Oxford-University-Press - Flute

Par DENLEY IAN. prend l'élève de 2e année à la 8e année l'accent sur le développement de la troisième octave techniques d'échauffement pour chaque leçon couvre l'articulation (y compris double-coup de langue) et le phrasé, les harmoniques, ornements, les signatures de temps irréguliers, et les modes tablature complète pour les trilles et les extra-haute note les gammes et arpèges - pièces de concert et des études CD avec des spectacles et moins-une piste. Ian Denley a une vaste expérience comme professeur de flûte à tous les niveaux. Il a étudié au Royal Northern College of Music, et plus tard à Londres et à Berlin. Il a comparu en tant que soliste, musicien de chambre et orchestre Plater avec de nombreux groupes, y compris le Quatuor Allegri et le Royal Liverpool Philharmonic Orchestra, ainsi que la réalisation, d'accompagnement et de coaching. Un examinateur ABRSM depuis 1986, Ian est l'auteur de balances du conseil et des arpèges à vent et de la série IME Pièces pour instruments à vent./ Tablatures / Flûte Traversière

Par GERSHWIN GEORGE. Cette collection de chansons de Gershwin a été spécialement organisé pour les joueurs entre environ 1 année et 5 e année. Les pièces sont exposées dans un ordre approximatif de difficulté / Niveau : Très Facile à Facile / Répertoire / Flûte Traversière

Flute Time is a complete method by specialist teacher Ian Denley. Suitable for students of all ages it comprises carefully structured tutor books that address the foundations of technique through enjoyable pieces and exericises along with accompanying books of attractive pieces. With photographs diagrams checklists and quiz pages to monitor progress and broaden understanding this excellent method provides full support both for pupils and specialist and non-specialist teachers alike.suitable for the beginner through to Grade 2 standard.first steps on the mouthpiece and simple rhythm games.careful progression with a wealth of attractive practicematerial.clear guidance on good posture and fingering. practical steps to composing and improvising.scales and arpeggios; concert pieces and studies.CD with performances and minus-one tracks of many pieces.straightforward piano accompaniments in a separate volume.

Welsh-born William Mathias was an optimistic composer whose music is infused with charisma energy and a distinctive Welsh flavour. He was exceptionally versatile skilled in his ability to write for any medium and genre. This wonderful Sonatina written in 1956 is for Flute with Piano accompaniment.

Music Through Time is an exciting series of instrumental repertoire books designed to provide young musicians with enjoyable interesting and stimulating material in the early stages of their playing career. The contents of each volume are arranged chronologically and each piece is accompanied by short notes which place the music in it’s wider historical context so that the student can more easily relate the style of the music to its period.

Arnold Clarke's Sonatina is a delightful piece which offers interesting musical and practical challenges for the Intermediate to Advanced Flautist. Scored for Flute and Piano Accompaniment.

Music Through Time is an exciting series of instrumental repertoire books designed to provide young musicians with enjoyable interesting and stimulating material in the early stages of their playing career. The contents of each volume are arranged chronologically and each piece is accompanied by short notes which place the music in it’s wider historical context so that the student can more easily relate the style of the music to its period.

This small-scale work would make a useful repertoire piece bearing in mind the need to provide compatible items for groups playing the Debussy flute/harp/viola sonata.

The opening cadenza displays virtuosic sweeping melodic gestures followed by a more detached section using more complex polyphony. The third movement is reminiscent of French Impressionist seascapes while the final movement Tarantella is brisk nervous and mysterious.

This sonata edited here by Richard Platt comprises three movements: an elegant and expressive Adagio leads into a spirited Allegro before the work comes to a spectacular close with a lively Giga.