| AntonÃn Dvo?ák: String
Quartet F Op. 96: String
Quartet: Study Score String Quartet: 2 violins, viola,
cello G. Henle
(American Quartet)-After a twelve-year interval Dvo ák once again turned his a...(+)
(American Quartet)-After a twelve-year interval Dvo ák once again turned his attention to the String Quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where agroup of Czech immigrants had settled thus making him feel at home. The beautiful natural surroundings led him to write this unconventional String Quartet in the tradition of Beethoven?s ?Pastoral? even down to the imitation ofbirdcalls. Since the first performances certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans which led to the soon popular workbeing called the ?American Quartet?. For the first time since 1955 the Quartet is once again being published in an Urtext edition.
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| Ludwig van Beethoven:
Piano Trios Volume 3
Clothbound: Piano: Score Piano Trio: piano, violin, cello G. Henle
Piano Trios Volume 3 Clothbound
163.00 GBP - Sold by Musicroom UK |
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| Carl Ditters von
Dittersdorf: Concert
E-Dur (Krebs 172): Double
Bass: Double bass, Piano (duet) [Reduction] G. Henle
With this cornerstone of the Double Bass repertoire we continue a still young bu...(+)
With this cornerstone of the Double Bass repertoire we continue a still young but important part of our catalogue. This musically-charming work full of technical trickery is with justification demanded time and again as atest piece or set piece for competitions. In order to accommodate the ?Viennese tuning? used at the time we also provide a solo part in fret notation. The Piano part in D major and E major (!) can be used to accompany the DoubleBass part either in its solo or orchestral version. As an alternative to the familiar cadenzas by Sperger editor Tobias Glöckler has added two further tuneful and stylistically-appropriate cadenzas of his own.
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| Ludwig van Beethoven:
Arias Duet Trio:
Orchestra: Score Orchestra G. Henle
Wissenschaftliche Gesamtausgabe
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| Franz Joseph Haydn:
Notturni mit Orgelleiern:
Orchestra: Score Orchestra G. Henle
Wissenschaftliche Gesamtausgabe Leinen Reihe VII
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| Carl Maria von Weber:
Piano Sonata In C Op.24:
Piano: Instrumental Work Piano solo [Sheet music] G. Henle
Les quatre sonates pour piano de Carl Maria von Weber ont toutes été composée...(+)
Les quatre sonates pour piano de Carl Maria von Weber ont toutes été composées au cours de la décennie 1812?1822 et sont considérées comme les piliers de son ?uvre peu prolifique pour piano. Weber était l?un des pianistes les plus importants de son temps. Il improvisait fréquemment lors de ses concerts et ses sonates correspondent parfaitement aux attentes du public de l?époque. Une technique de jeu brillante s?y allie à des mélodies agréables. Très exigeante techniquement la sonate en Ut majeur op. 24 de 1812 compte quatre mouvements aux atmosphères très différentes. Le trio en Mi bémol majeur du menuet est un petit bijou et semble préfigurer la poésie du «Songe d?une nuitd?été» de Mendelssohn. Cette édition Urtext se fonde à la fois sur le manuscrit autographe et sur la première édition. Dans sa préface l?éditrice Wiltrud Haug-Freienstein aborde certains détails intéressants relatifs à l?état des sources à quelques variantes de la partition et au style de composition de Weber.
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| Ludwig van Beethoven:
Scottish And Welsh Songs:
Voice: Score G. Henle
Wissenschaftliche Gesamtausgabe
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| Ludwig van Beethoven:
Eroica Variations op. 35:
Piano: Instrumental Album Piano solo G. Henle
The Fifteen Variations (with Fugue) op. 35 composed in 1802 are known primarily ...(+)
The Fifteen Variations (with Fugue) op. 35 composed in 1802 are known primarily by their sobriquet ?Eroica Variations? because the theme is also used in the finale of the Third Symphony. Together with its sister work opus 34 this composition marks the breakthrough of character variations. Not without pride did the composer stress to his publisher that both works were ?arranged in a truly quite new fashion.? For the first time ever the Eroica Variations are available in a standalone edition. The musical text of the Urtext edition with extensive foreword and commentary was prepared on the basis of the later Critical Apparatus of the Beethoven CompleteEdition. The fingering comes from the esteemed hands of Ian Fountain.
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| Sergei Rachmaninov: 24
Préludes: Piano:
Instrumental Album Piano solo G. Henle
24 Préludes-Based on the Prélude in C sharp minor Op. 3 No. 2 written in 1892 ...(+)
24 Préludes-Based on the Prélude in C sharp minor Op. 3 No. 2 written in 1892 that quickly became world-famous Rachmaninoff composed a further two collections of Préludes in the years up to 1910. These were also published as acomplete volume in 1911.Based on the corresponding models by Chopin Scriabin and their great forerunner J.S. Bach they comprise a cycle of 24 Préludes in all major and minor keys but unlike the other onesare not organised systematically according to keys. A final highlight of late Romantic Piano music which no pianist can ignore.
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| Ludwig van Beethoven:
String Quartet E Flat
Major Op.127: String
Quartet: Parts String Quartet: 2 violins, viola,
cello [Set of Parts] G. Henle
The E-Flat Major String Quartet Op. 127 is a key work not only in Beethovenââ...(+)
The E-Flat Major String Quartet Op. 127 is a key work not only in Beethoven’s oeuvre but in the entire history of the genre. The first of the late quartets it 'transfers the formal and symbolicaspects of his two major works for Chorus and Orchestra [the Missa solemnis and the Ninth Symphony] to the more intimate domain of chamber music' (William Kinderman). For years music lovers have been waiting for a new editionbased on the scholarly text from the new Beethoven Gesamtausgabe. The wait has paid off! The highly complex source situation was examined for the first time and thus Beethoven’s 'final intentions' are nowavailable in an urtext edition. The set of parts (HN 740) and the score (HN 9740) both come with a detailed preface and editorial notes.
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| Johannes Brahms: Piano
Quintet f Minor Op. 34:
Piano Quartet: Score and
Parts Piano Quintet: piano, 2 violins,
viola, cello [Score and Parts] G. Henle
Johannes Brahms’s Piano Quintet is not only one of the mightiest works in...(+)
Johannes Brahms’s Piano Quintet is not only one of the mightiest works in its genre but also a climax in his chamber music oeuvre. This new volume adopts the definitive text from the New CompleteEdition of Brahms’s Works.
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| Sergei Rachmaninov:
Étude-Tableau es-moll:
Piano: Instrumental Work Piano solo G. Henle
Opus 39 Nr. 5-Works by this publisher are not included in the main catalogue.
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| Ludwig van Beethoven:
Piano Concerto Op. 61a
After The Violin
Concerto: Piano: Piano and Orchestra G. Henle
Very few musicians are aware of the fact that Beethoven arranged his Violin conc...(+)
Very few musicians are aware of the fact that Beethoven arranged his Violin concerto also as a Piano Concerto. It is only recently that some pianists have discovered this truly rewarding work.Clementi the London composer and publisher had heard about the première of the Violin concerto and probably sensed its potential. He asked Beethoven for a Piano version which was actually also published in 1808 at thesame time as the original. Several important cadenzas had been especially composed for it; the one for the first movement is accompanied by the Timpani a unique and original touch! Our edition (Piano reduction and study score)contains the text from the recently published volume in the Complete Edition of Beethoven’s Works.
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| Robert Schumann: Romances
For Oboe And Piano Op.94:
Oboe: Instrumental Work Oboe, Piano (duet) [Sheet music] - Intermediate/advanced G. Henle
En 1849 Schumann fit cadeau d??uvres de musique de chambre ? trois instruments ...(+)
En 1849 Schumann fit cadeau d??uvres de musique de chambre ? trois instruments ? vent: la clarinette avec les ?Trois pi?ces de fantaisie? op. 73 le cor avec l??Adagio et Allegro? op. 70 ainsi que le hautbois avec les fameuses ?Trois romances? op. 94 pr?sent?es ici. La premi?re romance adopte le ton plaisant d?une ballade en la mineur. La deuxi?me en la majeur s?apparente ? une romance sans paroles. Avec ses motifs d?appel et ses arp?ges au piano le finale ?voque les po?mes alors tr?s en vogue du nord de l?Europe. Compos?es en d?cembre 1849 ces romances furent offertes par Schumann ? sa femme Clara en guise de cadeau de No?l. Ce manuscrit n?est pas parvenu ? la post?rit? mais nous avons pu nous appuyer sur des esquisses manuscrites pour la pr?paration de l??dition urtext. Celle-ci corrige quelques erreurs de la premi?re ?dition de 1851. Pr?face et remarques de l??diteur donnent de plus amples informations quant aux sources et aux questions relatives ? la partition.
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| Carl Maria von Weber:
Clarinet Concerto No. 2 E
Flat Major Op. 74:
Clarinet: Clarinet and Piano G. Henle
Klavierauszug-Now the Concertino and the First Clarinet Concerto are about to be...(+)
Klavierauszug-Now the Concertino and the First Clarinet Concerto are about to be followed by Weber?s Second Concerto in E-Flat Major edited by Norbert Gertsch. Once again the Piano reduction contrasts the originalsolo part with the widely known version by Carl Bärmann (both parts are separately enclosed). The accompanying preface offers a detailed explanation of the importance of both versions and how they interrelate.
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| Ludwig van Beethoven:
Piano Trios Volume II:
Piano Trio: Study Score Piano Trio: piano, violin, cello [Study Score / Miniature] G. Henle
À l?époque classique et pendant une grande partie du 19e siècle les trios av...(+)
À l?époque classique et pendant une grande partie du 19e siècle les trios avec piano consti-tuaient pour ainsi dire des articles très tendance. Il n?est donc pas surprenant qu?après Haydn et Mozart Beethoven se soit lui aussi essayé à ce genre et ait laissé en tout 13 trios avec piano. Ce deuxième volume contient les deux trios avec piano op. 70 le trio op. 97 ainsi que les va-riations sur la chanson «Ich bin der Schneider Kakadu» op. 121a. Comme souvent le surnom de «Trio des esprits» du trio op. 70 no 1 ne lui a pas été attribué par Beethoven lui-même mais tient sans doute aux sonorités particulières un peu lugubres du mouvement lent. Le trio op. 97 est dit «del?archiduc» en référence à son dédicataire l?archiduc Rodolphe. Il s?agit certainement du trio avec piano de Beethoven le plus significatif mais aussi le plus long puisqu?il dure plus de 45 minutes. Bien que composé dès 1810/11 il ne fut publié qu?en 1816.
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| Ludwig van Beethoven:
Piano Trios Volume III:
Piano Trio: Study Score Piano Trio: piano, violin, cello [Study Score / Miniature] G. Henle
(Op. 44 37 38 39 48)-À l?époque classique et pendant une grande partie du ...(+)
(Op. 44 37 38 39 48)-À l?époque classique et pendant une grande partie du 19e siècle les trios avec piano constituaient en quelque sorte des articles de mode. Il n?est donc pas surprenant qu?après Haydn et Mozart Beethoven se soit lui aussi essayé à ce genre et ait laissé en tout 13 trios avec piano. Les ?uvres contenues dans ce volume III présentent presque toutes de petites particularités: l?op. 44 n?est pas un trio à part entière mais se compose d?un unique mouvement de variations le WoO 37 fut écrit alors que Beethoven se trouvait encore à Bonn et se distingue par son instrumentation (piano flûte et basson) le WoO 39 fut écrit pour la petite Maximiliane fille de la famille Brentano «pourl?encourager à jouer du piano» l?op. 38 est une adaptation pour piano clarinette et violoncelle du septuor op. 20 et le dernier morceau n?est parvenu à la postérité que sous la forme figurant dans le cahier d?esquisses utilisé par Beethoven lorsqu?il était à Bonn. Aucune de ces ?uvres n?a l?envergure de ses grands trios avec piano mais elles restent néanmoins des témoins de son grand art.
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| Robert Schumann: Piano
Quartet In E Flat Op. 47:
Piano Quartet: Score and
Parts Piano Quartet: piano, violin, viola,
cello [Score and Parts] G. Henle
?In the evening we played Robert?s E-Flat Major Quartet for the first time ? and...(+)
?In the evening we played Robert?s E-Flat Major Quartet for the first time ? and I was once again truly delighted at this beautiful and so youthful work? enthused Clara Schumann in 1842. Inpreparation for this work Schumann had studied String quartets by the Viennese Classical composers. This is why all of the parts in the quartet are treated equally forming a splendid ensemble. Our edition has anextensive critical commentary on account of the difficult source situation. The fold-out page in the Cello part was designed with music practice in mind. The Piano Quartet and the Piano quintet op. 44 referred toas ?sister works? were both composed in Schumann?s ?chamber music year?. For this reason we were publishing them both in the 2006 ?Schumann Year?.
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| Franz Joseph Haydn:
String Quartets Volume
III Op.17: String
Quartet: Study String Quartet: 2 violins, viola,
cello G. Henle
String Quartets Book III op. 17-The autograph score of the Quartets op. 17 was i...(+)
String Quartets Book III op. 17-The autograph score of the Quartets op. 17 was in the possession of the imperial police chief Johann Nepomuk Neuwirth whose widow gave it to the Wiener Gesellschaft der Musikfreunde in 1875. It is said that Haydn ?used to playthe viola in quartet rehearsals? at the Neuwirth?s house. Whether the Quartets op. 17 were composed for these gatherings can no longer be ascertained. However even today they still have a fixed place amongst the music of allchamber music friends and in particular nos. 4 5 and 6 which are very different to the divertimento style of the early quartets are played again and again.
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| Franz Liszt: Années De
Pèlerinage - Troisième
Année: Piano:
Instrumental Album Keyboard [Sheet music] G. Henle
Années de Pèlerinage Troisième Année-In 1883 the third volume of Années de...(+)
Années de Pèlerinage Troisième Année-In 1883 the third volume of Années de Pèlerinage was published. Whereas the pieces in Volumes I and II were recollections of early travels in Switzerland and Italy the new works composed between 1867 and1877 were more of a religious pilgrimage. Some parts already reflect Liszt?s austere later compositional style. With the visionary Jeux d?eaux la Villa d?Este on the other hand he almost enters the world ofImpressionist sounds (it inspired Ravel to write his Jeux d?eau). The Bible quotation about the ?water of life? contained in a footnote leaves no doubt as to the spiritual dimension of the piece (also available in a separateedition HN 983).
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| Ludwig van Beethoven:
Piano Quartets: Piano
Quartet: Score and Parts Piano Quartet: piano, violin, viola,
cello G. Henle
Piano Quartets-Il est fort regrettable que Beethoven n?ait composé que quatre q...(+)
Piano Quartets-Il est fort regrettable que Beethoven n?ait composé que quatre quatuors avec piano car ces quatre opus font partie des ?uvres les plus appréciées du genre. Trois d?entre eux les quatuors WoO 36 furent composés alors que Beethoven était encore à Bonn et comptent parmi ses meilleures ?uvres de jeunesse. Bien qu?ils soient encore animés de l?esprit mozartien ils por-tent déjà la patte personnelle de Beethoven. La réutilisation du mouvement lent du troisième quatuor dans sa première sonate pour piano op. 2 no 1 témoigne de l?affection que le compositeur continua à leur porter par la suite. Le quatrième quatuor est une autre version du quintette avec instruments à vent op.16.
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| Johannes Brahms: Johannes
Brahms - Complete Works:
Chamber Ensemble: Score Quintettes à Cordes et
Quintette avec Clarinette G. Henle
Series 2: Chamber Music Vol. 2
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| Gabriel Fauré: Violin
Sonata No.2 E Minor
Op.108: Violin:
Instrumental Work Violin and Piano G. Henle
Violin Sonata no. 2 e minor op. 108-Fauré?s 2nd Violin Sonata was written in 19...(+)
Violin Sonata no. 2 e minor op. 108-Fauré?s 2nd Violin Sonata was written in 1916 in Evian and Paris the first in a series of chamber music works. It is thus one of Faure?s late works characterised by austerity introspectionand the intensity of its expression.It is hard to imagine a greater contrast to the brilliant and ornamental style of the virtuosic 1st Violin Sonata (HN 980) published 40 years earlier. The 2nd Sonata concentrates on theessentials and on closer contact turns out to be a fascinating composition that harmonically explores the limits of tonality delving deep into the ?Modernism? of the 1920s.
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| Wolfgang Amadeus Mozart:
Horn Quintet In E flat
K.407: Ensemble: Parts Horn and String Quartet (Quintet) [Sheet music] G. Henle
With parts for Horn in E flat and F.-With parts for Horn in E flat and F.We not ...(+)
With parts for Horn in E flat and F.-With parts for Horn in E flat and F.We not only owe three of Mozart's horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him. Instead ofhaving two violins the accompanying string quartet has two violas which complement the dark and warm timbre of the horn and lend the work a unique tonal effect. Echoes of motives from the 'Abduction from the Seraglio' allow usto suppose that it was composed around the same time as the Singspiel. As the autograph is missing this edition is based on the first edition. In addition the critical apparatus provides a careful evaluation of the secondarysources affording important insights into Mozart's intentions.
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| Italienische Violinmusik
der Barockzeit 2: Violin:
Instrumental Album [Sheet music] G. Henle
Les sonates en solo composées en Italie à partir des premières décennies du ...(+)
Les sonates en solo composées en Italie à partir des premières décennies du 17e siècle se distinguent par leur virtuosité instrumentale et l?originalité de la pensée baroque dont elles sont traversées. Ces deux aspects ont été pris en compte dans le choix des morceaux figurant dans cette série fascinante de recueils de musique italienne pour violon de la période baroque. Outre des sonates pour violon des maîtres italiens Arcangelo Corelli Antonio Vivaldi et Tomaso Albinoni le second volume de cette collection propose également la possibilité de découvrir des compositeurs encore méconnus notamment Carlo Farina et Michel Mascitti qui ont été les émissaires de la musiqueitalienne pour violon en Allemagne et en France. L?édition urtext permet une vision claire de quelques-uns des bijoux de la période baroque.
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| Ludwig van Beethoven:
Complete Bagatelles Opus
33 119 126: Piano:
Instrumental Piano solo G. Henle
Complete Bagatelles-The present volume contains the complete Bagatelles of Beeth...(+)
Complete Bagatelles-The present volume contains the complete Bagatelles of Beethoven which are here reproduced according to the edition of the Pianoforte works already issued by the same publisher (HN12). Progressingfrom his youthful works we here learn to know the Beethoven of the ‘middle’ period as manifested let us say in the virtuosity and power of the Bagatelles op. 33 nos. 5 and 7. In the Bagatelles op. 119 and 126 thesimple humanity and goodness of the ‘late’ Beethoven then speak to us in a conclusive form. This edition closely follows Beethoven’s manner of notation. In distributing the notes betweenthe two staves exactly as in the autographs (that is by abandoning the usual and more convenient change of clef which disturbs the visual uniformity of the notation) the vertical tonal connections and relationships are now moreeasily perceptible of the eye.
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| Johannes Brahms: Violin
Concerto D major op. 77:
Violin: Score Orchestra, Violin [Study Score / Miniature] G. Henle
Brahms h?sita longtemps avant d??crire un concerto de soliste pour un instrument...(+)
Brahms h?sita longtemps avant d??crire un concerto de soliste pour un instrument dont il ne ma?trisait que tr?s peu la technique. C?est pourquoi lorsqu?il composa son concerto pour violon et orchestre op. 77 dans les ann?es 1877/1878 ce fut en collaboration ?troite avec son ami Joseph Joachim qui est ?galement l?auteur de la cadence. Ses contemporains accueillirent l??uvre avec enthousiasme et elle reste consid?r?e aujourd?hui comme une pi?ce majeure du r?pertoire. Une ?dition urtext dans un petit format maniable destin? ? l??tude s?av?re par cons?quent tr?s utile. Reposant sur la partition parue dans la nouvelle ?dition compl?te des ?uvres de Brahms elle contient?galement en annexe la cadence de Joachim dans deux versions diff?rentes: d?une part la version originale et d?autre part une version tr?s int?ressante plus condens?e mise au point par Brahms ult?rieurement avec la violoniste Marie Soldat.
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| Johannes Brahms: 3
Intermezzi Op. 117:
Piano: Instrumental Work Keyboard [Sheet music] G. Henle
Three Intermezzi op. 117-The three popular Intermezzi Op. 117 can be seen as the...(+)
Three Intermezzi op. 117-The three popular Intermezzi Op. 117 can be seen as the epitome of Brahms? late work for Piano. Clara Schumann confessed: ?In these pieces I at last feel musical life stir once again inmy soul?. Brahms reacted as he often did in a rather brusque manner. Although he sometimes described the three Intermezzi as being ?Wiegenlieder? (lullabies) he formally rejected this title: ?It should thensay lullaby of an unhappy mother or of a disconsolate bachelor.? The new edition of these moderately difficult Intermezzi has now been revised following the musical text of the Brahms Complete Edition and hasfingerings by Andreas Boyde.
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| Ludwig van Beethoven:
String Quartet In F Major
Op.135: String Quartet:
Study String Quartet: 2 violins, viola,
cello [Study Score / Miniature] G. Henle
String Quartet F major op. 135-Beethoven’s Op. 135 one of the last works...(+)
String Quartet F major op. 135-Beethoven’s Op. 135 one of the last works he composed is equally famous for its compositional clarity and for the inadequacy of previous editions. The problem lies in the surviving sources forBeethoven’s autograph score contains a great many contradictions compared to his autograph set of parts. In 1827 after Beethoven’s death the German publisher of the first edition posthumously ironed out thesediscrepancies as he saw fit and later editions simply adopted his interventions. Rainer Cadenbach’s volume is the first attempt to produce an authoritative text for Op. 135. Beethoven’s contradictoryformulations are laid bare allowing musicians to make their own decisions.
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| Ludwig van Beethoven:
Chorwerke mit Orchester
(Clothbound): Mixed
Choir: Score G. Henle
Wissenschaftliche Ausgabe
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