de concert les plus appréciés des cornistes. Notre édition Urtext se base sur l?autographe et la première édition, tous deux dans leur version originale pour cor et piano; l?orchestration plus tardive de l?accompagnement n?est pas du compositeur. / Partitions classique / Cuivres et percussions / Cor / HENLE VERLAG
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Carl Maria von Weber: Concertino Op. 45 For Horn And Orchestra: French Horn:
French Horn and Piano
G. Henle
For Horn And Orchestra-The horn is surely the most ?romantic? of instruments an...
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For Horn And Orchestra-The horn is surely the most ?romantic? of instruments and it is a well-known fact that it plays a prominent role in Weber?s oeuvre. Der Freischütz and Oberon would be unthinkable without their horn calls whether to signifyyearning or the clarion call of the hunt. But Weber did more than give the instrument important solo parts in his operas; he also wrote a virtuoso concert piece that to this day is regarded as one of the most difficult in thewhole horn repertoire not least because the soloist has to play three-part chords (!) in the cadenza. This Henle Urtext edition is based on the autograph the engraver?s copy (checked by Weber himself) and the first edition andso offers the best possible musical text for those wishing to learn this highly effective virtuoso piece. The Preface also for the first time provides biographical details of Sebastian Rauch the Munich horn player whocommissioned this Concertino.
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Camille Saint-Saëns: Romances - Horn And Piano: French Horn: Instrumental Work
French Horn and Piano
G. Henle
Romances for Horn and Piano-Camille Saint-Saëns composed his two Romances for H...
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Romances for Horn and Piano-Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 waswritten for Henri Garigue. Despite the illustrious recipients they are not virtuosic showpieces but as the term Romance suggests short ?Songs without words? that fully savour the typical romantic sound of the horn.Alongside the orchestral version Saint-Saëns also prepared a piano accompaniment for chamber music performances. Due to the fact that they are not overly technically demanding the Romances are also suitable for advancedstudents.
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Wolfgang Amadeus Mozart: Concerto For Horn And Orchestra No. 4 Eb Major: French
French Horn and Piano
G. Henle
Oddly Mozart wrote out the score of his most famous Horn Concerto not only in b...
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Oddly Mozart wrote out the score of his most famous Horn Concerto not only in black ink but also in red green and blue. Whether he meant this as a genial prank or had higher aspirations in mind willremain an eternal mystery. Whatever the case Henle‘s Piano reduction takes Mozart at his word and prints the enclosed urtext Horn part in exactly the same colours as are found in the autograph score. Perhaps themulti-coloured publication will inspire Horn players to create new interpretations of this popular concerto.
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Alexander Skrjabin: Romance für Horn und Klavier: French Horn: Instrumental Work
French Horn and Piano
G. Henle
Romance for Horn and Piano-Si Scriabine est aujourd?hui avant tout connu pour sa...
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Romance for Horn and Piano-Si Scriabine est aujourd?hui avant tout connu pour sa musique de piano mystico-visionnaire il composa dans ses jeunes années aussi une ravissante pièce de musique de chambre la Romance pour cor et piano. Grâce à sa partie de cor pas difficile d?un point de vue technique et son accompagnement de piano tout à fait charmant la Romance est un morceau de concert plein d?effet déjà pour des élèves. Etant donné que l?oeuvre ne fut pas imprimée du vivant du compositeur l?autographe représente la seule source pour notre édition laquelle est parue en collaboration avec la moscovite Valentina Rubcova spécialiste de Scriabine.
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Carl Nielsen: Canto Serioso For Horn And Piano: French Horn: Score
French Horn and Piano
G. Henle
Canto serioso for Horn and Piano-Carl Nielsen's Canto Serioso for Horn in F and ...
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Canto serioso for Horn and Piano-Carl Nielsen's Canto Serioso for Horn in F and Piano. Urtext edition score.The Danish composer Carl Nielsen was one of the most original composers at the turn of the 20th century. Basedon the German Romantic tradition he developed his own musical language especially in his symphonies that are still played very frequently. He also however often turned to chamber music settings.CantoSerioso was originally written as an audition piece for the Copenhagen Opera Orchestra where the position of low Horn player was to be filled. This fairly short work makes the most of the low register and theinstrument’s sonorous mid-range making it a welcome addition to the late Romantic repertoire for Horn.
10.25 GBP - Sold by Musicroom UK
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Robert Schumann: Adagio & Allegro Op. 70 Horn & Piano: French Horn: Instrumental
French Horn and Piano
[Score and Parts]
G. Henle
Adagio and Allegro op. 70 for Piano and Horn-Schumann Robert Adagio & Allegro Op...
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Adagio and Allegro op. 70 for Piano and Horn-Schumann Robert Adagio & Allegro Op70 (Herttrich) Pf/Hn Urtext Pb
15.25 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Sonata In F For Piano And Horn Or Cello Op.17: French
French Horn and Piano
[Sheet music]
G. Henle
An authoritative urtext edition of Beethoven's Sonata In F Op.17 written for Ho...
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An authoritative urtext edition of Beethoven's Sonata In F Op.17 written for Horn or Cello with Piano.
16.25 GBP - Sold by Musicroom UK
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Paul Dukas: Villanelle für Horn und Klavier: French Horn: Instrumental Work
French Horn and Piano
G. Henle
Villanelle for Horn and Piano-Paul Dukas wrote his Villanelle as a demanding exa...
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Villanelle for Horn and Piano-Paul Dukas wrote his Villanelle as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. The title referencing a cheerful traditional vocal genre that originated in 16th century Italy already shows that it is by no means a dry etude.Alongside the technical challenges (stopped notes fast scales playing without valves using natural horn techniques) the piece is successful because of its refreshingmelodies for which reason the Villanelle is still one of the most popular performance pieces for the horn. For our Urtext edition we consulted the autograph as well as the first edition that was originally for horn andpiano: the later version with orchestral accompaniment does not stem from the composer.
15.25 GBP - Sold by Musicroom UK
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Alexander Glazunov: Rêverie Opus 24: French Horn: Instrumental Work
French Horn and Piano
G. Henle
Reverie for Horn and Piano Op 24 with a preface in German English and French.
7.99 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Horn Concerto No.2 In E Flat K.417: French Horn:
French Horn and Piano
G. Henle
A highly authoritative Urtext edition of W.A. Mozart's Horn Concerto No.2 In E F...
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A highly authoritative Urtext edition of W.A. Mozart's Horn Concerto No.2 In E Flat K.417 as edited by Henrik Wiese with Piano Reduction by Jan Philip Schulze. Solo parts for Horn in E Flat and Horn in F are included.
18.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Concerto for Horn and Orchestra No. 3 E flat major:
French Horn and Piano
G. Henle
Concerto for Horn and Orchestra No. 3 E flat major
18.50 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Concerto for Horn and Orchestra D major Hob. VIId: French
French Horn and Piano
G. Henle
Des trois concertos pour cor et orchestre de Joseph Haydn deux ne sont pas parv...
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Des trois concertos pour cor et orchestre de Joseph Haydn deux ne sont pas parvenus à la postérité tandis que deux autres lui sont souvent attribués à tort. Le seul concerto conservé de Haydn dont l?authenticité ne peut être remise en cause est le concerto en ré majeur Hob. VIId:3. Fondée sur l?édition complète des ?uvres de Haydn l?édition urtext propose deux parties de soliste: la partie de cor en ré correspondant au manuscrit autographe de Haydn ainsi qu?une transcription moderne en fa. Les trois mouvements comportent des cadences pour le soliste. Ces cadences reproduites dans la partie séparée de cor sont du corniste Johannes Ritzkowsky et exploitent au mieux lespossibilités techniques réduites du cor naturel de l?époque de Haydn. Elles ne devraient pas poser trop de difficultés aux cornistes actuels et constituer une contribution bienvenue.
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Schumann R. - Adagio and Allegro - Cor Et Piano
Français
French Horn and Piano
G. Henle
Fingersatz: Schilde, Klaus Herausgeber: Herttrich, Ernst
17.50 EUR - Sold by Woodbrass
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