Gwyn Arch presents some hot and spicy choral arrangements of five classics of Latin America written specially for SATB chorus and guaranteed to thrill and delight at any occasion! The pieces include Sloop John B Guantanamera and of course Jobim's much-loved Girl From Ipanema. Full Piano accompaniments are included where required. Add a funky dash of sunshine to your choral repertoire!

Here is an arrangement in the style of the groundbreaking Singers Unlimited that is a WOW! For advanced vocal jazz ensembles but with such a high impact it will be worth the effort.

Optional bass and drum kit parts. Par CHILCOTT BOB. Forces or Category: SATB and piano, with optional bass and drum kit SATB and piano, with optional bass and drum kit This dynamic collection presents four jazzy settings of favourite madrigals by Thomas Morley, John Bennet, and Orlando Gibbons. The stylistic piano part may be played as written or serve as a guide, and a bass and drum kit part is available separately for trio accompaniment. / Date parution : 2022-05-31/ Recueil / Ch?ur SATB et Piano, avec basse et batterie en opt

Three jazz hymns. These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of Come down, O Love divine supplies some new harmonic moves to Vaughan Williams? lovely tune Down Ampney, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of God is Love, which can also be sung to the supplied words of Charles Wesley?s hymn Love Divine, again adds more of Todd?s iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of Let all mortal flesh keep silence is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for ?Lord most high?. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.

Sing All The Best est une collection de chorales pour soprano, alto, tenor et basse avec accompagnement au piano. Les sélections contenant des tubes et des standards, offrent une bibliothèque de musique populaire tres accessible aux chorales, avec des arrangements tellement amusants et iventifs que n'importe quelle chorale les appréciera. / Divers / 56 pages / niveau : Intermédiaire / Partition

De nombreuses chorales, ' Classic répond Jazz ', c'est un thème bienvenu, surtout si un choeur veut apprendre et répéter un répertoire stylistique de grande envergure. Ces arrangements qui reposent sur les oeuvres de Schubert (sérénade ' Leise flehen meine Lieder '), Brahms / Choeur Mixte (SATB) Avec Piano

Arrangement: Zegree. Par SCHMIDT / JONES. Steve Zegree's jazz harmonies in this classic ballad from The Fantasticks simply shimmer in this warm a cappella setting! / Date parution : 2005-07-10/ Répertoire / Voix Mixtes

Purity of line and harmony focus attention on the expressive text of this beautiful ballad. / Voix Mixtes

Arrangement: Mattson. Par WEILL / ANDERSON. This a cappella arrangement of the vocal jazz standard will leave your audience spellbound. Stunning! / Date parution : 2007-11-14/ Feuillet / Voix Mixtes

Who can resist this musical theater standard? The opening piano chords, played at a restrained strut tempo, are instantly recognizable---this is Broadway gold! Add some Fosse-esque staging to bring the house down. / Choeur Mixte (SATB)

Cet hymne d'adoration est comme rien que vous avez entendu! En utilisant seulement le mot 'Alleluia' dans des harmonies de jazz luxuriants, la pièce est une célébration de louange qui s'élève rempli. / Choeur Mixte (SATB)

Vocal Jazz Series. This jazz standard by the great Dizzy Gillespie is here arranged using an alternating Latin Swing and a straight swing style. There is lots of room to feature soloists along with an ensemble scat section. This is an important song from the Bebop era of jazz and a great arrangement by one of the great jazz educators.

Jazz lovers will truly enjoy this sensitive a cappella setting. Interesting harmonies and well-crafted vocal lines will make it a joy to rehearse as well. For SATB a cappella. Performance Time: Approx. 2:30.

One of the highlights of the Magical Mystery Tour album and film is this psychedelic ode to an affectionately observed stranger. As part of Hal Leonard's 'Vocal Jazz Series' this delightful song has been arranged for SATB chorus with a delicate Latin flavour that will sparkle as part of any choral concert.An SAB arrangement is available - catalogue number HL08743685 An SSA arrangement is available - catalogue number HL08743686