If you've been playing clarinet for a little while, you are probably eager to learn some familiar works. This book includes 50 must-know works by Bach, Brahms, Handel, Tchaikovsky and more arranged for clarinet.
Complete contents include: About Strange Lands and People from Scenes from Childhood (Schumann) ? Adagio, Op. 63, No. 24 (Baermann) ? Andante from Symphony No. 6 ?Pathétique? (Tchaikovsky) ? Andante from Symphony No. 94 ?Surprise? (Haydn) ? Aria from Aria con Variazioni (Handel) ? Ave Maria (Schubert) ? Barcarolle from The Tales of Hoffmann (Offenbach) ? Canon in D (Pachelbel) ? Dance of the Blessed Spirits from Orfeo ed Euridice (Gluck) ? Emperor Waltz (Strauss) ? Etude in E Major, Op. 10, No. 3 (Chopin) ? Evening Prayer from Hansel and Gretel (Humperdink) ? Funeral March of a Marionette (Gounod) ? He Shall Feed His Flock from Messiah (Handel) ? Heidenröslein (Schubert) ? Hungarian Dance No. 5 (Brahms) ? Intermezzo, Op. 117, No. 1 (Brahms) ? Irish Tune from County Derry (Grainger) ? Jupiter Chorale from The Planets (Holst) ? La donna è mobile from Rigoletto (Verdi) ? Largo from Serse (Handel) ? Largo from Symphony No. 9 ?From the New World? (Dvorák) ? Lullaby (Brahms) ? Lullaby (Schubert) ? Marmotte (Beethoven) ? Mazurka (Glinka) ? The Merry Farmer from Album for the Young (Schumann) ? Minuet from String Quintet in E Major, Op. 11, No. 5 (Boccherini) ? Minuet in D minor, BWV Appendix 132 (Anonymous) ? Minuet in G Major, BWV Appendix 114 (Petzold) ? Minuet in G Major, WoO 10, No. 2 (Beethoven) ? Minuet in G minor, BWV Appendix 115 (Petzold) ? The Moldau from Ma Vlast (Smetana) ? Musette in D Major, BWV Appendix 126 (Bach) ? Non più andrai from The Marriage of Figaro (Mozart) ? O mio babbino caro from Gianni Schicchi (Puccini) ? Ode to Joy from Symphony No. 9 (Beethoven) ? On the Beautiful Blue Danube (Strauss) ? Pavane (Fauré) ? Pomp and Circumstance March No. 1 (Elgar) ? Schlummerlied, Op. 84, No. 2 (Baermann) ? Solvejg's Song from Peer Gynt (Grieg) ? St. Anthony Chorale (Haydn) ? Theme from Swan Lake (Tchaikovsky) ? To Music (Schubert) ? Toreador's Song from Carmen (Bizet) ? Waltz from Sleeping Beauty (Tchaikovsky) ? Waltz from The Merry Widow (Lehár) ? Waltz, Op. 39, No. 15 (Brahms) ? Wild Horseman from Album for the Young (Schumann). / Partitions classique / Bois / Clarinette / HAL LEONARD

Edited by Thurston Dart. 24 pieces selected and edited from the ms. in the Fitzwilliam Museum Cambridge copied by Francis Tregian between 1609 and 1619.CONTENTS ANONYMOUS (Almain in G; Alman in G minor; Corranto in A minor; Corranto in D minor; Corranto in F; Corranto in G;

Dale Warland Choral Series-Winner of the 2007 VocalEssence Carol Competition this flowing setting of a 16th century anonymous text features the shimmering sounds of a Celesta as it echoes and comments upon the vocal phrases creating a magical andmysterious atmosphere. It may also be performed with Piano or other Keyboard instrument. Duration: ca. 3:55.

Though also available for mixed voices (HMC2321) here Dan Forrest sets this anonymous text for male voices TTBB with piano. Optional violin horn timpani and percussion (HMC2357a) are also possibilities. High school men or more mature voices would find success enjoyment with this piece.

Six songs for tenor voice and guitar-This characterful collection features settings of six 16th- and 17th-century lyrics by anonymous authors with lively guitar accompaniments ranging from expressive and atmospheric to bawdy in character.

The simple but lovely melody of this anonymous Christmas carol from the Laudis Corona Boston collection of 1885 is beautifully arranged here for mixed voices. Try a set of Neil Harmon carol arrangements on your next Advent lessons and carols.

Three Stages - Quodlibet for 12 Voices was composed by Pelle Gudmundsen-Holmgreen in 2003.Commissioned by and written for Ars Nova Copenhagen. Text by William Shakespeare Thomas Nashe anonymous (English) Clèment Janequin Steen Steensen Blicher street cries. Additional cries from 'Danish Street Cries' (1860-1985) edited and collected by Vagn Holmboe.

Easy Piano Pieces for Children (36). The 'Keyboard Crocodile' is actually quite harmless. This friendly beast crawls colorfully and playfully amidst these piano pieces from all over the world chosen from among the easiest pieces of all times. It wont wag its tail at the Funeral ofMax the Turtle or snarl at Carefree Jack. This delightful little reptile quickly finds its way into the hearts of all children beginning to play the piano. The only thing the 'Keyboard Crocodile' would like to sink its teeth into areboring piano albums for beginners! The 'Keyboard Crocodile' is actually quite harmless. This friendly beast crawls colourfully and playfully amidst these piano pieces from all over the world chosen from among the easiest pieces of all times. It won't wag its tail at the 'Funeral of Max the Turtle' or snarl at 'Carefree Jack'. This delightful little reptile quickly finds its way into the hearts of all children beginning to play the piano. The only thing the 'Keyboard Crocodile' would like to sink its teeth into are boring piano albums for beginners! Anonymous: Early French Dance Bach, J. S. : Musette Bartó k: Sorrow Batschinskaja: The Old Cuckoo-Clock Beethoven:German Dance Burgmuller: Arabesque Duncombe: Fanfare Minuet Fux: Almost a Canon Gillock: Fiesta Gillock: The Swinging Sioux Graupner: Bourree Gretschaninow: Riding on the Hobby Horse Gurlitt, C. : Night Journey Gurlitt, C. : The Little Rascal Gurlitt, C. : Theme and Variation Haydn: 2 German Dances Haydn: Gipsy Dance Kabalewskij: Dance Kodàly: Children's Dance Lefeld: Little Mouse Löhlein: Balletto Martin: Boogie No. 1 Mozart: Minuet Mozart, Leop. : Bourlesqe Schubert: Ecossaise Schumann: Hide and Seek Schumann: Soldier's March Schwerdtner: The Funeral of Max the Turtle Schwertberger: Samba in Sixths Seifert: Little Piece Takàcs: Glider Flight Takàcs: Pien-Tshung Turk: Carefree Jack Turk: Echo in the Castle Vanhal: Allegretto WitthauerTurk: Gavotte / Niveau : Facile / Répertoire d'Examen / Recueil / Piano

54 Pieces and 23 Exercises for Classical and Fingerstyle Guitar. Right hand arpeggios are essential cornerstones for the development of classical and fingerstyle guitar technique. The study of arpeggios will enable the student of the guitar the opportunity to observe and refine technique and musicianship while playing beautiful music. Includes: 23 Arpeggio Exercises (from Complete Method for Guitar by Carcassi) - Grazioso (Guiliani) - Lõndler Op. 9, No. 4 (Mertz) - O Mio Babbino Caro (Puccini) - Prelude (J.S. Bach) - Recuerdos de la Alhambra (Tßrrega) - Spanish Romance (Anonymous) - Study Op. 35, Nos. 9, 13 and 22 (Sor) - and much more.

Text: Anonymous 15th Century-This carol written for the choir Canticum is an upbeat setting of a rarely-used 15th-century English text and would be an exciting new addition to any mixed-voice choir’s Christmas repertoire. A ‘sung-whisper’ repeating phrase in the basses through most of the carol adds an air of mystery and momentum as the text which uses some early English language describes the coming of Jesus.

Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The 10th volume of Domenico Scarlatti?s Sonate per clavicembalo represents a crucial landmark of this series, i.e. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer?s production. For a long time, the style of these sonatas and their role in the history of keyboard music has been debated. But nobody had ever examined thoroughly the key aspects of textual criticism, intended not only as a detailed reconstruction of the text, but as a philological study with a full scope. This volume is the first step in such direction. The musical text of this edition is the result of a systematic comparison of all the eighteenth century printed and manuscript sources preserving Scarlatti?s treasured Essercizi. In some cases, the edition presents an alternative version of the same sonata, based on the sources? examination and sometimes showing an intricate web of authorial variants. The detailed Critical Notes take into account all the variants handed down by the sources. Many topics are discussed in the rich Introduction, first and foremost the historical context and the genesis of Scarlatti?s sonatas. Furthermore, other important topics are investigated, such as: the relationship between the Essercizi and the rival Londonese edition by Roseingrave: the role and chronology of the contemporary French editions, known under the name of Boivin: the early interventions of anonymous performers.

for Mezzo-Soprano Flute Cello and Harp Score and Parts-The anonymous text was found on a wall of a Jewish safehouse from World War II. The original version of this piece with piano was commissioned by Sharman King for Brenda Fedoruk. This arrangement replaces the piano part with harp.

The text by an anonymous 15th century poet is illuminated by the legato and expressive phrases of this evocative work. From the Craig Hella Johnson Choral Series. Performance Time: Approx. 6:00.

Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me' and Opera for six singers and Chamber Orchestra.Rui Horta and Joana Carneiro are responsible for the stage direction and the musicaldirection.'My idea in writing Paint Me was to bring together six characters all of whom have a prolific imaginative interior life and to explore what they would make of each other in the confines of a railwaycompartment. The model for my libretto is Geoffrey Chaucer’s The Canterbury Tales. The travellers in Paint Me are also on their way to Canterbury but they are strangers thrown together by the randomness of modern travel. Theirtales are not told publicly but in their own imaginations. Most journeys in the modern age are anonymous and conducted in silence. We have only a visual or perhaps manneristic impression of the people sitting opposite us. Thisintrospection in public opens up a private fantasy space in which our fellow travellers can become the characters in instant psychological dramatisations.I wanted to formalize each character’s fantasy into a full narrative. Theresult is a kind of anthology of operatic short stories surrounded by the framework of an ordinary journey.'     - Stephen Plaice

Virgil Thomson's The Feast Of Love based on the Pervigilium Veneris Anonymous Latin Stanzas of the 2nd or 4th century A.D. For Baritone Voice and Piano.The Feast Of Love originally for Baritone and Orchestra was commissioned by the Library of Congress and first performed there at the Elizabeth Sprague Coolidge Birthday Festival on November 1 1964. The soloist was David Clatworthy and theconductor was Walter Hendl. The work is a setting in the composer's free translation of the Pervigilium Veneris a collection of rhymed Latin stanzas from the second or fourth century A.D. celebrating the tree day festival ofvenus.