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Violin and Piano
Barenreiter
Barenreiter
PIANO & KEYBOARDS
1 Piano, 4 hands
65
1 Piano, 6 hands
1
2 Pianos, 3 hands
1
2 Pianos, 4 hands
71
3 Pianos
2
Flute, Harp en Piano
1
Harpsichord
86
Harpsichord and Strings
8
Keyboard
56
Organ
938
Organ and Orchestra
35
Organ, Percussion
2
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6
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2
Piano and Orchestra
253
Piano Quartet: piano, violin, viola, cello
13
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1
Piano Quintet: piano, 2 violins, viola, cello
14
Piano Quintet: piano, violin, viola, cello, double bass
2
Piano solo
1037
Piano Trio: mixed chamber instrumentation
2
Piano Trio: piano, violin, cello
51
Piano Trio: Violin, Viola, Piano
1
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161
Solo instrument and Organ
12
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26
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9
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139
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3
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235
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7
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53
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757
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17
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23
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48
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8
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108
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60
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4
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54
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49
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77
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161
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27
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21
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2
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15
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31
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6
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30
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7
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6
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5
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2
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6
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13
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9
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23
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33
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7
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103
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7
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7
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8
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623
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6
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7
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21
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1
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24
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6
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184
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58
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116
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14
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23
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2
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2
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3
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1
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72
Double bass, Piano (duet)
8
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1
Flute and Strings Trio
1
Flute Quartet: Flute, Violin, Viola, Cello
7
Flute, Cello, Piano (trio)
2
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1
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1
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2
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4
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10
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2
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1
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4
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2
Guitar, String Quartet
1
Harp
24
Harp and Piano
1
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1
Harp, Orchestra
5
Harpsichord and Strings
8
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1
Oboe, Violin, Piano
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Piano Quartet: piano, violin, viola, cello
13
Piano Quintet: piano, 2 violins, viola, cello
14
Piano Quintet: piano, violin, viola, cello, double bass
2
Piano Trio: piano, violin, cello
51
Piano Trio: Violin, Viola, Piano
1
String Orchestra
58
String Quartet: 2 violins, viola, cello
338
String quartet: 4 violins
1
String quintet
5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
String Quintet: 2 violins, 2 violas, cello
4
String Quintet: 2 violins, viola, 2 cellos
1
String Quintet: 2 violins, viola, cello, bass
8
String trio
4
String Trio: 2 violins, cello
6
String Trio: 2 violins, viola
4
String Trio: 3 violins
5
String Trio: violin, viola, cello
20
Vibraphone, Marimba and Cello
1
Viola
268
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1
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4
Viola da Gamba
3
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2
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1
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2
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2
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3
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55
Violin
387
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4
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280
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19
Violin, Cello (duet)
15
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1
Violin, Clarinet, Piano (trio)
1
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1
Violin, Horn and Piano
3
Violin, Organ
6
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10
Violin, Viola and Orchestra
2
Violin, Violoncello and Doublebass
1
Violoncello, Basso continuo
14
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1
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21
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1
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2
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4
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3
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1
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2 Oboes, 2 Horns and 2 Bassoons
1
Bassoon, Orchestra
7
Brass ensemble, Organ
2
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1
Cello, Orchestra
58
Chamber Orchestra
23
Choral, Orchestra
60
Clarinet, Orchestra
12
Concert band
5
Concert band, Choral
16
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1
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2
Flute, Orchestra
25
Guitar Ensemble
3
Guitar, Orchestra
2
Harp, Orchestra
5
Horn and Orchestra
25
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1
Oboe and Orchestra
8
Oboe, Clarinet, Bassoon and Piano
1
Orchestra
1393
Orchestra, Violin
126
Organ and Orchestra
35
Organ, Mixed Choir and Orchestra
3
Piano and Orchestra
253
Piano Quintet: mixed chamber instrumentation
1
Piano Trio: mixed chamber instrumentation
2
Pocket, Study conductor
66
Recorder Ensemble
4
Saxophone and Orchestra
2
School Ensemble
1
Soli and Orchestra
22
Soli, Mixted choir and accompaniment
623
Soprano voice, Orchestra
1
String Orchestra
58
String quintet
5
Symphonic Band
99
Trombone and Orchestra
2
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1
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4
Violin (band part)
4
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14
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12
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Flausino Vale: 28 preludes for solo violin (28 prelúdios para violino só): complete scores edited by Dr Zoltan Paulinyi in English and Portuguese (partituras editadas integralmente, em inglês e português).
Flausino Vale: 28 preludes for solo violin (28 prelúdios para violino só): complete scores edited by Dr Zoltan Paulinyi in English and Portuguese (partituras editadas integralmente, em inglês e português).
14.05€
$15.00
#
Violin and Piano
#
Flausino Vale
#
Zoltan Paulinyi
Handel: Largo from Xerxes for Violin & Piano
Handel: Largo from Xerxes for Violin & Piano
30.85€
$32.95
#
Violin and Piano
#
George Frideric Handel
#
jmsgu3
70 Easy Classical Pieces For Violin and Piano
70 Easy Classical Pieces For Violin and Piano
28.05€
$29.95
#
Violin and Piano
#
Various
#
Eugene Egorov
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Barenreiter - Violin and Piano
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Concerto in D major for Violin and Orchestra
Violin and Piano
[Vocal Score]
Barenreiter
By Johannes Brahms. Edited by Brown, Clive. For Violin Solo, piano. Piano Reduct...
(+)
By Johannes Brahms. Edited by Brown, Clive. For Violin Solo, piano. Piano Reduction/Vocal Score; Urtext Edition. Op. 77. Published by Baerenreiter-Ausgaben (German import). (BA9049 90)
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Wolfgang Amadeus Mozart: Sonatas For Violin And Piano - Mannheim, Paris, Salzburg
Violin and Piano
[Set of Parts]
Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Eduard Reeser. Set of...
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Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Eduard Reeser. Set of performance parts (includes separate pull-out violin part) for violin and piano. Urtext of the New Mozart Edition. With solo part, piano accompaniment, thematic index and introductory text. 146 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006456307.
(3)
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Wolfgang Amadeus Mozart: Violin Concerto In D Major, K. 218
Violin and Piano
[Set of Parts]
Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Christoph Hellmut Mah...
(+)
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Christoph Hellmut Mahling. K. 218. For violin and piano. Urtext of the New Mozart Edition. Format: set of performance parts (includes separate pull-out violin part). With solo part, piano reduction, cadenzas and performance notes. Classical Period. D Major. 73 pages. 9x12 inches. Duration 2230h. Published by Baerenreiter-Ausgaben (German import).
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Johann Sebastian Bach: Violin Concerto In A Minor, BWV 1041
Violin and Piano
[Set of Parts]
Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Dietrich Kilian. BWV 10...
(+)
Composed by Johann Sebastian Bach (1685-1750), edited by Dietrich Kilian. BWV 1041. For violin and piano. Urtext of the New Bach Edition. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. Baroque. A Minor. 26 pages. 9x12 inches. Duration 15m. Published by Baerenreiter-Ausgaben.
(1)
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Vittorio Monti: Czardas
Violin and Piano
[Reduction]
-
Easy
Barenreiter
By Vittorio Monti (1868-1922). Edited by Kurt Sassmannshaus. For Violin, Piano. ...
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By Vittorio Monti (1868-1922). Edited by Kurt Sassmannshaus. For Violin, Piano. Baerenreiter's Easy Concertos. Piano reduction, Single part. Published by Baerenreiter Verlag
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Wolfgang Amadeus Mozart: Violin Concerto In A Major, K. 219
Violin and Piano
[Set of Parts]
Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Christoph Hellmut Mah...
(+)
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Christoph Hellmut Mahling. K. 219. Set of performance parts (includes separate pull-out violin part) for violin and piano. Urtext of the New Mozart Edition. With solo part, piano reduction and introductory text. A Major. 69 pages. Published by Baerenreiter-Ausgaben (German import).
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Johann Sebastian Bach: Violin Concerto In E Major, BWV 1042
Violin and Piano
[Set of Parts]
Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Dietrich Kilian. BWV 10...
(+)
Composed by Johann Sebastian Bach (1685-1750), edited by Dietrich Kilian. BWV 1042. For violin and piano. Urtext of the New Bach Edition. Format: set of performance parts (includes separate pull-out violin part). With solo part, piano reduction and introductory text. Baroque. E Major. 32 pages. 9x12 inches. Duration 18m. Published by Baerenreiter-Ausgaben.
(2)
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First Encounter with the Masters
Violin and Piano
Barenreiter
14 little Pieces in first position
. Composed by Josef Micka. Czech title:...
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14 little Pieces in first position
. Composed by Josef Micka. Czech title: Prvni setkani s mistry. Teaching Manuals. Performance score, part(s). With Publication language: Czech. 19 pages. Editio Baerenreiter Praha #H03089. Published by Editio Baerenreiter Praha (PA.H03089).
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Concerto for Violin and Orchestra in E Minor, Op. 64
Violin and Piano
[Reduction]
Barenreiter
Second Version 1845
. Composed by Felix Bartholdy Mendelssohn (1809-1847)....
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Second Version 1845
. Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Todd, R. Larry / Brown, Clive. This edition: urtext edition. Stapled. Barenreiter Urtext. Late version. Vocal score, Part(s). Opus 64. Duration 12 hours. Baerenreiter Verlag #BA09099-90. Published by Baerenreiter Verlag (BA.BA09099-90).
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Sonata for Violin and Piano D minor op. 108
Violin and Piano
[Score and Parts]
-
Intermediate
Barenreiter
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...
(+)
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa. For violin and piano. This edition: Urtext edition. Stapled. Level 3. Score with parts. Text Language: English/German. Opus 108. Published by Baerenreiter Verlag
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Popular Movie Hits for Violin and Piano
Violin and Piano
[Score|Part]
-
Easy
Barenreiter
Edited by George A. Speckert. For violin and piano. This edition: stapled. Antho...
(+)
Edited by George A. Speckert. For violin and piano. This edition: stapled. Anthology. Ready to Play series. Level 3. Score and part. Text Language: German, English. 19/16 pages. Published by Baerenreiter Verlag
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Antonio Vivaldi: The Four Seasons - Violin and Piano
Violin and Piano
[Set of Parts]
Barenreiter
Composed by Antonio Vivaldi (1678-1741), edited by Christopher Hogwood. For viol...
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Composed by Antonio Vivaldi (1678-1741), edited by Christopher Hogwood. For violin and piano. Urtext. Format: set of performance parts (includes separate pull-out violin part). With solo part, piano reduction, introductory text and performance notes. Baroque. 75 pages. 9x12 inches. Duration 46m. Published by Baerenreiter-Ausgaben.
(1)
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Fantasia D 934
Violin and Piano
[Score and Parts]
-
Intermediate
Barenreiter
Urtext der Neuen Schubert-Ausgabe. By Franz Schubert. Edited by Wirth, Helmut. F...
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Urtext der Neuen Schubert-Ausgabe. By Franz Schubert. Edited by Wirth, Helmut. For Violin, Piano. Playing Score; Single Part; Urtext Edition (paperbound). Op.post.159. Published by Baerenreiter-Ausgaben (German import).
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Im Zoo - At the Zoo - Au Zoo
Violin and Piano
Barenreiter
(fur Geige und Klavier - for violin and piano - pour violon et piano). By Romual...
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(fur Geige und Klavier - for violin and piano - pour violon et piano). By Romuald Twardowski; Antoni Cofalik. For Violin, Piano. Score; Single Part
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Sonate / Andantino quietoso op. 6 / Melancolie for Piano and Violin
Violin and Piano
[Score and Parts]
Barenreiter
Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris....
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Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. This edition: urtext edition. Paperback. With an introduction by Gudula Schutz. Score and part. Published by Baerenreiter Verlag (BA.BA9425).
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Violin Recital Album First Position, Volume 1
Violin and Piano
Barenreiter
(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edite...
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(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag
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Sonata for Violin and Piano A major op. 100
Violin and Piano
Barenreiter
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...
(+)
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa. For violin and piano. This edition: Urtext edition. Stapled. Level 3. Score with parts. Text Language: English/German. Opus 100. Published by Baerenreiter Verlag
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Romantic Pieces for Violin and Piano op. 75
Violin and Piano
-
Easy
Barenreiter
Composed by Antonin Dvorak (1841-1904). Edited by Antonin Pokorny / Karel Solc. ...
(+)
Composed by Antonin Dvorak (1841-1904). Edited by Antonin Pokorny / Karel Solc. For violin and piano. Stapled. Level 3. Performance score, part(s). Text Language: English/Czech/German. Opus 75. Published by Baerenreiter Verlag
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Wolfgang Amadeus Mozart: Violin Concerto In G major, K. 216
Violin and Piano
[Set of Parts]
Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Christoph Hellmut Mah...
(+)
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Christoph Hellmut Mahling. K. 216. For violin and piano. Urtext of the New Mozart Edition. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. Classical Period. G Major. 43 pages. 9x12 inches. Duration 24m. Published by Baerenreiter-Ausgaben (German import).
(3)
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Johann Sebastian Bach: 6 Violin Sonatas, Volume 1 (I-III)
Violin and Piano
[Set of Parts]
Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Rudolf Gerber. For viol...
(+)
Composed by Johann Sebastian Bach (1685-1750), edited by Rudolf Gerber. For violin (or viola da gamba - extra part included) and piano (or harpsichord). Urtext of the New Bach Edition. Format: set of performance parts (includes separate pull-out violin and viola da gamba parts). With solo part, piano accompaniment and introductory text. Baroque. 89 pages. 9x12 inches. Published by Baerenreiter-Ausgaben (German Import).
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Compositions for Violin and Piano
Violin and Piano
Barenreiter
By Suk Josef. For violin and piano. Violin. Teaching Manuals. Teaching material
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Konzert d-Moll fur Violine Streicher und Basso continuo - Concerto in D minor for Violin, Strings and Basso continuo
Violin and Piano
[Reduction]
Barenreiter
Rekonstruktion nach BWV 1052 - Reconstructed from BWV 1052. By Johann Sebastian ...
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Rekonstruktion nach BWV 1052 - Reconstructed from BWV 1052. By Johann Sebastian Bach. Edited by Fischer, Wilfried; Sommer, Jurgen. For Violin Solo, strings, basso continuo. Piano Reduction/Vocal Score; Urtext Edition. Duration 25. Published by Baerenreiter-Ausgaben (German import). (BA5144 90)
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Sonata Movement from the F.A.E. Sonata for Violin and Piano C minor WoO 2
Violin and Piano
[score with parts]
Barenreiter
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...
(+)
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa. For violin and piano. This edition: Urtext edition. Stapled. From the F.A.E. Sonata. Level 3. Score with parts. Text Language: English/German. WoO 2. Published by Baerenreiter Verlag
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Concerto for Violin and Orchestra
Violin and Piano
Barenreiter
Concerto fur Violin and Orchestra D major op. 61 by Ludwig van Beethoven (1770-1...
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Concerto fur Violin and Orchestra D major op. 61 by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arranged by Martin Schelhaas. For solo violin, piano (solo violin/flute/2 oboes/2 clarinets/2 bassoons/2 horns/2 clarin trumpets/timpani/2 violins/viola/cello/double bass). This edition: Stapled, Urtext edition. Gleichzeitig auch Auffuhrungsmaterial fur BA 9013. Piano reduction, Part(s). Opus 61. 48/22/22 pages. Duration 42'. Published by Baerenreiter Verlag
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Wolfgang Amadeus Mozart: Violin Concerto In Bb Major, K. 207
Violin and Piano
[Set of Parts]
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Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Christoph Hellmut Mah...
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Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Christoph Hellmut Mahling. K. 207. Set of performance parts (includes separate pull-out violin part) for violin and piano. Urtext of the New Mozart Edition. With solo part and piano reduction. Bb Major. 43 pages. Published by Baerenreiter-Ausgaben (German import).
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Sonatas for Violin and Piano - Late Viennese Sonatas
Violin and Piano
[Score and Parts]
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4 Violinsonaten KV 454, 481, 526, 547. Urtext der Neuen Mozart-Ausgabe. By Wolfg...
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4 Violinsonaten KV 454, 481, 526, 547. Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Reeser, Eduard. For Violin, Piano. Playing Score; Single Part; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import).
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Concerto for Violin and Orchestra in E Minor, Op. 64
Violin and Piano
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Second Version 1845; with separate commentary on performance practice
. Co...
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Second Version 1845; with separate commentary on performance practice
. Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Todd, R. Larry / Brown, Clive. This edition: urtext edition. Stapled. Barenreiter Urtext. Late version. Vocal score, Part(s), book. Opus 64. Duration 12 hours. Baerenreiter Verlag #BA09099-93. Published by Baerenreiter Verlag (BA.BA09099-93).
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Antoni Cofalik: At the Zoo for Violin and Piano: Violin: Score and Parts
Violin and Piano
[Sheet music]
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for Violin and Piano-15 character-pieces about animals from the zoo. For young v...
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for Violin and Piano-15 character-pieces about animals from the zoo. For young violinists in their first two years with piano accompaniment. The kangaroo vividly jumps up and down beavers are nibbling tireless and the crocodile dexterously sneaks through the legato.
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Sonate Nr. 1 in d-Moll op. 75 (SAINT-SAENS CAMILLE)
Violin and Piano
[Sheet music]
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Par SAINT-SAENS CAMILLE. The second half of the 19th century represented somethi...
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Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: Influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.1 was incorporated into the repertoire of numerous late 19th-century violinists soon after it was written. It was also this sonata which inspired Marcel Proust when he wrote about the fictional sonata by the composer Vinteuil in his novel ?À la recherche du temps perdu?. This performing edition edited by Fabien Guilloux and François de Médicis is based on the musical text from ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4 in which Saint-Saëns? lengthy corrections of the Durand first edition as well as the autograph sources have been meticulously evaluated. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-29/ Répertoire / Violon et Piano
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Sonata No 2 for Violin and Piano (SAINT-SAENS CAMILLE)
Violin and Piano
[Sheet music]
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In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th cen...
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In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months by the composer in Egypt: he began the main themes of all four movements as well as the canonic trio in Luxor and Aswan. The sonata was then completed on the Nile journey back to Cairo. That same year the sonata was premiered by Saint-Saëns and Pablo Sarasate in a concert celebrating the composer?s fiftieth stage anniversary. Astoundingly, he had first appeared on stage when he was only ten years old. This performing edition edited by Fabien Guilloux and François de Médicis is based on ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4. It reflects the most up-to-date state of research on this work which the edition presents in a spacious engraving. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-08/ Répertoire / Violon et Piano
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The Girl with Blue Eyes (SEVCIK OTAKAR)
Violin and Piano
[Sheet music]
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aus Böhmische Tänze und Weisen op. 10. Par SEVCIK OTAKAR. The Czech violinist ...
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aus Böhmische Tänze und Weisen op. 10. Par SEVCIK OTAKAR. The Czech violinist and eminent violin teacher Otakar ?evcÃk (1852?1934) is the author of a world-renowned violin school, and our publishing house offers a wide range of his educational works in new editions. ?evcÃk?s only work for concert performances is the series Czech Dances and Tunes op. 10 (1872). The first of these dances, The Girl with Blue Eyes, one of the most popular virtuoso violin compositions in Czech literature, is now being republished in an edition of its own. This paraphrase of a classic Czech folk song provides the soloist with the opportunity to showcase the full range of his or her technical abilities. / Date parution : 2022-04-26/ Répertoire / Violon et Piano
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RAVEL MAURICE - SONATE / BERCEUSE SUR LE NOM DE GABRIEL FAURE - VIOLON and PIANO
Français
Violin and Piano
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Ravel, Maurice
Sonata / Berceuse sur le nom de Fauré for Violin and Piano<...
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Ravel, Maurice
Sonata / Berceuse sur le nom de Fauré for Violin and Piano
- New scholarly-critical edition of Ravel?s famous sonata
- First scholarly-critical edition of the ?Berceuse sur le nom de Fauré?
- Foreword on the historical context and performance practice issues (Eng/Ger) as well as a Critical Commentary (Eng)
Ravel worked on his Sonata for Violin and Piano for four years (1923?1927) which was longer than he took for any other composition. According to the composer, the reason for his difficulties was the ?fundamental incompatibility? of these two instruments. However, the interplay between two quite different partners is precisely what makes this sonata so charming. The violin and piano are independent, sometimes playing alongside each other and at other times with each other: here in a lyrical Allegretto, there in a jazz-inspired second movement, finally in a ?perpetuum mobile? finale.
This new edition edited by Douglas Woodfull-Harris corrects numerous inconsistencies of earlier editions. It also includes the ?Berceuse sur le nom de Fauré? which is available for the first time in a scholarly-critical Urtext edition. This lullaby for violin and piano consists of variations on a theme derived from the letters of Fauré?s name. / Partitions classique / Cordes / Violon / BARENREITER
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Camille Saint-Saens: Works For Violin and Piano 1: Violin and Accomp.:
Violin and Piano
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Sonatas for Violin and Piano
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Clara Schumann: Drei Romanzen op. 22: Violin and Accomp.: Instrumental Album
Violin and Piano
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für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s m...
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für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s most popular chamber music works. For violinists and pianists, they?re also of particular importance due to the wealth of information by Schumann, Joseph Joachim, and Wilhelm Joseph von Wasielewski on fingering, bowing, and phrasing in these three pieces. While working on the composition and publication of the Romances op. 22, Schumann was in close contact with these two great violinists of the nineteenth century. She consulted Wasielewski while completing an early version of Romance no. 1, while Joachim was involved in a later, complete version and the preparation of the first edition. Jacqueline Ross? scholarly-critical edition is the first to include, in addition to the first edition, the numerous manuscript sources that survive today, such as: Schumann?s draft manuscript, presentation autographs for Wasielewski and Joachim, as well as copyists? parts once owned by the two violinists. This edition has two separate parts for the violin, allowing its use in two ways: first, as a straightforward Urtext edition: and second, as an edition informed by historical performing practice, supported by the detailed Performing Practice Commentary on nineteenth-century violin and piano technique.
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Thomas Daniel Schlee: Suite Op. 82: Violin and Accomp.: Instrumental Album
Violin and Piano
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Suite Op. 82
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Camille Saint-Saëns: Danse macabre op. 40: Violin and Accomp.: Instrumental Work
Violin and Piano
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Transcription for Violin and Piano by the Composer. In his symphonic poem ?Danse...
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Transcription for Violin and Piano by the Composer. In his symphonic poem ?Danse macabre? Saint-Saëns takes up a poem by Henri Cazalis that he had already set as an art song. Here the Devil brings the dead to life by playing his violin. Although the orchestral work was given a lukewarm reception in its early performances, or was even rejected, it became highly popular and internationally famous in the years that followed. Of the countless later arrangements and variations (e.g. by Franz Liszt), Saint-Saëns? own version for violin and piano stands out as particularly successful. Céline Drèze?s advance edition for a future volume of the ?Saint-Saëns Complete Edition of the Instrumental Works? is the first modern scholarly edition of this celebrated piece. This Urtext edition draws on the original print of the 1877 version, while eliminating its many misprints and anomalies on the basis of the autograph.
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Sonate Pour Piano Forte Et Violon Op. 24
Violin and Piano
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In May of 1802, the ?Allgemeine musikalische Zeitung? praised the violin sonatas...
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In May of 1802, the ?Allgemeine musikalische Zeitung? praised the violin sonatas op. 23 and 24 as being ?... among the best Beethoven has written, which is to say that they are among the best being written at all. The composer?s original, fiery and bold spirit ... becomes more and more apparent now ...? The time during which Beethoven composed his ?Spring Sonata?, which was to become increasingly popular during the course of the 19th century, was marked by a frantic surge of compositional creativity. ?I live only in my notes, and with one work barely finished, the other is already started; the way I write now I often find myself working on three, four things at the same time.?, he wrote in a letter to Wegeler on 29 June 1801. However during this time, Beethoven also suffered from the rapid deterioration of his hearing, a fact he was still trying to hide and that the enchanting ?Spring Sonata? certainly does not divulge.
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Sonate Pour Piano Forte Et Violon Op. 47
Violin and Piano
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An autograph fragment of the Violin Sonata op. 47 is titled, in Beethoven?s hand...
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An autograph fragment of the Violin Sonata op. 47 is titled, in Beethoven?s hand, ?Sonata mulattica composta per il mulatto Brischdauer, gran pazzo e compositore mulattico? ? meaning ?Mulatto Sonata composed for the mulatto Brischdauer, great madman and mulatto composer?. The genesis of the sonata, which was to become famous under the name ?Kreutzer Sonata?, is closely connected to a visit to Vienna by George Augustus Polgreen Bridgetower (1778?1860), a violinist with an Afro-Caribbean father and a European mother. In the language of that time, his descent made him a mulatto. Beethoven was apparently deeply impressed by Bridgetower's musicality and virtuosic abilities. However, when the sonata was published in 1805, he dedicated it to Rodolphe Kreutzer under the title ?Sonata per il Pianoforte ed uno violino obligato in uno stile molto concertante come d?un concerto?. The work ?in the style of a concerto? is probably Beethoven?s most demanding violin sonata and since the 19th century has formed part of the core repertoire of the great violin virtuosos.
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Sonates Pour Piano Forte Et Violon Op. 30
Violin and Piano
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Beethoven?s ten sonatas for piano and violin, along with those by Mozart, consti...
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Beethoven?s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart?s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown?s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today?s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven?s ?Tempo di Minuetto? from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach?s ?Versuch über die wahre Art das Clavier zu spielen? to denote a rest. This musical symbol, which was included in the first edition published during Beethoven?s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions; this denotes an arpeggiated chord.
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Sonates Pour Piano Forte Et Violon Op. 12
Violin and Piano
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Beethoven?s ten sonatas for piano and violin, along with those by Mozart, consti...
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Beethoven?s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart?s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown?s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today?s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven?s ?Tempo di Minuetto? from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach?s ?Versuch über die wahre Art das Clavier zu spielen? to denote a rest. This musical symbol, which was included in the first edition published during Beethoven?s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions; this denotes an arpeggiated chord.
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Sonatina For Violin And Piano (MARTINU BOHUSLAV)
Violin and Piano
[Sheet music]
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Par MARTINU BOHUSLAV. Sonatina for violin and piano was written in Paris in 1937...
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Par MARTINU BOHUSLAV. Sonatina for violin and piano was written in Paris in 1937.Thanks to its instructive character,it is a favourite part of the repertoire of violin novices. The violin part wasrevised byViktor Nopp. / Répertoire / Violon et Piano
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Sonatas for Pianoforte and Violin Volume I and Volume II (BEETHOVEN LUDWIG VAN)
Violin and Piano
[Sheet music]
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Par BEETHOVEN LUDWIG VAN. BeethovenÂ’s Sonatas for Pianoforte and Violin are now...
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Par BEETHOVEN LUDWIG VAN. Beethoven’s Sonatas for Pianoforte and Violin are now available at a special set price. The set consists of volume I (BA 9014) and volume II (BA 9015). Beethoven’s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart’s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown’s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today’s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven’s “Tempo di Minuetto” from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach’s “Versuch über die wahre Art das Clavier zu spielen” to denote a rest. This musical symbol, which was included in the first edition published during Beethoven’s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions - this denotes an arpeggiated chord./ Recueil / Violon et Piano
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Concerto For Violin And Orchestra A Minor Op. 53 Piano Reduction
Violin and Piano
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Intermediate
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First Urtext edition of the original piano reductionViolin/piano score with a se...
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First Urtext edition of the original piano reductionViolin/piano score with a separate Urtext solo violin partWith optimal page turns in the solo violin part by means of a fold-out page and vacat pagesForeword by the editor (Cz/Eng/Ger) Critical Commentary (Eng) by the editor / Violon Et Piano
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Concerto For Violin, Strings And Basso Continuo G Minor (BACH JOHANN SEBASTIAN)
Violin and Piano
[Sheet music]
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Reconstructed from BWV 1056. Par BACH JOHANN SEBASTIAN. This violin concerto in ...
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Reconstructed from BWV 1056. Par BACH JOHANN SEBASTIAN. This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach's arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056). The reconstruction is based on a meticulous evaluation of those autograph harpsichord concertos that also survive in an original version for violin. In particular, the autograph harpsichord parts contain changes that Bach made when preparing his arrangements, thereby revealing the manner in which he transcribed his solo violin works for the harpsichord. The keyboard realization is presented in a transparent way allowing players the possibility to embellish and fill in the harmonies at their discretion./ Répertoire / Violon et Piano
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Tschechisches Violin-Album. Hrsg Jan Vratislavský
Violin and Piano
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/ Violon Et Piano
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Skladby Pro Housle A Klavir - Kompositionen Für Violine Und Klavier - Compositions For Violin And Piano
Deutsch
Violin and Piano
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/ Violon Et Piano / Partition
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Polish Dance (SEVERN EDMUND)
Violin and Piano
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Easy
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Par SEVERN EDMUND. Edmund Severn (1862–1942) was an American composer and violi...
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Par SEVERN EDMUND. Edmund Severn (1862–1942) was an American composer and violinist. Born in England, he studied in various cities including Berlin and composed works for unaccompanied violin, orchestra and string quartet. “Polish Dance” is his best-known work. Written in the style of a mazurka, it is an invitation to this dance form with its distinctive local colour. Many ritardandos and rubatos add rhythmic spice: wide leaps, double stops and three-note chords ensure delightful melodic and harmonic turns. Expressive dynamics provide the necessary vim to this “Polish Dance”! / Niveau : 2 / Date parution : 2018-01-05/ Répertoire / Violon et Piano
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