SKU: PR.UT050420
ISBN 9783850557825. UPC: 800522003400.
The enigma that is Schubert's arpeggione sonata - written for a newly invented instrument that would fairly disappear from public consciousness by the time the Sonata first saw publication. Written in 1824 for an instrument that came into being a year earlier, the Sonata would see its first edition in 1871. By then, the publisher assumed that the piece would thereafter be performed on cello, but editors Jost and Darmstadt have based their present edition upon the violin arrangement by Anton Diabelli, which pre-dated the first publication. Background notes describe the history of the work, and performance and critical notes address proper authentic performance.
SKU: PR.UT050402
ISBN 9783850557795. UPC: 800522003370.
It is argued that the arpeggione (think: bowed guitar) would have been left as a trivia question for historians had Schubert not written this particular Sonata. By the time this 1824 composition was first published in 1871, the arpeggione had already fallen out of favor and out of use. Even the first publication indicated the violoncello as the viable alternative solo. The editors have gone back to the autograph, which resides at the National Library of France, together with the contemporary arrangement for violin by Diabelli, in creating this critical edition. The history of the sonata and this edition, together with performance notes and critical commentary, are included.
SKU: PR.UT050173
ISBN 9783850555739. UPC: 800522001338.
SKU: PR.UT050416
ISBN 9783850557801. UPC: 800522003387.
Vienna Urtext editor Jochen Reutter has consulted the first print of Telemann's 1733 Tafelmusik (Musique de Table), together with a manuscript copy of the same period, to construct this urtext of the Sonate for Flute and Basso Continuo. The edition includes a realized figured bass, an unrealized continuo part (cello ad lib.), and the background information, notes on performance, and critical notes that signify a Vienna Urtext publication. For advanced performers.
SKU: PR.UT052012
ISBN 9783850557726. UPC: 800522003301.
With works by Clementi, Czerny and Cramer, Urtext Primo 6 contains easy piano music by three composers who all stood out as piano teachers publishing piano methods and study literature. Not only is there a selection of popular sonatinas by Muzio Clementi, there are also selected pieces by Carl Czerny which show that piano lessons do not necessarily have to be outdated and stuffy, and there also exists a repertoire by Johann Baptist Cramer (known from the studies of Cramer-Bulow) which is suitable not only for advanced students.
SKU: PR.UT052011
ISBN 9783850557719. UPC: 800522003295.
SKU: PR.UT050431
ISBN 9783850557993. UPC: 800522003578.
SKU: PR.UT050423
ISBN 9783850557917. UPC: 800522003493.
SKU: PR.UT050448
ISBN 9783850558082. UPC: 800522003660.
SKU: PR.UT050434
ISBN 9783850558006. UPC: 800522003585.
SKU: PR.UT050407
ISBN 9783850557702. UPC: 800522003288.
Mozart's KV570 is an ideal teaching piece for advancing pianists. Many of Mozart's style elements are present here, but in approachable form, as an introduction to ongoing study of Mozart's piano works. The popularity of the sonata is a testament to the deceptively simple beauty of Mozart's writing. For intermediate to advanced pianists.
SKU: PR.UT050428
The release of Volume 2 completes the announcement of the newest editions from Vienna Urtext. As always, the latest research informs these editions, a useful blend of critical notes with a solid performance-oriented presentation. Volume 2 joins the previously released Volume 1 [UT050427] and Volume 3 [UT050429].Volume 2 of the Wiener Urtext complete edition of Beethoven's 32 Piano Sonatas contains op. 26, 27/1-2, 28, 31/1-3, 49/1-2, 53, 54 and 57.
SKU: PR.UT050410
Piano accompaniment book for UE038045, My Song Diary for Alto Saxophone with audio CD.
SKU: PR.UT050406
ISBN 9783850557696. UPC: 800522003271.
Working with the International Institute for Piano Pegagoy, Vienna Urtext has compiled an impressive repertoire list that spans 200 years, representing composers From Bach to Schoenberg. A wide variety of styles are included (Bach, Haydn, Mozart, Debussy, Rachmaninoff, Albéniz), while the selected pieces are all within a given difficulty level (UK Grade 8 to First diploma, US/Canada Grade 10 and above). The result is a wealth of repertoire from which students and teachers can choose diverse materials for performance.
SKU: PR.UT052008
ISBN 9783850557511. UPC: 800522003097.
SKU: BT.XYZ676
ISBN 9789043145114. Dutch.
XYZ Folk Dean Mijn tweede pianoboek gaat verder waar deel 1 ophield. Dit logische vervolg is uw volgende stap op de weg naar uitstekende basisvaardigheden. In dit deel wordt onder meer aandacht geschonken aan het verhogings- enverlagingsteken. U krijgt verder uitleg over eenvoudige dubbelgrepen in de omvang van vijf tonen. Ook het verplaatsen van de vingers wordt besproken. En net zoals in deel 1 wordt ook in dit boek bij elke oefening de vingerzetting duidelijkaangegeven.
SKU: BT.MUSMS0329
Spanish.
¿Cómo tocar acompañamientos y solos de piano en el estilo Pop-Rock? Con nuestro libro, por supuesto... Primero con unos acompañamientos que presentan claramente los principales procedimientos armónicos y rítmicos específicos... que van de la Balada Slow Rock en arpegios a las rítmicas Rock más dinámicas, pasando por los turnaraounds Pop actuales. Luego con unos solos, con todas las características propias del estilo (gimmicks armónicos y rítmicos, precisión rítmica, respiración...). Y también con unos clichés y frases típicas desde la BritishPop de antaño hasta la más moderna, la de hoy; desde la canción pop ligera hasta una forma más endiablada, más Rock... ¡habrá de todo! Desde los Beatles hasta David Bowie, pasando por Coldplay, Elton John o Keane... no le faltarán fuentes de inspiración para expresarse en este estilo en el piano. Para cada acompañamiento y solo uno tendrá a su disposición en el CD MP3 cinco grabaciones diferentes: la del piano solo, en un aire normal y luego más lento, la misma parte de piano tocada ahora en su playback, y por último el playback solo, en un aire normal y luego más lento para que cada uno pueda tocar a su ritmo, según su nivel y sus capacidades. O sea ¡más de 4 horas de música en total!
