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Muzio Clementi: Sonaten 1 (Auswahl): Piano: Instrumental Album
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Muzio Clementi: Sonaten 1 (Auswahl): Piano: Instrumental Album
Piano seul
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G. Henle
This is a wonderful selection of Piano Sonatas by Muzio Clementi. A dedicated pl...
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This is a wonderful selection of Piano Sonatas by Muzio Clementi. A dedicated player and pioneer of the Piano which led to him being dubbed the father of the piano Italian composer and Pianist Muzio Clementicreated a large repertoire of long-lived and revered sonatas for Piano especially during his time in England. Clementi was the consummate Piano devotee: his performances didactic exercises and sonatas for maturepianists all helped to popularize the instrument throughout Europe.This Urtext edition of these Piano Sonatas Volume 1 (Klaviersonaten Auswahl Band 1) edited by Sonja Gerlach and Alan Tyson andfingered by Hans-Martin Theopold provides you with an accurate realisation of the composer’s original intentions with thorough and detailed editorial markings and suggestions.
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Graded Pianoforte Studies First Series Grade 7: Piano: Study
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Graded Pianoforte Studies First Series Grade 7: Piano: Study
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ABRSM Publishing
Advanced-Eight Grade 7 studies selected by the ABRSM. Including works by Muzio C...
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Advanced-Eight Grade 7 studies selected by the ABRSM. Including works by Muzio Clementi Ignaz Moscheles and Carl Czerny.
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Muzio Clementi Johann Baptist Cramer: Clementi - Czerny - Cramer: Piano:
13.99
Muzio Clementi Johann Baptist Cramer: Clementi - Czerny - Cramer: Piano:
Wiener Urtext
32 pièces faciles pour piano avec conseils d'exercice-With works by Clementi ...
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32 pièces faciles pour piano avec conseils d'exercice-With works by Clementi Czerny and Cramer Urtext Primo 6 contains easy piano music by three composers who all stood out as piano teachers publishing piano methods and study literature. Not only is there a selection of popular sonatinas by Muzio Clementi there are also selected pieces by Carl Czerny and repertoire by Johann Baptist Cramer (known from the studies of Cramer-Bülow) which will liven up any piano lesson.
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Graded Pianoforte Studies Second Series Grade 7: Piano: Study
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Graded Pianoforte Studies Second Series Grade 7: Piano: Study
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Eleven studies selected by the ABRSM. Including works by Carl Czerny William St...
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Eleven studies selected by the ABRSM. Including works by Carl Czerny William Sterndale Bennett and Muzio Clementi.
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Muzio Clementi: Sonatina Op. 36 No. 5: Piano: Instrumental Work
Piano seul
Willis Music
2 Pianos 4 Hands/Mid-Intermediate Level-Muzio Clementi's Sonatina Op.36 No.5 f...
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2 Pianos 4 Hands/Mid-Intermediate Level-Muzio Clementi's Sonatina Op.36 No.5 for 2 Pianos 4-hands. Mid-intermediate level.
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Muzio Clementi Sonatinas For The Piano Op.36-38 - Piano Solo
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Muzio Clementi Sonatinas For The Piano Op.36-38 - Piano Solo
Piano seul
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Description Muzio Clementi: Sonatinas For The Piano Op.36-38 Revised and Fing...
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Description Muzio Clementi: Sonatinas For The Piano Op.36-38 Revised and Fingered by Louis Koehler.
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Muzio Clementi: Sonatinas Op. 36: Piano: Instrumental Album
11.50
Muzio Clementi: Sonatinas Op. 36: Piano: Instrumental Album
Piano seul
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Schirmer
Pedagogical in nature these editions offer insightful interpretive suggestions ...
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Pedagogical in nature these editions offer insightful interpretive suggestions pertinent fingering and historical and stylistic commentary.Muzio Clementi (1752-1832) a renowned Piano teacher in his day is today best-known for this set of six Sonatinas Op. 36. It is a tribute to their inherent musical appeal that after two centuries almost anyone who has studied Piano knows one or more of these small gems. In these short sparkling works all attention is directed to the most basic pianistic concepts: precise phrasing evenness of touch dynamic control and rhythmic vitality.
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Boris Blacher: Variations on a Theme by Muzio Clementi: Piano: Instrumental
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Boris Blacher's 1961 Variations on themes by Muzio Clementi. For Orchestra and t...
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Boris Blacher's 1961 Variations on themes by Muzio Clementi. For Orchestra and two Pianos.
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Muzio Clementi: Sonatina Op.36 No.6: Piano: Instrumental Work
Piano seul
Willis Music
2 Pianos 4 Hands/Mid-Intermediate Level-Muzio Clementi's Sonatina Op.36 No.6 f...
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2 Pianos 4 Hands/Mid-Intermediate Level-Muzio Clementi's Sonatina Op.36 No.6 for two Pianos 4-hands. Mid-intermediate level.
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Muzio Clementi: Sonate op. 3/6: Flute: Instrumental Work
10.50
Muzio Clementi: Sonate op. 3/6: Flute: Instrumental Work
Flûte traversière et Piano
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Muzio Clementi's spirited Sonata Op.3 No.6 for Flute and Piano or Harpsichord e...
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Muzio Clementi's spirited Sonata Op.3 No.6 for Flute and Piano or Harpsichord edited and with foreword by Nikolaus Delius.
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Sonatine Op. 36 No. 6 - 1er Mvt (CLEMENTI MUZIO)
9.82
Sonatine Op. 36 No. 6 - 1er Mvt (CLEMENTI MUZIO)
Piano seul
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1Er Mvt. Par CLEMENTI MUZIO. Formation : Musique de Chambre, Solo - Instrumentat...
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1Er Mvt. Par CLEMENTI MUZIO. Formation : Musique de Chambre, Solo - Instrumentation : 1 Piano Solo - Niveau de Difficulté : 5/6 - Intermédiaire/Avancé - Durée : 6 mn 10 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale, Incontournable Réédité - Compositeur : Muzio CLEMENTI - / Niveau : Intermédiaire à Avancé / Classique, Pédagogique / Répertoire / Piano
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32 Easy Piano Pieces With Practice Tips
Piano seul
Wiener Urtext
La nouvelle collection Primo ('Urtext Primo-Reihe') de la Wiener Urtext Edition ...
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La nouvelle collection Primo ('Urtext Primo-Reihe') de la Wiener Urtext Edition ('édition viennoise - texte original') a pour objectif de remédier au manque qui existe entre la fin de l'étude d'une méthode de piano et le passage à la suite du processus sous forme de cours. Au sortir d'un niveau défini dans ses grandes lignes par le menuet en sol de Bach (BWV Anh. 116), le menuet en fa de Mozart (KV 5) ou le Cavalier sauvage de Schumann, chaque cahier du Urtext Primo-Reihe se compose d'oeuvres choisies parmi celles de trois compositeurs différents, le but étant d'offrir à chaque élève de piano (ou à chaque adulte reprenant le piano) un éventail de morceaux du répertoire à l'aide desquels on sera en mesure de continuer à développer ses capacités techniques. Le cadre de difficulté des pièces est défini avec une relative étroitesse de manière à permettre une utilisation continue du volume sur une période d'environ deux ans. C'est en cela que le concept de 'Urtext Primo-Reihe' se distingue de presque tous les autres albums ou recueils. Dans le choix du répertoire, on tient compte de la nécessité d'y faire figurer des pièces habituelles au cadre du cours de piano classique, d'une part, mais aussi d'autre part des pièces moins connues dont la pertinence dans un cours de piano n'est pas moindre. Les volumes de la collection Urtext Primo-Reihe sont publiés au standard international de la Wiener Urtext-Ausgabe. Les explications adjointes à chaque volume ont pour objet d'approfondir les connaissances en matière de styles, d'histoire de la musique, et de données spécifiques au piano. Un tableau du répertoire porté à la fin de chaque volume donne une idée très globale de la difficulté des pièces y figurant. Le volume 6 de Urtext Primo contient, avec Clementi, Czerny et Cramer, des pièces de piano faciles de trois compositeurs qui ont tous trois fait partie du premier rang des pédagogues du piano, ayant composé pour lui des méthodes et des pièces de répertoire d'étude. De Muzio Clementi, il n'existe pas seulement une sélection de ses sonatines les plus populaires, les pièces choisies de Carl Czerny démontrent qu'on n'a pas toujours besoin des vieilles recettes de leçons de piano, tandis que Johann Baptist Cramer (rendu célèbre par les Etudes de Cramer-Bülow) est l'auteur d'un répertoire qui n'est pas exclusivement destiné aux pianistes de haut niveau. / Piano
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32 Pièces Faciles Pour Piano Avec Conseils D'Exercice. Choisies Et Annotées Par Franke
16.35
32 Pièces Faciles Pour Piano Avec Conseils D'Exercice. Choisies Et Annotées Par Franke
Piano seul
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Facile
Universal Edition
Le volume 6 de Urtext Primo contient, avec Clementi, Czerny et Cramer, des pièc...
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Le volume 6 de Urtext Primo contient, avec Clementi, Czerny et Cramer, des pièces de piano faciles de trois compositeurs qui ont tous trois fait partie du premier rang des pédagogues du piano, ayant composé pour lui des méthodes et des pièces de répertoire d'étude. De Muzio Clementi, il n'existe pas seulement une sélection de ses sonatines les plus populaires, les pièces choisies de Carl Czerny démontrent qu'on n'a pas toujours besoin des vieilles recettes de leçons de piano, tandis que Johann Baptist Cramer (rendu célèbre par les Etudes de Cramer-Bülow) est l'auteur d'un répertoire qui n'est pas exclusivement destiné aux pianistes de haut niveau. / Piano
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6 Sonatinas, Op. 36
25.10
6 Sonatinas, Op. 36
Piano seul
Kalmus
Muzio Clementi était un célèbre compositeur, pianiste, pédagogue, chef d'orc...
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Muzio Clementi était un célèbre compositeur, pianiste, pédagogue, chef d'orchestre, éditeur de musique, éditeur et fabricant de piano. Ses 6 Sonatines, Opus 36, sont très appréciés pour leur charme ainsi que la valeur pédagogique. On y trouve aussi un enregistrement de CD en circulation à partir de la bibliothèque Alfred. / Piano
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Sonatina C Major Op. 36/1
6.20
Sonatina C Major Op. 36/1
Piano seul
Schott
Tenu en haute estime par Ludwig van Beethoven, Muzio Clementi (1752-1832) est co...
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Tenu en haute estime par Ludwig van Beethoven, Muzio Clementi (1752-1832) est considéré comme l'un de ces compositeurs qui jouent un rôle important dans le développement de Sonatine de piano et de la Sonate. Son Sonatines sont particulièrement populaires en raison de leur mélodie charmant et jouant couramment. Le trois mouvements Sonatine en c majeur opus 36/1 a solidement établie dans l'enseignement de piano et est maintenant publié dans une édition unique mettant en vedette un nouveau format facile à lire, à bas prix. / Piano
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Marco Clementi: Six Sonatinas Opus 36: Piano: Instrumental Work
10.95
Marco Clementi: Six Sonatinas Opus 36: Piano: Instrumental Work
Piano seul
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Intermédiaire
Alfred Publishing
Muzio Clementi's Six Sonatinas Opus 36 was orinally published as a supplementar...
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Muzio Clementi's Six Sonatinas Opus 36 was orinally published as a supplementary companion to the book Introduction To The Art Of Playing On The Piano Forte. Both publications are staples in the education of the pianist at all levels. Using the authentic edition produced by Clementi's own publishing company as a reference this volume has been been meticulously edited by Willard Palmer. The dynamics phrasing and ornamentation presented in this version are more accurate readable and accessible that ever before making this edition the most preferred for students and teachers.
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6 Sonatine Op. 36 + Cd (CLEMENTI MUZIO)
30.50
6 Sonatine Op. 36 + Cd (CLEMENTI MUZIO)
Piano seul
[Partition + CD]
Sinfonica Jazz
Par CLEMENTI MUZIO. Revisione di Alessandro Aletti. Appendici con le risoluzioni...
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Par CLEMENTI MUZIO. Revisione di Alessandro Aletti. Appendici con le risoluzioni degli abbellimenti e con estratti dal metodo./ Répertoire / Piano
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Sonatinas I-II (CLEMENTI MUZIO)
36.10
Sonatinas I-II (CLEMENTI MUZIO)
Piano seul
[Partition]
Fennica Gehrman
Par CLEMENTI MUZIO. Format: DIN A4/ Répertoire / Piano
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Sallee Mary - Simply Classical - Piano Solo
19.00
Sallee Mary - Simply Classical - Piano Solo
Piano seul
Alfred Publishing
Series: Simply SeriesCategory: Piano CollectionFormat: BookInstrument: PianoLeve...
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Series: Simply SeriesCategory: Piano CollectionFormat: BookInstrument: PianoLevel: Easy PianoSimply Classical is a collection of arias, rondos, sonatina movements, string quartet movements, symphonic themes, and other famous works from the Classical period of music history. These selections have been carefully arranged by Mary K. Sallee for Easy Piano, making them accessible to pianists of all ages. Phrase markings, articulations, fingering, pedaling and dynamics have been included to aid with interpretation, and a large print size makes the notation easy to read.Titles:Ludwig van Beethoven: Ecossaise, from The Ruins of Athens * Für Elise * German Dance, from Twelve German Dances, WoO 13 * Minuet in G Major * Moonlight Sonata * Ode to Joy, from Symphony No. 9 * Rondo a capriccio ('Rage over a Lost Penny') * Theme from the 'Pastoral' Symphony * Turkish March, from The Ruins of Athens * Variations on a Theme from the 'Eroica' SymphonyMuzio Clementi: Sonatina No. 1 (Allegro), from Six Sonatinas, Op. 36 * Sonatina No. 1 (Andante), from Six Sonatinas, Op. 36Franz Joseph Haydn: Gypsy Rondo * Theme from the Cello Concerto in D Major * Theme from the 'Kaiser' String Quartet * Theme from the 'London' Symphony * Theme from the 'Surprise' SymphonyWolfgang Amadeus Mozart: Ein Mädchen oder Weibchen, from The Magic Flute * Eine kleine Nachtmusik (Allegro) * Là ci darem la mano, from Don Giovanni * Laudate Dominum, from Vesperae solennes de confessore * Menuetto, from Don Giovanni * Rondo alla Turca, from Sonata No. 11, K. 331
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Tema E Variazioni Op. 5B (CALLIGARIS SERGIO)
44.36
Tema E Variazioni Op. 5B (CALLIGARIS SERGIO)
Piano Trio: piano, violon, violoncelle
[Conducteur et Parties séparées]
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Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris ...
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Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligariss composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composers personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Violon, Violoncelle et Piano
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Conversation Waltz: Piano: Instrumental Album
3.50
Conversation Waltz: Piano: Instrumental Album
Piano seul
Schaum Publications
Level 6 Early Advanced Level-This light-hearted theme by Muzio Clementi has been...
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Level 6 Early Advanced Level-This light-hearted theme by Muzio Clementi has been arranged for an early advanced level by John W. Schaum. The melody switches back and forth from bass to treble.
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Sonata Op. 40A (CALLIGARIS SERGIO)
83.80
Sonata Op. 40A (CALLIGARIS SERGIO)
Flûte traversière et Piano
[Conducteur et Parties séparées]
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Intermédiaire
Ricordi
Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Ro...
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Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligariss composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composers personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano
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Concerto for Pianoforte and Orchestra in D major op. 61 (BEETHOVEN LUDWIG VAN)
40.54
Concerto for Pianoforte and Orchestra in D major op. 61 (BEETHOVEN LUDWIG VAN)
Piano seul
[Partition]
Barenreiter
Par BEETHOVEN LUDWIG VAN. After attending the premiere of Beethoven?s stately co...
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Par BEETHOVEN LUDWIG VAN. After attending the premiere of Beethoven?s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that! Working with all known sources, Del Mar finally presents us with Beethoven?s solo piano articulation and dynamics and Beethoven?s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven?s Solo and Tutti markings. All in all, a groundbreaking scholarly critical edition; a ?must? for every pianist, every orchestra and every music library. The piano reduction will be presented in a new format: As customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted ? as with string and wind concertos ? in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print. / Date parution : 2022-02-25/ Répertoire / Piano
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Classical Piano Masters - Upper Elementary Level: Piano: Instrumental Collection
8.25
Classical Piano Masters - Upper Elementary Level: Piano: Instrumental Collection
Piano seul
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Facile
Hal Leonard
22 Pieces by 15 Composers-Some of the most often taught original piano literatur...
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22 Pieces by 15 Composers-Some of the most often taught original piano literature by dozens of master composers of the past has been carefully selected and compiled by difficulty level. The Upper Elementary edition features 21 pieces by 17 composers including: Anonynmous (18th century): Musette from The Notebook for Anna Magdalena Bach ??? Carl Philipp Emanuel Bach: Allegretto scherzando ??? Carl Philipp Emanuel Bach: March from The Notebook for Anna Magdalena Bach ??? Wilhelm Friedemann Bach: Air in A minor ??? B?la Bart?k: Walking from The First Term at the Piano ??? Ludwig van Beethoven: Ecossaise in G Major WoO 23 ??? M?lanie Bonis: Meow! Purr! ??? Muzio Clementi: Sonatina in C Major Op. 36 No. 1 first movement ??? William Duncombe: The Chase ??? Cornelius Gurlitt: To School from The First Lessons Op. 117 No. 4 ??? Cornelius Gurlitt: Cradle Song from The First Lessons Op. 117 No. 17 ??? Georg Frideric Handel: Bour?e in G minor ???Impertinence??? HWV 494 ??? George Frideric Handel: Gavotte in C Major ??? Wolfgang Amadeus Mozart: Minuet in C Major K.6 ??? Wolfgang Amadeus Mozart: Minuet in B-flat Major K. 15pp ??? August Eberhard M?ller: The Cuckoo ??? Christian Petzold: Minuet in G from The Notebook for Anna Magdalena Bach ??? Henry Purcell: Minuet in A minor Z. 649 ??? Jean-Philippe Rameau: Menuet en Rondeau ??? Robert Schumann: Melody from Album for the Young ??? Charles Henry Wilton: Amabile from Sonatina in C Major.
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Vivaldiana Op. 23 (CALLIGARIS SERGIO)
15.76
Vivaldiana Op. 23 (CALLIGARIS SERGIO)
2 Pianos, 4 mains
[Conducteur]
-
Intermédiaire
Ricordi
Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGI...
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Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligariss composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composers personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / 2 Pianos
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Sonatine
10.00
Sonatine
Piano seul
Alfred Publishing
The Op. 79 was announced by Breitkopf and Hartel in Leipzig in December 1810 as ...
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The Op. 79 was announced by Breitkopf and Hartel in Leipzig in December 1810 as 'sonatine pour le pianoforte.' It was also registered at London's copyright registry on August 31, 1810, by the English publisher Muzio Clementi. It is not possible to ascertain exactly when the English edition was available to the public, but it may be that it predates the German edition. Although the Op. 79 bears no dedication, Beethoven may have planned to use it as a gift for Therese Malfatti, a woman with whom he was romantically involved. An autograph of the Op. 79 is extant and is now in Beethoven-Haus, Bonn. Dr. Stewart Gordon's editions of Beethoven's most popular piano sonatas provide the key to a stylistic performance. Thorough research of the earliest available sources has enabled Dr. Gordon to produce the most accurate reflection of the composer's intent. Each sonata contains helpful fingering suggestions and performance recommendations. / Piano
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Lang Lang: Lang Lang Piano Academy level 4 (D): Piano: Instrumental Tutor
13.95
Lang Lang: Lang Lang Piano Academy level 4 (D): Piano: Instrumental Tutor
Piano seul
Peters
German Edition-Lang Lang Piano Academy: Mastering The Piano Level 4 enthält u.a...
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German Edition-Lang Lang Piano Academy: Mastering The Piano Level 4 enthält u.a. Kapitel zum Pedal-Legato Phrasierung und Rubato neuen Begleitfiguren und zum musikalischen Kontext.Lektionen:1. Haltung Bewegung Griff2. Pedal-Legato3. Neue Begleitfiguren4. Weitere Akkorde5. Weitere Rhythmen6. Musikalischer Kontext7. Phrasieren und Rubato8. GeläufigkeitEnthaltenes Repertoire:Kleine ?'bung aus Mikrokosmos (Bela Bartok) Blumen-Trommellied (Trad. aus China) Walzer (Lang Lang) Kleine Studie (Robert Schumann) Arirang (Trad. aus Korea) Gebet (Reinhold Gilere) ?'bung in F-Dur aus Das Rad des Fortschritts (Thomas Dunhill) Walzer (Johannes Brahms) Von fremden Ländern und Menschen (Robert Schumann) La petite reunion (Friedrich Burgmüller) Allegro Assai (Georg Benda) Morgengebet (Peter Iljitsch Tschaikowsky) Etüde in G-Dur (Carl Czerny) Sonatine (Dmitri Kabalewski) Let's Call The Whole Thing Off (George Gershwin and Ira Gershwin) Ballade (Friedrich Burgmüller) Wächterlied (Edvard Grieg) Sü?'e Träumerei (Peter Iljitsch Tschaikowsky) Der Dichter spricht (Robert Schumann) Alla Siciliana (Felix Gullmant) Andante (Carl Philipp Emanuel Bach) Etüde (Felix Le Couppey) Sonatine Nr. 3 (Muzio Clementi) Invention in F-Dur (Johann Sebastian Bach)Mastering The Piano ist die erste Reihe in fünf fortlaufenden Bänden aus der Lang Lang Piano Academy. Sie bietet einen faszinierenden Einblick in Lang Langs Leidenschaft Motivation und Meisterschaft auf dem Klavier und gibt Klavierschülern die einmalige Chance von diesem weltweit geschätzten Ausnahmetalent zu lernen. Jeder Band enthält:- Acht Lektionen in denen alle zentralen Aspekte des Klavierspiels behandelt warden- Speziell entwickelte ?'bungen für die
13.95 GBP - vendu par Musicroom GB
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Suite Op. 28 (CALLIGARIS SERGIO)
21.68
Suite Op. 28 (CALLIGARIS SERGIO)
Violoncelle
-
Intermédiaire
Ricordi
Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosar...
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Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligariss composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composers personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-13/ Répertoire / Violoncelle
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Tema E Variazioni Op. 5A (CALLIGARIS SERGIO)
44.36
Tema E Variazioni Op. 5A (CALLIGARIS SERGIO)
Clarinette, Violoncelle et Piano
[Conducteur et Parties séparées]
-
Intermédiaire
Ricordi
Per Clarinetto, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligar...
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Per Clarinetto, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligariss composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composers personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Clarinette, Violoncelle et Piano
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Scene Coreografiche (CALLIGARIS SERGIO)
20.70
Scene Coreografiche (CALLIGARIS SERGIO)
1 Piano, 4 mains
[Conducteur]
-
Intermédiaire/avancé
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Per Pianoforte A Quattro Mani (O Due Pianoforti). Par CALLIGARIS SERGIO. Sergio ...
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Per Pianoforte A Quattro Mani (O Due Pianoforti). Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligariss composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composers personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire à Avancé / Répertoire / Piano 4 Mains
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