for SATB Chorus a cappella-With a sound at once modern and medieval this remarkable setting of the familiar Latin text starts in unison and evokes plain chant and gradually unfolds into wider harmonies and more modern harmonic language. Not unduly challenging in terms of vocal range it's readily accessible to good high school mixed choirs for concerts or festivals at any time. Available separately: SATB SSAA a cappella. Duration: ca. 3:00. Recorded by VocalEssence Philip Brunelle conductor.

Par MAW NICHOLAS. Based on a melodic text, Swete Jesu was written for the Choir of King's College, Cambridge in 1992 for their annual carol service. With Piano Accompaniment for rehearsal./ Feuillet / Voix Mixtes

Missa Brevis de Giovanni Palestrina pour quatre voix non accompagnés, a été édité et arrangée pour usage moderne, par Henry Washington. Cette édition contient également une réduction du piano pour fins de pratique. / Chant Et Piano

Composé sur la commission en 2004 par le choeur de Chambre des pays-bas et le chapitre de la cathédrale de Winchester, c'est un cadre de texte à partir Il Paradiso de XXXIII de Dante de Canto. Il fut créé en octobre 2004 par le choeur de Chambre des pays-bas menée par Stephen Layton. / Choeur Mixte (SSAATTBB)

Thierry Escaich : Les Lamentations Du Prophète JérémieChoeurs à 4 voix mixtes et/ou piano/orgue et ensemble - Choeurs mixtes / Voix / Partition

Song For Athene, pour chorale SATB non accompagnés, a été commandé par la BBC et écrit dans la mémoire d'Athéna Hariades, décédé en Mars 1993. Le texte est tiré du Hamlet de Shakespeare et le service funèbre orthodoxe. Le travail a d'abord été réalisée à l'enterrement de Diana, princesse de Galles en Septembre 1997 sous le titre Alleluia. Vols de mai des Anges Toi Chantez à ton repos. Martin Neary a mené l'abbaye de Westminster Choir. / Voix

'In the need of prayer' est l'oeuvre la plus récente parue dans série Concerts for Choirs, laquelle représente une approche innovante de planification des programmes de concert. Chaque volume contient une quantité importante d'oeuvres dans l'intention de f / Choeur Mixte A Cappella Ou Avec Piano / 128 pages / Partition

Ce travail a été commandé par le maître et les boursiers du Collège St Jean, à Cambridge, à l'occasion du 500e anniversaire de la fondation du Collège. Le Magnificat a été réalisée par Andrew Nethsingha et le Choeur du Collège St-Jean le 30 Octobre 2011, et le Nunc dimittis (dans le cadre d'un spectacle complet), le 5 Février 2012. / SATB / 20 pages / Partition

Get ready to have a camp meeting with this oldtime favorite. Stan Pethel proves himself once again the king of the gospel toe-tappers with this lively new number available with a rousing LiteTrax accompaniment option. The basses have a chance to shine and everybody will be sure to give this winner a rousing ?Amen? when the last notes are sung! Great!

(Novello New Choral Series)-There is no rose of such virtue is an anonymous mediaeval text already well known through beautiful settings by Britten (in his Ceremony of Carols) John Joubert and others. The poem is ‘macaronic’ (it presents a verse in English followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting the second gives the melody to the tenors and surrounds them with hushed wordless writing for the other parts and the third explores a freely canonic relationshipbetween the tenor and soprano lines before carrying the previous verse-endings to a higher more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse where the texture of the music attenuates again to four parts and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence.Francis Pott (b. 1957) began musical life as a chorister at New College Oxford. He held open music scholarships at Winchester College and at Magdalene College Cambridge where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda’s College Oxford and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music University of West London later leading research across the University’s Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in

These editions taken from the acclaimed Tudor Anthems anthology represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Batten Byrd Gibbons Philips Sheppard Tallis Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

Paul Mealor's setting of the Latin hymn Ubi Caritas was composed for the Marriage of His Royal Highness Prince William of Wales K.G. to Miss Catherine Middleton and first performed by the Choirs of Westminster Abbey and Her Majesty's Chapel Royal St James's Palace conducted by James O'Donnell at the wedding service at Westminster Abbey on Friday 29th April 2011.For SATB choir (with divisi). 'My new piece Ubi Caritas for the Royal Wedding takes its text from the sixth century Christian hymn that was normally sung at the service for the washing of the feet on Maundy Thursday. The words originally in Latin mean: 'Where charity and love are God is there. Let us come together in God's love and let us love each other with a sincere heart.' '  - Paul Mealor guardian.co.uk   Friday 29 April 2011

As a lily among thorns was composed as a wedding present for Katie Johnston and John Hillier in March 2004. It was performed at their marriage in Christ Church Cathedral Oxford and later performed publicly by Commotio directed by Matthew Berry. The words are taken from the Song of Songs.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden theirrepertoire and explore some of the best new music around.Thomas Hyde (b.1978) studied at Oxford University where he gained a doctorate in composition in 2008 and the Royal Academy of Music. His teachers have included David Matthews Simon Bainbridge Peter Maxwell Davies and Robert Saxton. In October 2008 he was appointed Lecturer in Music at Worcester College Oxford and since September 2009 has been visiting lecturer in composition at City University London. Prizes include finalist in English National Opera’s young composer festival ‘New Visions New Voices’ (1992) the National School Band Association Prize (1993) and a Wingate Scholarship (2004-5). His music is performed regularly in Britain at festivals including Spitalfields City of London Presteigne Deal and Little Missenden as well as abroad and has been broadcast on BBC Radio 3. Recent works have included a string quartet for the Allegri Quartet and the one-man opera That Man Stephen Ward for the Hampstead & Highgate Festival.