Aus: Stabat Mater. Par ROSSINI GIOACHINO. Tonalité : g-Moll - / Hymnes et chorals / Répertoire / Choeur SATB

Ce livre pour la chanteuse de l'auto-formation contient 3 oeuvres de langues différentes, d'âges et de styles recueillies et commentées par Hervé Magnan:Th. Morley, Agnus Dei W. A. Mozart, Luci soins J. Absil, Le Dromadaire CD inclus. / Livre Et CD

Madrid-Messe. Par SCARLATTI DOMENICO. Tonalité : g-Moll - / Messe / Répertoire / Choeur SATB

Par DVORAK ANTONIN. Em Pianoehlungen: Chormusik der Romantik - Literaturem Pianoehlung - Gattungen: Weltliche Chorsätze - Reihen bei Carus: Chorsammlungen für gemischten Chor -/ Répertoire / SATB

Que vous soyez un quatuor vocal ou choeur, un débutant ou un chanteur expérimenté ou avec ou sans un conducteur vocale: ce livre est fait pour vous.De la Renaissance au XXe siècle, il vous donne toutes les clés pour (re) découvrir le meilleur des oeuvres a cappella et de chanter vos parcours grâce à des informations détaillées. CD inclus. / Livre Et CD

La série ' Chanter en Canon ' rassemble à ce jour quatre recueils de canons. Chaque livret, regroupant environ 25 canons, ne recherche pas l'unité de style, ni l'unité de niveau d'exécution. Le parti pris est celui de l'anthologie ou du florilège. Enseigner et divertir dans la diversité, tel en est le but de cette collection. / 2 À 4 Voix A Capella

Cheryl Frances-Hoad's There Is No Rose for SATB.Winner of the Bach Choir Carol Competition premiered at the Royal Albert Hall during their Christmas Concert 1995.Duration: 3 minutes

A series of short volumes each devoted to a single composer or appropriate group of composers thoroughly exploring the unlimited resources of Renaissance sacred polyphony.

A Meditation on the Sacred Passion of the Holy Redeemer for Tenor and Bass solo SATB Choir with Organ accompaniment with hymns for congregational participation. The text was selected and written by Reverend J. Sparrow-Simpson and revised by Michael Pilkington. The crucifixion was first performed in 1887.This Novello edition of the vocal score is clear and well presented with thoroughly accurate and detailed editorial markings and suggestions as edited by Michael Pilkington.

Gustav Mahler's Ich bin der Welt abhanden gekommen expertly arranged for Baritone solo and 8-part Choir (SSAATTBarB) by Bo Holten (2010). Text by Friedrich Rückert. Programme note Gustav Mahler: Ich bin der Welt abhanden gekommen (arr.: Holten 2010) is an arrangement for baritone soloist and 8-part choir of one of Mahler’s Rückert-Lieder. There is already an often performed arrangement for 16-voice choir by Clytus Gottwald which Holten has himself conducted a few times. But Holten does not really think that Gottwald does justice toMahler’s song; among other things it lacks a soloist who can express the “Ich” that is so central to the text. Holten takes his cue from Mahler’s piano setting but with Mahler’s own sublime orchestral setting firmly in mind. The choir thus functions as an (orchestral) accompaniment for the soloist. Holten has taken pains to stay as close to the model as possible within the constraints of what in fact can be sung by a choir. And he has striven to function solely as an arranger and as far as possible to avoid mixing his own personality with Mahler’s.(Klaus Møller-Jørgensen 2012)

Pierre Villette's O Magnum Mysterium - a motet for unaccompanied full Mixed Choir.