| Julius Klengel: Technical
Studies - Volume 1: Cello
Solo: Study Schirmer
Julius Klengel (1859-1933) was a German cellist composer and pedagogue. He was ...(+)
Julius Klengel (1859-1933) was a German cellist composer and pedagogue. He was a cellist with the Leipzig Gewandhaus for over fifty years and was also a Professor at the Leipzig Conservatory. He wrote around 60 performance works including several concertos for the Cello. He is best remembered for his three volumes of Tägliche Übungen or Daily Studies but his two volumes of Technical Studies?(Technische Studien) arguably have an even greater pedagogical value. The first volume is presented here and covers a wide range of key signatures accidentals and clefs with fingering providedwhere appropriate.?
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| Julius Klengel:
Concertino Nr.1 C-Dur
Op.7: Cello: Instrumental
Work Violoncelle Breitkopf & Härtel
für Violoncello und Klavier-Julius Klengel (1859-1933) was a German cellist mo...(+)
für Violoncello und Klavier-Julius Klengel (1859-1933) was a German cellist most famous for his etudes and solo pieces written for the instrument - he ultimately composed hundreds of pieces for the Cello including four Violoncello concertos two double Cello concertos Cello quartets a Cello sonata as well as numerous caprices etudes and other technical pieces. Unfortunately the majority of his compositions for Cello are rarely remembered however this piece stands out for its value to developing cellists – it is a wonderful brief introduction to the concerto form. The diverse three movements of the Concertino in C Major give the student pleasure whilst onlyinvolving the 6th and 7th positions at the higher register (but no thumb positions). With a total performance time of approximately 20 minutes this concerto is perfect for intermediate to advanced cellists (Grade 6-8).
18.00 GBP - vendu par Musicroom GB Délais: En Stock |
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| Sonata For Violoncello
And Piano F Major Op. 99 Violoncelle, Piano Barenreiter
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. T...(+)
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano
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| Sonata in E minor for
Violoncello and Piano op.
38: Cello: Instrumental
Work Violoncelle, Piano Barenreiter
The first three movements of Johannes Brahms? E Minor Cello Sonata were composed...(+)
The first three movements of Johannes Brahms? E Minor Cello Sonata were composed in 1862 the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms? life however it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann?s advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata Op.38 by Cornelius van Vliet andEdwin Hughes Hugo Becker and Carl Friedberg as well as Julius Klengel. The cellists? van Vliet Becker and Klengel?s fingering and bowing allows for a better understanding of their performance practice. As such the Bärenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms? contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works? origins early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With an extensive Performance Practice Commentary.-
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| 3 Suites Op. 131C For
Violoncello Solo Violoncelle [Conducteur d'étude / Miniature] G. Henle
Max Reger composed his Three Suites for Violoncello solo in 1914/15 for three im...(+)
Max Reger composed his Three Suites for Violoncello solo in 1914/15 for three important cellists and teachers of the time: Julius Klengel, Hugo Becker and Paul Grümmer. Klengel was also friends with the composer. Reger humorously told him of his Opus 131c in summer 1915, calling them 'strapping triplets?. He asked the cellist to 'use these three things as often as possible in your lessons?, although they presuppose a great degree of skill on the students' part. For all those who wish to conquer these works in theory, we are now also offering our Urtext edition of the Suites (HN 478) as a study score. / Violoncelle
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| Johannes Brahms: Sonata
in G major for Violin and
Piano op. 78: Violin: Violon et Piano Barenreiter
A pioneering set of Urtext editions.String editions include an Urtext solo part ...(+)
A pioneering set of Urtext editions.String editions include an Urtext solo part and a second part with fingering as well as performance markings.Each edition offers a preface on performance practice aspects pertaining to the respective works.A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms? chamber music.Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offertoday?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim?s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms? associate Franz Kneisel. A similar approach has been used for the Violoncello sonatas drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major) Hugo Becker with whom Brahms performed it and Julius Klengel who was also close to his circle.
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| Edouard Lalo:
Violoncellokonzert D
Moll: Cello: Instrumental
Work Violoncelle, Piano G. Henle
Originally Ãdouard Lalo was meant to follow an officer's career but his musi...(+)
Originally Ãdouard Lalo was meant to follow an officer's career but his musical talent soon became apparent and so he decided to become a musician. Every cellist is familiar with his Cello Concerto in d minor whichis just as spirited as his 'Symphonie espagnole'.Many renowned virtuosi from Julius Klengel to Leonard Rose have published their own editions of the concerto. Henle's Urtext edition distances itself from all of theadditions made by other editors but it offers both an unmarked part and one with fingerings and bowings by the famous cellist Heinrich Schiff.
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| Klengel Julius - Kleine
Suite Op. 59 - 3 Cello Breitkopf & Härtel
Composer : Klengel, JuliusInstrumentation : 3Vc
17.80 EUR - vendu par Woodbrass Délais: Sur commande |
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| Klengel Julius -
Kindertrio F-dur Op. 39,
Nr. 1 - Violin, Cello,
Piano Piano Trio: piano, violon, violoncelle Breitkopf & Härtel
Composer : Klengel, JuliusInstrumentation : Vl,Vc,Klav
22.70 EUR - vendu par Woodbrass Délais: Sur commande |
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| Klengel Julius -
Kindertrio D-dur Op. 39,
Nr. 2 - Violin, Cello,
Piano Piano Trio: piano, violon, violoncelle Breitkopf & Härtel
Composer : Klengel, JuliusInstrumentation : Vl,Vc,Klav
25.20 EUR - vendu par Woodbrass Délais: Sur commande |
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| Klengel Julius -
Konzertstuck D-moll Op.
10 - Cello, Piano Violoncelle, Piano Breitkopf & Härtel
Composer : Klengel, JuliusInstrumentation : Vc,Klav
17.80 EUR - vendu par Woodbrass Délais: Sur commande |
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| Klengel Julius -
Sonatine C-dur Op. 47 Nr.
1 - Cello, Piano Violoncelle Breitkopf & Härtel
Composer : Klengel, JuliusInstrumentation : Vc,Klav
17.90 EUR - vendu par Woodbrass Délais: En Stock |
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| Klengel Julius -
Sonatine C-moll Op. 48/1
- Cello, Piano Violoncelle Breitkopf & Härtel
Composer : Klengel, JuliusInstrumentation : Vc,Klav
16.40 EUR - vendu par Woodbrass Délais: Sur commande |
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| Klengel Julius - Caprice
Op. 27 - Cello, Piano Violoncelle Breitkopf & Härtel
Composer : Klengel, JuliusInstrumentation : Vc,Klav
16.40 EUR - vendu par Woodbrass Délais: Sur commande |
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| Kindertrio C-Dur Op. 35,
Nr. 1 (KLENGEL JULIUS) Piano Trio: piano, violon, violoncelle [Partition] Breitkopf & Härtel
Par KLENGEL JULIUS. / Répertoire / Violon, Violoncelle et Piano
14.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Klengel Julius - Hymnus
Op. 57 - 12 Cello Breitkopf & Härtel
Composer : Klengel, Julius Instrumentation : 12Vc Edition : Set of parts
25.20 EUR - vendu par Woodbrass Délais: Sur commande |
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| Kleine Suite Op. 59
(KLENGEL JULIUS) Trio à Cordes: 3 violoncelles [Partition] Breitkopf & Härtel
Par KLENGEL JULIUS. / Répertoire / 3 Violoncelles
18.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Klengel Julius - Thema
Mit Variationen Op. 28 -
4 Cello Breitkopf & Härtel
Composer : Klengel, Julius Instrumentation : 4Vc
14.70 EUR - vendu par Woodbrass Délais: Sur commande |
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| Klengel Julius - Vier
Stucke Op. 33 - 4 Cello Breitkopf & Härtel
Composer : Klengel, Julius Instrumentation : 4Vc
21.60 EUR - vendu par Woodbrass Délais: Sur commande |
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| 4 Stücke Op. 33
(KLENGEL JULIUS) 4 Violoncelles [Partition] Breitkopf & Härtel
Par KLENGEL JULIUS. / Répertoire / 4 Violoncelles
22.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Kindertrio D-Dur Op. 39,
Nr. 2 (KLENGEL JULIUS) Piano Trio: piano, violon, violoncelle [Partition] Breitkopf & Härtel
Par KLENGEL JULIUS. / Répertoire / Violon, Violoncelle et Piano
26.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Concertino Nr. 2 G-Dur
Op. 41 (KLENGEL JULIUS) Violoncelle, Piano [Partition] Breitkopf & Härtel
Par KLENGEL JULIUS. / Répertoire / Violoncelle et Piano
22.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Thema Mit Variationen Op.
28 (KLENGEL JULIUS) 4 Violoncelles [Partition] Breitkopf & Härtel
Par KLENGEL JULIUS. / Répertoire / 4 Violoncelles
15.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Hymnus Op. 57 (KLENGEL
JULIUS) 12 Violoncelles [Partition] Breitkopf & Härtel
Par KLENGEL JULIUS. / Répertoire / 12 Violoncelles
11.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Kindertrio F-Dur Op. 39,
Nr. 1 (KLENGEL JULIUS) Piano Trio: piano, violon, violoncelle [Partition] Breitkopf & Härtel
Par KLENGEL JULIUS. / Répertoire / Violon, Violoncelle et Piano
23.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Technische Studien, Band
2 (KLENGEL JULIUS) Violoncelle [Partition] Breitkopf & Härtel
Par KLENGEL JULIUS. / Etude / Violoncelle
23.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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