Ce livre fait partie d'une série cordes arrangées pour violon, alto et violoncelle. Les arrangements sont complètement compatibles les uns avec les autres et peut être joué ensemble ou en solo. Chaque livre propose un accompagnement au piano spécialement conçu qui peut être facilement joué par un professeur ou un étudiant de piano intermédiaire et une partie amovible conçu avec soin complet avec coups d'archet, les articulations, et les touches bien adapté pour le joueur de niveau 2-3. Un CD entièrement orchestrées accompagnement est inclus. Chaque chanson sur le CD comprend une piste de DEMO, qui dispose d'une chaîne de performances live, suivie par la piste Play-Along par lui-même.Ce livre est aussi le cadre d'un Lord Of The Rings séries instrumentales écrites pour flûte, clarinette, sax alto, sax ténor, trompette, cor en fa et le trombone. / Violoncelle Et Piano

Une collection de 13 pièces de 12 compositeurs, avec des enregistrements de spectacles plein, et accompagnements de piano uniquement à être utilisés comme pistes d'accompagnement. / Violoncelle

extrait du Carnaval des animaux-A flowing gliding piece in which Saint-Saens perfectly evokes the elegant and dignified movements of a Swan. Perhaps the best known of his outstanding suite of tone poems Carnival of Animals. This transcription for Cello and Piano accompaniment.

First performed in April 1981 by Ronan Jablonski and Krystyna Brucinska in Warsaw.

A collection of fourteen pieces for Cello and Piano introducing some lesser-known pieces. Suitable for intermediate-advanced players (grade 5-8).

Retrouvez le Concerto In B Minor Op.35 d'Oskar Rieding pour violoncelle avec accompagnement piano, écrit pour être joué de la première à la septième position. Cet arrangement fait parti du programme de l'examen ABRSM pour violoncelle de cycle 5.

Description Benedetto Marcello: Six Sonatas For Cello Or Double Bass Six Sonatas for Cello or Double Bass with Piano accompaniment. Songlist Six Sonatas For Cello (Double Bass) And Piano

Suite pour violoncelle et piano. Par LAKS SIMON. Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the „École de Paris“. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the „Association of Young Polish Musicians“, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak‘s enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year. . / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano

Par TAYLOR LORNA. Cello part with pull-out piano accompaniment and alternative free backing tracks downloadable from www.cliftonedition.com/C322 Easy to follow, structured material to teach pupils whatever their age, 4th position and the process of shifting between 1st and 4th positions. These cello tunes have fairly easy but effective piano accompaniments. See also 'Taylor Made’ and ‘Tenor Clef’. / Date parution : 2023-10-31/ Recueil / Violoncelle et Piano

Par TAYLOR LORNA. Cello part with pull-out piano accompaniment and alternative free backing tracks downloadable from www.cliftonedition.com/C323 The third book in the series, this book is designed to take cellists through the process of learning to read the tenor clef in a step-by-step, structured approach. To read the higher notes it is necessary to use 5th, 6th, 7th and 8th positions all of which are covered. The book thus provides a follow-up to Lorna Taylor's 'Go Fourth' and 'Taylor-Made'. / Date parution : 2023-10-31/ Recueil / Violoncelle et Piano

Par VAN DER PALS LEOPOLD. Two pieces for cello and piano, Op. 240 (1960) composed by Leopold van der Pals / Date parution : 2023-10-31/ Répertoire / Violoncelle et Piano

16 leichte Popstücke in der 1. - 4. Lage. Par KOEPPEN GABRIEL. An absolute must for modern cello lessons: Hot Cello is a varied mixture of pieces from pop, rock, blues and jazz music. Volume 1 is very easy and limited to the first position. Students are gradually introduced to technical and musical problems. The second part is intended for the teacher or advanced students. The pieces in Volume 2 are musically and technically more demanding and assume an ability to play in 1st-4th position. All pieces are included on the accompanying mp3 pack. / Date parution : 2023-10-31/ Répertoire / Violoncelle et Piano