Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music managed to retain little more than a marginal presence in the repertory of the great guitarists of the early twentieth century. The current revitalization of his work owes its origins to the monumental research begun by Thomas Heck in 1971 and continued by Ruggero Chiesa, Mario Torta, Marco Riboni, and Gerhard Pen. Thanks to the dedication of these scholars, Giuliani's music has progressively returned to its erstwhile prominence in the performing repertory. Giuliani wrote some 230 works, of which 150 carry opus numbers. They consist above all of pieces for solo guitar and a considerable quantity of chamber music for guitar and violin, flute, piano, or voice, as well as three guitar concertos. Based on the texts of the first published editions, the pieces in this collection have been revised only with the addition of fingering (according to the technique documented in Giuliani's method (Studio per la chitarra opus 1) and his Esercizio per la chitarra contenente 24 pezzi della maggiore difficoltà, diversi preludi passaggi ed assolo opus 48, published by Steiner in 1813) and the correction of obvious typographical errors. / 1 Ou 2 Guitare(s)

Mauro Giuliani - a leading guitar virtuoso of the first half of the 19th century was performer in the concert halls and salons of that era. Giuliani performed with such great virtuosi as Hummel Mayseder and others. K. M. von Weber reffering to his concert in Prague in the autumn of 1816 expressed the opinion that Giuliani had raised the status of the guitar to that of a concert instrument.Mauro Giuliani - a leading guitar virtuoso of the first half of the 19th century was performer in the concert halls and salons of that era. Giuliani performed with such great virtuosi as Hummel Mayseder and others. K. M. von Weber reffering to his concert in Prague in the autumn of 1816 expressed the opinion that Giuliani had raised the status of the guitar to that of a concert instrument.

édition critique et notes pour l'interprétation de Frédéric Zigante. Mauro Giuliani?s Rossiniane, published between 1821 and 1828, are a series of six musical potpourris entirely based on the music of Gioachino Rossini. The potpourri was one of the most popular instrumental genres of the early 1800s, an assembly of musical themes with different origins combined into a single composition. In the absence of the modern means of reproducing music, they had a very important function: of bringing music, most often created for the theatre, into the home. Some important points can be deduced from Giuliani?s epistolary exchanges: the first is that the Rossiniane were part of his own concert repertoire: the second is that Rossini was not only aware of the project which would bear his name, but also collaborated with Giuliani in some ways, providing him with some themes expressly composed for his works. The third is that Giuliani was well aware that these pieces represented a new development for his own compositions and for the musical panorama of the time, ?a hitherto-unknown style?. This edition of the Rossiniane is based on the contemporary musical sources that have come down to us. It is enhanced by some remarks on interpretation that should help towards making an accurate and coherent reading of this distinctive and original musical text.

Grimes David (Edtd And Comp). Par GRIMES DAVID. The studies of Mauro Giuliani (1781-1829) stand alongside those of Fernando Sor, Matteo Carcassi, Dionisio Aguado and Ferinando Carulli as the staples of the didactic pieces by the 'first generation' of classical guitarists. Giuliani was one of the most celebrated guitarists of his age, a brilliant performer and prolific composer. He left a legacy of compositions, and many of his works are heard regularly in recitals and concerts today. His student pieces are considered indispensable by generations of guitarists. The studies and exercises contained in the six opus numbers here provide some of the most effective material in the entire guitar literature for building and refining a superior technical command of the guitar. In this edition, David Grimes has modernized some of the notation and corrected a number of misprints from Giuliani's original publications. / Niveau : Tous Niveaux / Classic - Technic / Etude / Guitare Classique

Par GIULIANI MAURO. Here is a piece by Mauro Giuliani of great beauty and musical value that is within the reach of any guitar player. I have added my fingerings to this piece so that the guitar can sing beautifully while the player maintains natural hand positions. I hope you enjoy it as much as I have!'- Pepe Romero 'Here is a piece by Mauro Giuliani of great beauty and musical value that is within the reach of any guitar player. I have added my fingerings to this piece so that the guitar can sing beautifully while the player maintainsnatural hand positions. I hope you enjoy it as much as I have!' - Pepe Romero/ Répertoire / Guitare

Par GIULIANI MAURO. Rossiniana no 2 de Mauro Giuliani tirée de l?édition critique complète de Frédéric Zigante / Date parution : 2022-07-20/ Répertoire / Guitare Classique

Par GIULIANI MAURO. Mauro Giuliani's publication of his Sonata op.15 within the first few years of his arrival in Vienna met the standards of the sophisticated Viennese public and, with one stroke, profiled the guitar as an instrument and himself as a composer. Thus was born the three movement Sonata in C. This new edition will be of great interest to guitarists as, to this day, it remains unique in the repertoire/ Répertoire / Guitare

Mauro Giuliani est probablement inspirée de composer ces variations pour guitare après avoir assisté à la première viennoise de l'opéra de Boieldieu en 1818. Opéra thèmes étaient populaires dans le temps du Giuliani et ces pièces représentent sa propre contribution à ce genre. / Guitare

David Starobin performs 19 pieces by the 19th century’s greatest guitarist/composers; Fernando Sor and Mauro Giuliani. Featured are rarities including Giuliani’s Tarantella and Sor’sGalop.Starobin performs these works on a 1923 Herman Hauser Guitar a Guitar patterned after 19th century Viennese design. National Public Radio recently called Starobin 'More than a virtuoso Starobin is a champion for musical truth.'

Rossiniana no 1 de Mauro Giuliani tirée de l'édition critique complète de Frédéric Zigante (DF 01669600) / Partitions classique / Guitare - luth / Guitare / DURAND

Rossiniana no 4 de Mauro Giuliani tirée de l'édition critique complète de Frédéric Zigante (DF 01669600) / Partitions classique / Guitare - luth / Guitare / DURAND