Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.

Guitar Solo-Malagueña is a song by Cuban composer Ernesto Lecuona; written in 1928 it was originally the sixth movement of Lecuona's Suite Andalucia to which he added lyrics in Spanish. The song has since become a popular  jazz  marching band and drum corps standard and has been provided with lyrics in several languages.

Ernesto Lecuona (1895-1963) composed this piece in A Major for solo piano.La comparsa also known as 'Carnival procession' evokes the sound of bare drums maracas and percussion.

Ernesto Lecuona's Malaguena for Piano and Voice. German and Spanish lyrics included.

In this outstanding video recital Brazilian concert guitarist Carlos Barbosa-Lima takes the listener on a musical journey through Brazil The Caribbean North America and the Hawaiian Islands including works byEuropean masters from France and Spain.Maestro Barbosa-Lima displays the stunning musicality arranging skills and refined technique that have drawn applause from sold-out concert halls the worldover.Program: Sons de Carrihoes (Joao Pernambuco); Odeon (Ernesto Nazareth); Sambolero (Luiz Bonfa); Cochichanda (Alfredo Vianna); Aquarela do Brasil (Ary Barroso);Adios (Enric Madriquera); La Comparsa (Ernesto Lecuona); Fantasy of a Hawaiian Lullaby 'Pupu Hinu Hinu' (N. Beamer arr. by Dr. Byron Yasui); St. Louis Blues (W. C. Handy arr. J.Griggs/Barbosa-Lima); Two Ladies: One Old One New (Bobby Scott); La Alborada (Francisco Tarrega); La Mariposa (Francisco Tarrega); Golliwogg's Cakewalk (Claude Debussy); I Got Rhythm(George Gershwin); Las Abejas (Augustin Barrios); Ja-Da (trad. arr. J. Griggs/Barbosa-Lima); and Seis Milongas from Suite Antillana (Ernesto Cordero).Many of these selections were arranged byCarlos Barbosa-Lima and include unusual techniques such as double harmonics and Hawaiian slack-key effects.

The second Lecuona/Tirino Piano edition this collection includes waltzes that are the result of Thomas Tirino's exhaustive study of Lecuona's music based on all possible written and oral traditions in several countries. Many pieces are presented here in print for the first time. Includes an introduction by Tirino and authentic Piano solo arrangements of nine waltzes: seven Valses Fantásticos (Apasionado Romántico Poético Arabesque Patético Maravilloso Brillante) Vals Gitano and Crisantemo.

(Seven Typical Cuban Dances). A prolific and gifted composer Lecuona was the dominant force in Cuban music for many years. This book of seven typical Cuban dances is the first completely new edition of his music in more than 30 years. It includes a preface and introduction by arranger Thomas Tirino plus helpful performance notes for each piece.

for Piano and Orchestra Full Score. Par LECUONA ERNESTO. Rapsodia Argentina is based on traditional older Argentinian tangos, the most famous being_x001A_Buenos Aires,_x001A_which is heard at the outset. The whole piece is a kind of huge rondo and is divided into several sections, most of which recur during the course of the composition. One of them is a milonga, a native peasant dance of Argentina (and Bolivia) that is a variation of the tango. Rapsodia Argentina is probably the least known of the three rapsodias for piano and orchestra by Lecuona. For sale is the solo piano part. It is not a 2-piano version or a piano reduction. The solo part matches the available orchestration as arranged and recorded by Thomas Tirino. / Date parution : 2023-06-01/ Répertoire / Piano et Orchestre

Easy Piano Solo-Contents: Andalucia Suite: Malaguena Andalucia Gitanerias Cordoba • Danzas Afro-Cubanas: La Comparsa Danza Lucumi • Ante el Escorial.