A unique arrangement of the familiar hymn tune Madrid both the vocal lines and the accompaniment have their challenges but the results are worth the work!

A choral medley of the Broadway musical adaptation of the ever-popular Disney film The Lion King. This wonderfully woven medley has been arranged by Mark Brymer for 2-Part Choir with Piano accompaniment and features some of your favourite songs from the show including Circle of Life Hakuna Matata and Can You Feel the Love Tonight.This medley is also arranged for SATB and SAB Choir with a Show Trax CD of backing tracks and full performances also being available.

Soprano Accompaniment CDs-Soprano Volume 3. Two accompaniment Cd's in each package which match the books containing a collection of songs from the musical stage categorized by voice type. The selections are presented in their authentic settings excerpted from the original vocal scores.

The Veil of the Temple is a journey from darkness into light. Care and attention has been given to the key chosen for each anthem and to the voicings so that these versions are attractive to the broadest possiblerange of amateur as well as professional singers. The breathtakingly simple Mother Of God here I stand and the quietly ecstatic Awed by the Beauty are for unaccompanied chorus. The remaining three anthems are scoredwith Organ accompaniment: the sonorous You mantle yourself in light; the contemplative What God is we do not know and the radiant O Mary Theotokos.

Judith Weir's The Vanishing Bridegroom. Opera scored for Soprano Mezzo-Soprano Tenor and 2 Baritone Soli SSAATTBB Chorus and Orchestra. Text: from Popular Tales of the West Highlands.

Cette collection officielle correspondant à la partition à l'album de Carrie Underwood studio de quatrième contient piano / voix / guitare de tous les 14 de ses pistes mémorables. De gritty 'Good Girl' aux ballades magnifiques comme 'bonne à revoir', les fans qui aiment chanter ou jouer peuvent appliquer leur talent à la grande collection de chansons de ce recueil de chansons de collection, qui comporte plusieurs pages de photos en couleurs de Carrie Underwood. / Piano/Vocal/Guitare (PVG)

'The King Beats His Drum' text selected and edited by Lois Steenman-Clark was written for a French Revolutionary Concert in July 1989. The setting is for SATB with either piano or (much more fun) two piccolos and two bassoons. Duration approx. 3 minutes.

Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.Urtext of the New Schubert EditionFull score performance material (BA5621) and vocal score (BA5621-90) available for sale

This is the new edition of Eileen Diamond's fabulous Musical Plays. Combining the best of the two original books for key Stage one and two with ammendments and additions by the composer. While the plays themselves are stimulating and enjoyable to perform with humorous dialogue and catchy tunes they also encourage self-confidence co-operation and working together. Each play has a theme which relates to the teaching of Personal Social Heralth Education and Citizenship (PSHE). In each of the nine plays any number of children can sing in the chorus and there is the option with suggestions for more to and join the performers as extras. Arranged for piano voice and guitar with an extensive performance costume and props guide. The first CD features demontrations of the full performances while the second proides an accompaniment for use in cantatas and shows.

Opening with swirling undulating accompaniment and minor harmonies this setting of Shakespeare's famous text from As You Like It then moves to a festive major key with the Heigh ho the holly section. Available separately: SATB SAB SSA. Duration: ca. 2:15.

This Mass composed in 1815 but not published until 1846 has great depth whilst also being lyrical and climactic. It was originally set for Soprano Tenor and Bass Soli SATB Chorus Strings and Organ (some years later Schubert added parts for Trumpets and Timpani); however this Schirmer edition of the vocal score contains a piano reduction by Alice Parker.

Ladies belt out your favourite songs of the stage.This collection features 23 Broadway favourites all in Vocal/Piano arrangements and includes songs such as And I Am Telling You I'm Not Going Cabaret Defying Gravity Edelweiss I Dreamed a Dream Out Here on My Own Someone like You and more.

This well-known and loved song by British composer C.H.H. Parry was featured in the film Chariots of Fire and here receives a breathtaking adventuresome a cappella setting. Ideal for concert and contest. Available: SATB divisi a cappella. Performance Time: Approx. 2:25.

The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in the brevis form it calls for additional instruments besides the usual church trio which assigns it to the genre of the brevis et solemnis mass. Mozart added two oboes whose parts he wrote out himself and which are enclosed together with the primary copy. The two oboe parts seemto have been unavailable to any copyists.Urtext of the ?New Mozart Edition?Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4851) and vocal score (BA4851-90) for sale