G-Henle - Cello, Piano

Alongside Bach’s Solo Suites a further highlight for cellists are Beethoven’s five Cello Sonatas. They were published between 1797 and 1817 and thus cover a large part of Beethoven’s compositional lifetime mirroring important stages of his musical development. This revised edition incorporates the findings contained in the critical report of the Beethoven Complete Edition which was compiled at the same time. The Urtext edition hasbeen re-engraved but the proven page layout of the previous edition has been preserved. The renowned cellist David Geringas provided completely new fingerings and bowings for the cello part which also has excellent page turns.An unmarked Urtext part is also included.

Par ELGAR EDWARD. / Date parution : 2022-10-12/ Répertoire / Violoncelle et Piano

Sonata in F major op. 6 for Violoncello and Piano. Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata op. 6 numbers among the most mature works of chamber music from Strauss? early ?uvre. The influences of Mendelssohn, Schumann, and Brahms are noticeable, while leaving sufficient space for a very personal tonal language, often with surprising rhythmic and harmonic turns of phrase. Strauss subjected the first version completed in early 1881 to a radical revision over the winter of 1882/83; the opening movement was thoroughly reworked, the two subsequent movements rewritten completely. It was worth it, because after the premiere in Dresden, the composer wrote to his mother, ?My sonata garnered extraordinary acclaim, the applause was enormous, congratulations came to me from all sides.?

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Brahms Johannes et éditée par Henle cette partition est idéale pour les joueurs de Violoncelle. Si l'instrumentation Violoncelle Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Violoncelle Et Piano / Partition

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Brahms Johannes et éditée par Henle cette partition est idéale pour les joueurs de Violoncelle. Si l'instrumentation Violoncelle Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Violoncelle Et Piano / Chanson En Séparée

Par KISSIN EVGENY. with marked and unmarked string parts/ Répertoire / Violoncelle et Piano

Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.

Charles-Joseph Lebouc organised the première of this work and also played the cello part. With the composer's permission he then adapted this sonorous romance accompanied by two pianos in the original for Violoncello and onePiano.Henle are presenting the first ever Urtext edition of this popular cello work. The second Piano part is reproduced in small print thus permitting a comparison of the two versions. Two Cello parts are provided onewith markings and one without.

Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saëns showed a particular fondness for the Violoncello. He completed his first Cello Sonata in December 1872 immediately after finishing his first Cello Concerto.The sonata is strongly reminiscent of Beethoven not only due to the key of c minor but also predominantly on account of its gripping dramatic art. The exceptional position of this demanding in parts highly virtuosicsonata was quickly recognised by the public and critics and so the work soon found its way into concert repertoire.?Henle's Urtext edition takes all surviving sources into account for the first time ever. PascalRogé and David Geringas kindly provided the markings for the Piano and Cello parts.

for Violoncello and Piano-After the great success of his Élégie (HN 563) Fauré?s publisher Hamelle urged him to write another similarly effective piece for cello and piano. Papillon was probably already composed in 1884 though it was only published in1898. Whereas Fauré just wanted to call it ?Piece for violoncello? his publisher insisted on a more evocative title and ultimately succeeded in giving it its present name (meaning ?butterfly?). But Fauré is said to have beenindignant remarking: ?Butterfly or dung fly use whatever you want?. The success of the work proved Hamelle right Papillon is today just as popular with cellists as the Élegie and is now available as a Henle Urtext edition.

for Violoncello and Piano-Camille Saint-Saëns' Sonata For Violoncello And Piano No. 2 In F Op. 123. Henle urtext edition with marked and unmarked string part. After Camille Saint-Saëns' firstCello sonata of 1872 (HN1057) gained fast popularity the publisher requested a second sonata for this scoring. It was only in March 1905 in the mild climate of Algeria that Saint-Saëns finally relented andcomposed a large sonata with four movements.  Saint-Saëns personally believed his Sonata For Violoncello And Piano No. 2 In F Op. 123 to be superior to his first and even thought itsthird movement the “Romanza” was an equivalent to the famous “Swan” in the “Carnival of the Animals” (HN943). Despite this the work is still overshadowed by the first sonata not leastbecause the second places greater technical and artistic demands on cellists. This Henle Urtext edition is the first ever text-critical edition of the work and offers cellists a chance to rediscover this composition.

All cellists are familiar with Debussy’s sonata which he only composed in 1915 three years before his death. Debussy had however already written two works for Violoncello and Piano in 1882 when hewas only 20 years old. They largely remained hidden from the public eye because the autograph of the “Intermezzo” – the sole source for this work – was inaccessible for decades. Today Henle Publishers arein the fortunate position of being able to present an Urtext edition of the “Intermezzo” also including the “Scherzo” that was posthumously published in 1995. The fingerings and bowings were provided byJeffrey Solow (Violoncello) and Eckart Sellheim (Piano).