A collection of the world's finest classical and popular music for Piano. Here you will find the great masterpieces of every era - from classical and romance to ragtime and blues. Enjoy three centuries of all-time favourite Piano solos. Including Amazing Grace, Clair de Lune, Grand March from Aida and The Minute Waltz. / Piano Accompagnement

Par TUUR ERKKI-SVEN. New and corrected edition 2021! Erkki-Sven Tüür really exploits the potential of the piano in this three-movement sonata for piano (1985). The opening and closing movements are based on flowing, pianistic arpeggios, whereas in the slow middle movement the harmonies are brought out by means of harmonics reinforced an octave higher by the piano's sounding board and pedal. Premiered by Kalle Randalu at the University of Tartu in 1986, the sonata shows traces of minimalism and impressionism. The new and corrected edition contains an extensive introduction written by Dr. Hando Nahkur, who has also recorded the sonata. Duration: c. 14' / Date parution : 2022-05-31/ Répertoire / Piano

This engaging and accessible contemporary sonata has a broad emotional range and is full of intensity. Each of its four movements makes a strong statement with relatively few notes. ?I have used the 12-tone language in my own unique way.? Rahbee. The fourth movement ?Toccata ? is often performed as a solo; the arm clusters are often a special subject of conversation among pianists and audiences.

Bookended by two famous sonatas the Waldstein op. 53 and the Appassionata op. 57 the F-major Sonata op. 54 has always lived in the shadows regrettably. In this first large-scale two-movement sonata Beethoven experiments with striking character contrasts in the first movement and a virtuosic perpetuum mobile duet in the second. In both interpretation and mastery of technical difficulties this sonata therefore poses a considerable challenge for pianists and might have been avoided for this reason as well. The sonata shares the fate of many early works by Beethoven in one respect: no autograph exists. Murray Perahia and Norbert Gertsch have thus only been able to examinean original edition as a source for their new edition. As always with the new editions of Beethoven sonatas from Henle Maestro Perahia also provides the fingerings ??? and his own commentary on the meaning of this sonata. Bookended by two famous sonatas the Waldstein op. 53 and the Appassionata op. 57 the F-major Sonata op. 54 has always lived in the shadows regrettably. In this first large-scale two-movement sonata Beethoven experiments with striking character contrasts in the first movement and a virtuosic perpetuum mobile duet in the second. In both interpretation and mastery of technical difficulties this sonata therefore poses a considerable challenge for pianists and might have been avoided for this reason as well. The sonata shares the fate of many early works by Beethoven in one respect: no autograph exists. Murray Perahia and Norbert Gertsch have thus only been able to examinean original edition as a source for their new edition. As always with the new editions of Beethoven sonatas from Henle Maestro Perahia also provides the fingerings ??? and his own commentary on the meaning of this sonata.

With Piano Pieces In C Minor Woo 52 And 53. Par BEETHOVEN LUDWIG VAN. Beethoven's Sonata Op. 10/1 was composed over a long period between 1795 and 1798 in which the composer could not decide for quite some time whether to go for four or three movements. Beethoven considered two piano pieces in C minor (WoO 52 and 53) as potential third movements before the finale until he eventually decided in favour of a three-movement version without minuet or scherzo. The present edition for the first time contains the two eliminated pieces in the appendix, not in order for the sonata to be now played with 4 or even 5 movements, but as a suggestion for the planning of a piano recital in which both the three-movement Sonata Op. 10/1 and the two piano pieces can be performed together./ Répertoire / Piano

Comme le principal représentant de la musique tchèque à Vienne du 18e siècle, Leopold Kozeluh (17471818) a été observée principalement comme compositeur, pianiste et professeur de clavier. Ses 50 sonates pour clavier couvrent toute sa carrière et marquent non seulement la transition entre le clavecin et clavicorde manière le style fortepiano entièrement idiomatique, mais aussi le développement de la 'sonate classique' de l'ordre de trois décennies (17731806) .Jusqu'à présent, les pianistes ont eu peu de chance de se familiariser avec la gamme complète des sonates de Ko?eluh depuis quelques existait dans les éditions modernes. Cette nouvelle édition complète par Christopher Hogwood présente pour la première fois toutes les sonates de Ko?eluh pour solo de clavier.Le projet est divisé en quatre volumes qui paraîtront en 2007 et 2008, allant chronologiquement à travers les séries publiées. Volume 4 contient également ces sonates qui ne se trouvent que dans les sources manuscrites. La première édition complète des Sonates pour clavier du compositeur tchèque Leopold Kozeluh Remplit un vide dans le répertoire du répertoire classique tchèque et de l'Europe centrale Convient pour les amateurs et les professionnels, et idéal pour les fins d'enseignement Introduction détaillée (Cz / Eng / Ger...), Commentaire critique (Fr.) et facsimilés / Clavier

Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Piano

Volume contains standard works of the repertoire, and also works of composers rarely encountered within other collections. There are works from the baroque through the modern periods, and each piece is in its original form. / Piano Accompagnement

including the unfinished works-The third volume in the series of Franz Schubertâ??s Complete Piano Sonatas has been carefully edited annotated and fingered for the ABRSM by Howard Ferguson. Published within the â??Signatureâ?? Series a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars including informative introductions performance notes and detailed editorial markings. Volume Three includes the final four of his twelve fantastic Sonatas as well as several unfinished pieces. All composed between 1815 and 1828 these range from popular favourites to mere fragments only a few bars long. Even in the earliest of thesesonatas Schubert demonstrates his compositional poeticism sensitivity and skill in the romantic idiom. For a broad scope of emotion and feeling they are second only to Beethovenâ??s sonatas.

Tout comme les Huitième et Neuvième Sonates, la Dixième Sonate de Scriabine vit le jour à l'hiver 1912/13. Elle fut probablement achevée au plus tard en juin 1913. D'après les souvenirs de Leonid Sabanejev, Scriabine joua des extraits de la Sonate à ses amis au printemps 1913 et dit alors 'qu'il avait là réussi à simplifier les harmonies sans détruire la complexité psychologique de l'oeuvre'. Voici ce que l'on peut lire dans un compte rendu écrit juste après la première exécution de l'oeuvre à Moscou: 'La Dixième Sonate figure parmi les oeuvres les plus inspirées de Scriabine [...] Elle est pour ainsi dire taillée dans le granit: impossible de retrancher ni d'ajouter quoi que ce soit, tellement le tout est logique et rigoureux.'? / Piano Solo / Chanson En Séparée

Lorsque Christa Landon a présenté pour la première fois son édition imprimée de sonates pour piano de Joseph Haydn, oeuvres de Sonate de Haydn étaient encore éclipsés par les oeuvres de Mozart et de Beethoven. Mais les sonates de Haydn quittés le créneau des leçons de piano de long depuis et sont sont établis dans le répertoire de concert - édition de Landon a certainement joué un rôle majeur dans cette. L'anniversaire de Haydn en 2009 est une occasion bienvenue à réviser complètement cette édition ' légendaire ', parce que les nouvelles sources ont été découverts et questions concernant l'authenticité ont été clarifiées sur plus de quarante ans - les principes éditoriaux pour la musique du XVIIIe siècle en particulier ont nettement changé entre temps. La nouvelle édition comprend toutes les oeuvres de la précédente édition de Wiener Urtext plus la Hob Sonate. XVI:16 arrangé par Landon, ainsi qu'une sonate en fa majeur, qui a été découvert à Bolzano, il y a quelques années et attribué à Joseph Haydn. La nouvelle édition, aussi, est divisée en quatre volumes, dont le contenu... / Piano / Partition

The Sonata is one of Erkin's works which the casual listener may fail to attribute to a particular geography at a first hearing. He will however become absorbed by a unique sense of identity, surprising harmonies and rhythms which integrate with such sincerity and authenticity in the flow of the music. At a more attentive hearing, one can discover features of ancient Anatolian music which Erkin always transforms with extraordinary inspiration, enfolding audiences unfamiliar with this culture in a music which is often profoundly spiritual with an admirably woven polyphonic texture in which not one bar seems superfluous or out of place. The first movement Allegro is woven from two contrasting themes. The first is a vigorous progression in the middle register with contrapuntal elements quasi as counterpoint. A luminous second theme evoking folk tunes connects back to the first theme and the movement ends in a brisk tone. In the second movement Adagio molto sostenuto a profound, introspective first theme is developed in variations of exquisite lyricism. The imposing middle section which forms a rondo suggests latent unrest. Imbued with energy and determination, the final Allegro consists of abstracted elements of Anatolian folk music bearing the creative stamp of Erkin. The movement ends with an impressive crescendo. / Piano

Nos. 1-15-The entire corpus of Beethoven???s piano sonatas is contained in this two volume work 32 sonatas in all. Volume One contains the fifteen sonatas from Beethoven???s first period including the Pathetique Moonlight and Pastorale Sonatas. The music is reproduced from the exemplary Universal-Edition set edited by Heinrich Schenker. Combining scrupulous scholarship and profound artistic vision Schenker achieved an edition which is universally admired by musicians and scholars. For this Dover edition Schenker???s footnotes have been translated into English and his preface retranslated. A new introduction introduction by Carl Schachter has also been included. This edition will bewelcomed by all pianists both professional and amateur for its accuracy and reliability; it is highly desirable for instruction study reference and enjoyment.

Description Graded selected classical and romantic pieces for Piano, with fingering, phrasing, tempo and expression marks added by Dorothy Bradley. Songlist Air And Allemance (Suite No.4) [Bach, Johann Sebastian] Albumleaf In E Flat Op.99 [Schumann, Robert] Allegro (Sonatina In A) [Mozart, Wolfgang] Allemande (Suite No.16) [Handel, George Frideric] Andante (Sonata Op.14 No.2) [Beethoven, Ludwig Van] Arabesque [Heller, Stephen] Catch Me If You Can [Schumann, Robert] Fantasia In C [Handel, George Frideric] Fantasy Dance (Album Leaves) Op.124 No.5 [Schumann, Robert] First Movement (Sonata In A) [Arne, Thomas] Le Commere [Couperin, Francois] Le Coucou [Daquin, Louis-claude] May, Charming May [Schumann, Robert] Mazurka In B Flat [Chopin, Frederic] Moment Musicale Op.94 No.3 [Schubert, Franz] Prelude In E Minor Op.28 No.4 [Chopin, Frederic] Rondo In A [Beethoven, Ludwig Van] Sarabande (French Suite No.1) [Bach, Johann Sebastian] Solfeggietto [Bach, Carl Philipp Emanuel] Song Without Words Op.85 No.1 [Mendelssohn, Felix] Three Part Invention No.11 [Bach, Johann Sebastian] Waltz In B Minor Op.39 No.11 [Brahms, Johannes]